The Contemporary Guide To Improvisation. Composed by Daniel Gilbert and Beth Marlis. Musicians Institute Press. Soloing, Improvisation and Play Along. Softcover instructional book and examples/accompaniment CD. With guitar tablature, standard guitar notation and instructional text. 160 pages. Published by Musicians Institute Press

Composed by Alberto Lombardi. DVD. Rock & Blues. 2-DVD Set. Mel Bay Publications, Inc #GW1062S. Published by Mel Bay Publications, Inc

SKU: M7.ELLI-3570

Musik aus Osteuropa. Composed by V.A. 3 CDs. 3 CDs with 72-page booklet. Duration 185'. Intuition #ELLI 3570. Published by Intuition (M7.ELLI-3570).

ISBN 9781559614580. UPC: 052296357023.

The end of the Cold War and the dissolution of the Soviet Bloc has opened a floodgate of communication with the nations of Eastern Europe, allowing access to their long sequestered heritage of music and culture. This collection ranges from ethereal church chorales to earthy peasant dances to modern fusions with Western rock, pop and jazz. The instrumentation includes fiddles and accordions, brass bands and bagpipes, cimbaloms and utogaardons, jew's-harps and hurdy-gurdies, with vocals that range from the sensual to the sublime. Accompanying ''Unblocked's'' three CDs are essays on Eastern Europe's tangled web of languages, tribes and religions, as well as photos and extensive track notes. ''Unblocked documents diversity and the survival of local forms against the pressures of homoginazation and globalization.'' [NY Times].

(solos: fl,tbne - TTTTBBBB - 3(3picc).4.3.0.dble bsn. - 4.3.0.2. - timp.perc(3) - hp.e-guit - str: 16.8.8.8.8.)

SKU: BR.PB-5420

Composed by Helmut Lachenmann. Softbound. Partitur-Bibliothek (Score Library). Music post-1945; New music (post-2000). Study Score. Composed 1997-1999/2003. Duration 38'. Breitkopf and Haertel #PB 5420. Published by Breitkopf and Haertel (BR.PB-5420).

ISBN 9790004211830. 9 x 12 inches.

