for trumpet and organ. Par HENZE HANS WERNER. “Requiem, 9 sacred concertos for piano solo, trumpet and large chamber orchestra” is the title of the original work of which Henze said: “These nine instrumental pieces speak of the fears and needs of mankind today; of sickness and death, of love and loneliness.” Three movements of this extremely demanding and complex work - Rex tremendae, Lacrimosa and Sanctus - have here been skilfully arranged for the organ by the composer Moritz Eggert. This arrangement, which is now often played in churches, places great demands upon the musicians who perform it – but they can always be sure of producing a deep impact with these three Requiem movements. A version for trumpet and piano (ED 8548) is currently in production./ Recueil / Trompette en Do / C et Orgue

The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming. This volume lets you play along with original audio tracks recorded by the Piano Guys! Songs include: Fight Song/Amazing Grace - A Sky Full of Stars - Hello/Lacrimosa - Okay - Themes from Pirates of the Caribbean - Celloopa - Jungle Book/Sarabande - Holding On - Can't Stop the Feeling - Uncharted. The recorded tracks feature audio played by the Piano Guys! / Violoncelle

Ces neuf pièces instrumentales parlent de l'anxiété et la détresse de l'humanité à notre époque, de maladie et de décès, d'amour et de solitude. Henze traite de questions d'importance existentielle dans son Requiem, neuf religieuses concertos pour piano solo, concertante trompette et orchestre de chambre de gros. Pour suivre l'arrangement pour trompette et orgue déjà publiés, les trois mouvements Rex tremendae - Lacrimosa - Sanctus des neuf concertos sont maintenant également publiés dans une version pour trompette et piano. Ces deux instruments ont déjà un rôle de premier plan dans la structure exigeante de le oeuvre originale. Dans la version actuelle de la complexité d'une grande portée des travaux a été concentrée dans un duo polyrythmiques. / Trompette En Do Et Piano

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Chœur Mixte SATB et Orchestre

Par YANOV-YANOVSKY DIMITRI. Dimitri Yanov-Yanovsky's Lacrymosa for Soprano and String Quartet. Dimitri Yanov-Yanovsky's Lacrymosa for Soprano and String Quartet./ Répertoire / Soprano et Quatuor à Cordes

Sopra Sequentia 'Dies Irae'. Par TACHEZI HERBERT. Die Abschnitte 'Dies irae” - 'Tuba mirum” - 'Juste judex” - 'Lacrimosa” spüren den Linien der Choralmelodie nach./ Répertoire / Orgue

Klav. Par TAKACS JENO. Am Grabe von Franz Liszt” ist als Hommage an den Klaviermeister zu sehen. Die zwei Stücke 'Lacrimosa” u. 'Totentanz” wurden vom Europäischen Liszt-Center in Eisenstadt in Auftrag gegeben. / Niveau : Elémentaire / Répertoire / Piano

transponiert nach c für 5 Gamben. Par LEGRENZI GIOVANNI. Transponiert Nach C Für 5 Gamben/ Répertoire / 5 Violes de Gambe

g-Moll. Par LEGRENZI GIOVANNI. Langue : o Spr/ Répertoire / 2 Violons, Alto, Violoncelle et Basse Continue

Par LEGRENZI GIOVANNI. Langue : o Spr/ Répertoire / 2 Violons, Alto, Violoncelle et Basse Continue