By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Included with the book contains 37 melodies played by the following artists: Bob Sheppard - saxes and flute Steve Houghton - drums Dave Carpenter - acoustic bass Paul van Wageningen - drums Marc van Wageningen - electric bass Larry Dunlap - piano and synthesizer Dave Mac Nab - guitar.

Volume 102 - Jerry Bergonzi "Sound Advice" by Jerry Bergonzi. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Tasty compositions from this modern jazz tenor man, Jerry Bergonzi.. Intermediate, advanced. Book and CD. 76 pages. Published by Jamey Aebersold Jazz

String Quartet or String Orchestra - easy

SKU: BT.DHP-1135315-070

Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070).

ISBN 9789043146814. 9x12 inches. English-German-French-Dut ch.

More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!

More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!

More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.

More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert !

By Marco Uccellini. For 2 violins and basso cotinuo. Musica Italiana. Score and parts. 20 pages. Published by Moseler Verlag (German import). (MOS 46006)

CD. Published by Daehn Publications (DH.CDVOL2). Song List (20) Colonna: The Soaring Eagle La Plante: English Country Settings Daehn: A Song for Friends Broege: The Child and the Kings Colonna: Fanfare on ÒAdeste FidelisÓ Daehn: Nottingham Castle Boccherini/Stone: Pastorale FaurŽ/Daehn: Cantique Scheidt/Daehn: Canzona Bergamasca La Plante: March on the KingÕs Highway Vecchi/Daehn: Fa Una Canzona Knoener: Flag Patrol Daehn: A Renaissance Trilogy Bach/Daehn: Chorale and Fugue in F Bach/Daehn: Fugue in B Flat Stone: Mentor: Portrait of Albert Einstein Grainger/Daehn: IÕm Seventeen Come Sunday Grainger/Daehn: Walking Tune Grainger/Daehn: Themes from ÒGreen BushesÓ Broege: Concert Piece for Trumpet and Band

Brass Quintet 2 trumpets, horn in F, trombone, tuba - Advanced

SKU: CY.CC2215

Composed by Samuel Scheidt. Arranged by Karl Hinterbichler. Full score & set of parts. Published by Cherry Classics (CY.CC2215).

A wonderful set of variations on the famous Bergamasca theme of Samuel Scheidt that is a mainstay of the Brass Quintet literature. Brilliantly scored by Dr. Karl Hinterbichler of the Arizona Brass Quintet and well known Low Brass pedagogue. Instrumentation is for 2 Trumpets in Bb (Trumpet 1 doubles on Bb piccolo ), Horn, Trombone and Tuba. The work is for advanced groups and shows plenty of technique and flash. A great piece for an encore.

Chamber Music, Quartet 6 Trombones or 6 Sackbuts 2 Bass Trombones or 2 Bass Sackbuts - Grade 4

SKU: FL.FX072623

Composed by Ludovico Grossi da Viadana. Arranged by Olivier Lachurie. Arrangement. Classical, Baroque. Score and Set of Parts. FLEX Editions #FX072623. Published by FLEX Editions (FL.FX072623).

Instruments: 6 Trombones or 6 Sackbuts 2 Bass Trombones or 2 Bass Sackbuts; Difficuly Level: Grade 4; Duration: 3 mn 15 s; Musical Style: Classical, Baroque; Category: Arrangement; Composer: Ludovico Grossi da VIADANA; Arranger: Olivier LACHURIE.

By Robert Frost. Orchestral Collection/Ensemble. Especially for Strings. Level: Grade 2. Music Book. Published by Neil A. Kjos Music Company.

By Lodovico da Viadana (1560-1627). Arranged by Klages. For Trombone Ensemble (8 trombones). Published by BrassWorks4

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.

Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by Lara Downes. Collection. Theodore Presser Company #440-40028. Published by Theodore Presser Company

Teach Yourself Today - Easy Lessons with Over 40 Fun Songs!. Composed by Various. Recorder. Softcover Audio Online. Published by Hal Leonard

Neun Kompositionen fur Blockfloten und Basso continuo. Edited by Rolf Schweizer. For Soprano Recorder (C), Alto Recorder (F,G), Piano/Harpsichord/Basso Continuo. Weihnachten, Barock (Christmas, Baroque). Collection/ Playing Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import).

47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 50 pages. Published by Boosey & Hawkes.