Vielleicht so etwas wie ein ,,Parergon zu meiner Madchen-Oper Zwei Klangquellen - unter ambivalenten Aspekten zugleich homogen und heterogen, nicht so ohne weiteres zusammenpassend: - Posaune und Flote/Bassflote - (mit Resonanzen aus zwei Konzertflugeln), 8 Mannerstimmen - alle erzeugen Tone, und Luft, Zweiklange, Vibrationen, Schwebungen, Rattern, Konsonanzen. Und rattern und sprechen - und japsen, Orchester mit 4 Oboen, 3 Floten, 3 Klarinetten, zwei Kontrafagotten (unterbeschaftigt), 4 Horner, drei Trompeten, keinen Posaunen, 2 Tuben, die in der Tiefe rappeln, zwei Klavieren, Gitarre-Harfe, Streicher (,,Perforateure), 3 Schlagzeuger, rappeln (Fellwirbel), - und schwingen China-Becken durch die Luft, dampfen aus und vorzeitig ab (,,japsen) und: halten aus. Musik zum Aushalten, ist nicht zum Aushalten. Ein Orchester mit vielen Unisono-Quellen Es ist immer wieder auf andere Weise - jedes Mal das gleiche: Musik, nicht als Text, nicht als diskursiver Verlauf, gar als klingendes Drama, - eher eine Art kunstliches und als Produkt einer komplexen Spekulation zugleich transzendentes Natur-Schauspiel, als ,,reine Prasenz - (Das sind allerdings Wort-Hulsen, die schlecht an das erinnern, was sie nicht mehr zu nennen, zu fassen wagen bzw. imstande sind. Begriffe, die es abzurufen und zugleich im Blick auf die Sache selbst auszustreichen gilt.): Sie zu beschworen, ohne dabei in schlecht besinnliche ,,meditative Idyllen, bzw. idyllische Standards zu verfallen, gehort zu meinen zentralen Utopien - Ihre Wunschbarkeit/Stringenz/e xistentielle Notwendigkeit, ,,Wahrheit ist hienieden nicht zu trennen von ihrer Unmoglichkeit, wegen der Standardisiertheit aller Mittel, auf der ihre Verwirklichung, ihre Anpeilung, ihre Ins-Werk-Setzung verwiesen ist. Aber: alles soll/wird in dieser wie auch immer vermittelten Prasenz beruhrt, erlost, befreit sein. Kann man Erfahrungen, deren Unmoglichkeit, deren Verschuttetheit man sich bewusst macht, vermitteln durch den Kampf gegen diese Unmoglichkeiten, Verschuttetheiten (= Unfreiheiten)??? Wer bin ich? Was ist das: das ich, das solche Suche, solches Abenteuer, solchen Kampf gegen die Materie auf sich nimmt?? Das ,,Ich ist kein Ding, sondern ein Ort (Kitaro Nishida - aber ich bin kein Buddhist, und auch kein Zen-Monch, sondern ein Anfanger in allem, auch im Komponieren des jeweilig konzipierten Stucks.) Das Wasser wascht das Wasser nicht - das Feuer verbrennt das Feuer nicht - der Schmerz selbst tut nicht weh. Der Genuss geniesst nicht. Das Horen hort nicht, das Leben lebt nicht - und so lebt es. Das Ich ist nicht das ich. Musik ist nicht Musik, ist Nicht-Musik: die einzige Musik, die den Namen in seiner emphatischen Bedeutung verdient. Musik sei Nicht Musik?? Sondern?? Ja - sondern. Komponieren heisst: sondern. Utopien kompositorisch zu beschworen, bedeutete fur meinen Mechanismus stets: ihre Verschuttetheit. Und das was - nicht zufallig - sie verschuttet hat. Oder zu verschutten droht, in den Griff zu nehmen.Helmut Lachenmann (Skizze)Mitten in meiner Oper Das Madchen mit den Schwefelholzern - nach Hans Christian Andersen -, die im winterlichen eiskalten Kopenhagen spielt, gibt es einen Sprung in die mediterrane Vulkanlandschaft Suditaliens, wo - nach einem Text von Leonardo Da Vinci - ,,die Schwefelfeuer den grossen Berg offnen, um Steine und Erde samt den heraustretenden und herausgespieenen Flammen durch die Luft zu schleudern, und im Ausbruch ,,jedes Hindernis verjagen, das sich ihrem ungestumen Wuten entgegenstellt. Leonardo sieht in diesem Naturvorgang eine Metapher fur die Unruhe des menschlichen Herzens bei der Suche nach Erkenntnis. Er beschreibt eine Wanderung durch die schattigen Klippen hindurch bis vor den Eingang einer grossen Hohle, vor welcher der Erzahlende ,,im Gefuhl der Unwissenheit eine Zeitlang verharrt: ,,Ich hockte mit gekrummtem Rucken, die mude Hand aufs Knie gestutzt, beschattete ich mit der Rechten die gesenkten und geschlossenen Wimpern: - und n u n -, da ich mich mehrmals hin und her beugte, um in die Hohle hineinzublicken, verbot mir das die grosse Dunkelheit, die darin herrschte. Als ich aber eine Zeitlang verharrt hatte, erwachten in mir zwei Gefuhle: Furcht und Verlangen - Furcht vor der drohenden Dunkelheit der Hohle, Verlangen aber, mit eigenen Augen zu sehen, was an Wunderbarem darin sein mochte. Diesem ,,n u n ist meine Komposition gewidmet: Sie - ahnlich wie auf andere Weise mein Klavierkonzert Ausklang - ist sozusagen ,,meine Alpensymphonie. Anders als bei Strauss allerdings beschwort sie Energien und Eruptionen in einer Klanglandschaft weitab von jeglicher musiksprachlichen Geborgenheit. Wahrend im Strauss'schen Meisterwerk der Wanderer aus stimmungsvollem b-moll-Morgennebel aufbricht - allerdings erst den in A-Dur strahlenden Sonnenaufgang abwartet ... - und in frohlichem Es-Dur lossturmend auf tonal gesicherten Wegen zum majestatischen C-dur-Gipfel glucklich hinaufgelangt - den er allerdings bei hereinbrechendem Unwetter eilends verlasst, um ins schutzende Tal hinabzufluchten -, verharrt der Wanderer Leonardos in NUN in unwirtlicher Hohe vor jener Furcht und Verlangen erregenden Hohle. Meine Musik, sozusagen als brodelnder Krater beginnend, verwandelt sich in eine Sequenz von Rufen, deren Widerhall die ,,drohende Finsternis zu durchdringen und auszuloten versucht, und sie mundet - auf dem Umweg uber eine Art ,,Tanz auf dem Vulkan der beiden Solo-Instrumente - in eine instrumental paraphrasierte Sprech-Landschaft, als ob das Zischen und Fauchen, nichts weiter wiedergabe als die erweiterten Konsonanten eines gesprochenen imaginaren Textes. Dieser schliesslich - als Botschaft des im Ungeborgenen nach Erkenntnis Suchenden - konkretisiert sich zu jenem abgrundigen Satz des japanischen Philosophen und Grunders der ,,Kyoto-Schule, Kitaro Nishida: ,,Das Ich ist kein Ding, sondern ein Ort. Die Beziehung meines Werks zur Strauss'schen Alpensymphonie - der Komponist wollte sie ursprunglich nennen ,,der Antichrist - ist in ihrer antipodischen Gegensatzlichkeit evident. Es ist eine machtvolle, letztlich aber gutige, dem Menschen zugewandte, idyllische Natur, die bei Strauss beschworen wird, und den nachtlich in die hausliche Behaglichkeit Heimkehrenden erfullt Ehrfurcht und Dankbarkeit: es ist ein ,,glaubiger Antichrist, und die Pastorale Beethovens lasst grussen. Wie alles von Strauss war es ein - s e i n - letzter (oder vorletzter ...) Blick auf ein zerfallendes Paradies (1915 geschrieben ...). Heute ist vielleicht jedes Werk, welches sich den innovativen Anspruch von musikalischer Tradition zu Eigen gemacht hat und im 21. Jahrhundert den Musikbegriff jenseits tonaler Sprachvertrautheit in ungesichertem Klang-Terrain neu zu bestimmen sucht - eine Art Bergbesteigung in weglosem Gelande, und wenn schon nicht eine ,,Alpensymphonie, so doch eine Gratwanderung: abenteuerlich - verlockend - nicht ungefahrlich: ,,non hay caminos .... Helmut Lachenmann (Februar 2003)CDs: Gaby Pas-Van Riet (flute), Michael Svoboda (trombone), Neue Vocalsolisten Stuttgart, WDR Sinfonieorchester Koln, cond. Jonathan Nott CD KAIROS 0012142KAIDietmar Wiesner (flute), Uwe Dierksen (trombone), SCHOLA Heidelberg, Ensemble Modern Orchestra, cond. Markus StenzEMCD-004Bibliography :Hidalgo, Manuel: Mozart in Lachenmann, in: auf (-) und zuhoren. 14 essayistische Reflexionen uber die Musik und die Person Helmut Lachenmanns, hrsg. von Hans-Peter Jahn, Hofheim: Wolke 2005, pp. 35-46.Hiekel, Jorn Peter: Interkulturalitat als existentielle Erfahrung. Asiatische Perspektiven in Helmut Lachenmanns Asthetik, in: Nachgedachte Musik. Studien zum Werk von Helmut Lachenmann, hrsg. von Jorn Peter Hiekel und Siegfried Mauser, Saarbrucken: Pfau 2005, pp. 62-84.Kaltenecker, Martin: Was nun? Die Musik Helmut Lachenmanns als Beispiel, in: Der Atem des Wanderers. Der Komponist Helmut Lachenmann, hrsg. von Hans-Klaus Jungheinrich, Mainz: Schott 2006, pp. 113-128.Maier, Birgit; Britz, Vanessa; Arnold, Miriam: Helmut Lachenmann: NUN, in: Flote aktuell (2003), Heft 4, pp. 20-24.Pas-Van Riet, Gaby: On NUN, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, p. 165f.Svoboda, Mike: NUN An Inside View, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 161-164.Wellmer, Albrecht: Helmut Lachenmann: Die Befreiung des Klangs in der konstruktivistischen Tradition der europaischen Moderne, in: ders., Versuch uber Musik und Sprache, Munchen: Hanser 2009, pp. 270-299.Utz, Christian: Paradoxien musikalischer Temporalitat. Die Konstruktion von Klanggegenwart im Spatwerk Bernd Alois Zimmermanns im Kontext der Prasenzasthetik bei Giacinto Scelsi, Gyorgy Ligeti, Morton Feldman und Helmut Lachenmann, in: Die Musikforschung 68 (2015), pp. 22-52.

World premiere: Cologne (Musik der Zeit), October 20, 1999 World premiere of the revised version: Berlin, Konzerthaus, January 17, 2003.

By Frank Sinatra. Edited by Rob Duboff. Arranged by Nelson Riddle. For big band with vocal. Swing. Medium. Full score and set of parts. Published by Jazz Lines Publications

Chorus SATB chorus a cappella

SKU: XC.VOC2401

Arranged by Jamey Ray. Rhapsody Grade 3.0-3.5. Octavo. Excelcia Music Publishing #VOC2401. Published by Excelcia Music Publishing (XC.VOC2401).

10.5 x 6.75 inches.

Voctave's rendition of Twinkle, Twinkle, Little Star from the album Goodnight, My Someone is a masterclass in choral artistry. The arrangement is a breathtaking transformation of a familiar tune into a celestial tapestry of lush harmonies and evocative vocals, making this a must-have for choirs seeking a spellbinding and enchanting addition to their repertoire, promising to elevate their performances to celestial heights.

SKU: HL.286761

Book. Biography / Music Bisac, Country Reference. Softcover. 80 pages. Published by Hal Leonard (HL.286761).

ISBN 9780915608331. UPC: 888680898519. 10.0x10.0x0.275 inches.

A tradition-rich singer and songwriter, Emmylou Harris nonetheless defies convention at every turn. She builds bridges between country, folk, gospel, rock, and bluegrass, honoring and celebrating the past while retaining a sensibility that is progressive and experimental. From her harmony vocals on key 1970s sessions with Gram Parsons and Bob Dylan to her more than forty years of recording distinctive solo albums, Harris has remained one of country music's most vital and satisfying artists. This book complements the Country Music Hall of Fame and Museum exhibition Emmylou Harris: Songbird's Flight, and contains commentary from Nashville Songwriters Hall of Fame member Rodney Crowell and infamous Road Manager Phil Kaufman, along with rare photos not included in the exhibit.

Instructional DVD for Guitar. By John Hammond. DVD. DVD . Guitar tablature. Published by Hal Leonard.

SKU: GI.G-008272

Composed by Brian Flynn. Sacred. GIA Publications #008272. Published by GIA Publications (GI.G-008272).

This album delivers a message of faith, healing, and praise that will be cherished in parishes and households across the country. Each song is distinct in sound while carrying on Brian's guitar-based style and comforting vocals. You will be delighted to hear a variety of instrumentation across this album including piano, cello, electric guitar, and mandolin. Instant favorites include title track, Born Again and joyous praise and worship tune The Name of Jesus co-written by Jeff Thomas.

50 Exercises for the Beginning to Professional Pianist. Musicians Institute Press (Instruction taken from the curriculum of MI). Softcover. Size 9x12 inches. 96 pages. Published by Musicians Institute Press

Essential Progressions, Patterns and Styles. By Steve Trovato. Musicians Institute Press (Instruction taken from the curriculum of MI). Softcover with CD. Size 9x12 inches. 48 pages. Published by Musicians Institute Press.

SKU: HL.1215365

Amber Bonzo. DrumNBase Rugs. General Merchandise. Hal Leonard #VP185-BNZII. Published by Hal Leonard (HL.1215365).

UPC: 196288139850. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 2.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong and durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).

SKU: HL.428629

Original Red 4.26' X 3'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP130-ORD. Published by Hal Leonard (HL.428629).

UPC: 196288064008. 3.5x35.0x3.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore the top is easy to clean and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 1.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • Nice compact size (4.26-feet x 3-feet) for a guitar/amp setup, small percussion setup, compact electronic drumset or accent for any room • 5.5mm thick • 2.8 kg. (6.1 lbs.).

SKU: HL.428640

Back in Black 6' x 5.25'. DrumNBase Rugs. General Merchandise. Hal Leonard #WVN-BBL. Published by Hal Leonard (HL.428640).

UPC: 196288064114. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 1.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).

SKU: HL.428636

Black Red 6' x 5.25'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP185-BLR. Published by Hal Leonard (HL.428636).

UPC: 196288064077. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 2.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).

SKU: HL.428630

Green 4.26' X 3'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP130-GRN. Published by Hal Leonard (HL.428630).

UPC: 196288064015. 3.5x35.0x3.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore the top is easy to clean and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 1.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • Nice compact size (4.26-feet x 3-feet) for a guitar/amp setup, small percussion setup, compact electronic drumset or accent for any room • 5.5mm thick • 2.8 kg. (6.1 lbs.).

SKU: HL.428638

Classic Worn 6' x 5.25'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP185-CLW. Published by Hal Leonard (HL.428638).

UPC: 196288064091. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 2.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).

SKU: HL.428634

Original Red 6' x 5.25'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP185-ORD. Published by Hal Leonard (HL.428634).

UPC: 196288064053. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 2.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).

SKU: HL.428633

Classic Worn 4.26' X 3'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP130-CLW. Published by Hal Leonard (HL.428633).

UPC: 196288064046. 3.5x35.0x3.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore the top is easy to clean and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 1.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • Nice compact size (4.26-feet x 3-feet) for a guitar/amp setup, small percussion setup, compact electronic drumset or accent for any room • 5.5mm thick • 2.8 kg. (6.1 lbs.).

SKU: HL.428635

Green 6' x 5.25'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP185-GRN. Published by Hal Leonard (HL.428635).

UPC: 196288064060. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 2.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).

SKU: HL.428631

Black Red 4.26' X 3'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP130-RBL. Published by Hal Leonard (HL.428631).

UPC: 196288064022. 3.5x35.0x3.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore the top is easy to clean and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 1.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • Nice compact size (4.26-feet x 3-feet) for a guitar/amp setup, small percussion setup, compact electronic drumset or accent for any room • 5.5mm thick • 2.8 kg. (6.1 lbs.).

SKU: HL.428637

Grey 6' x 5.25'. DrumNBase Rugs. General Merchandise. Hal Leonard #VP185-GRY. Published by Hal Leonard (HL.428637).

UPC: 196288064084. 4.5x67.0x4.5 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore, the top is easy to clean from drumstick wood chips and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 2.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • 6-foot x 5.25-foot: Good for larger spaces, fits full drumset with two floor toms and drum throne • 5.5mm thick • 5.5 kg. (12.1 lbs.).