Books and Journals; Voice

SKU: UT.LB-15

Composed by Antonio Juvarra. Paperback (Soft Cover). Studies and Texts. Classical. Books and Journals. 148 pages. Ut Orpheus #LB 15. Published by Ut Orpheus (UT.LB-15).

ISBN 9788881094813. 5.90 x 8.46 inches.

Da molti, troppi anni lo studio del canto si e ridotto a un grottesco rompicapo meccanico-muscolare, spesso corredato da risibili tentativi di giustificazione scientifica. Che rapporto ci sia tra queste tecniche e il vero canto e presto detto: lo stesso che intercorre tra un triciclo e un'aquila... Con questa differenza: che il triciclo, per quanto elementare nella sua meccanica, assolve perfettamente alla sua funzione, mentre i metodi di canto attuali (anche dando per buona l'ipotesi assurda che la voce sia una macchina) si basano su una logica funzionale talmente astrusa che, se applicata a una qualsiasi macchina reale, ne causerebbe automaticamente l'immediata rottura. Questo e vero sia per il canto classico, sia per il canto moderno, che dal punto di vista tecnico-vocale non ha fatto che riciclare il peggio di quanto e stato prodotto dal canto classico.
Il crescente successo di queste tecniche suscita degli interrogativi sulla sua causa, che tra gli altri produce questo effetto comico-surreale: la diffusione epidemica di una sorta di canto 'virtuale', nel senso che costringe i suoi 'utenti' a stare rigorosamente lontani dai palcoscenici reali, rimanendo a casa propria a cantare con la stessa perfezione (immaginaria) dei cantanti piu ammirati e applauditi...
Una 'magia' cosi stupefacente e resa possibile solo da una cosa: il potere di suggestione ipnotica che promana dall'idea-idolo della tecnologia scientifica. Il risultato concreto dell'applicazione di questa ideologia a un fenomeno come il canto, che non e meccanico, ma senso-motorio e sinestetico, e la distorsione acustica. Questa distorsione acustica puo essere piu o meno grave, puo essere 'giustificata' con le piu svariate teorie estetiche, sociologiche e persino 'scientifiche', ma sempre porta allo stesso risultato, che e la risonanza forzata, l'affaticamento vocale e, a lungo andare, l'irreversibile logorio dello strumento voce e la distruzione stessa dell'oggetto di studio: il canto.
Risalire alla fonte originaria del vero canto e del suo vero controllo, che non e esterno, localizzato e meccanicistico, ma interiore, centrale e olistico, e l'obiettivo che si e posto l'autore di questo libro nella sua ricerca vocale, durata anni, che in questo libro viene raccontata. Essa lo ha portato a conoscere i piu noti cantanti e studiosi della vocalita del secolo scorso (alcuni dei quali sono entrati nella storia del canto): Carlo Bergonzi, Giuseppe Taddei, Gerard Souzay, Lajos Kozma, Richard Miller, Rodolfo Celletti, Giuseppe Giacomini e molti altri. Ognuno di loro ha dato all'autore una tessera di quel mosaico della voce, il cui disegno originale e compito di ogni serio studente di canto ritrovare in prima persona dentro di se e poi 'incarnare' con la propria voce per sempre.

SATB choir - Level 3

SKU: CA.4025240

Aus: In der Natur / V prirode. Composed by Antonin Dvorak. Edited by Klaus Doge. German title: Birke am grunen Bergeshang. Secular choral music. Full score. Composed 1882. Op. 63, No. 4. 4 pages. Duration 3 minutes. Carus Verlag #CV 40.252/40. Published by Carus Verlag (CA.4025240).

ISBN 9790007104344. Key: G major. Language: Czech/German. Text: Halek, Vitezslav. Text: Vitezslav Halek.

Score available separately - see item CA.4025200.

2 violins, 2 violas and 2 cellos

SKU: M7.BP-1202

Composed by Julius Zellner. Edited by Bernhard Pauler. Sheet music. Score and parts. Op. 32. Amadeus Verlag #BP 1202. Published by Amadeus Verlag (M7.BP-1202).

ISBN 9790015120206.

Ein in Anlage und Tonsprache sich würdig den berühmten Sextetten von Brahms und Dvorak zugesellendes, in der Beherrschung der Satztechnik und im Erfindungsreichtum ebenbürtiges Werk.

Essential Elements 2000 - Flute Book 1. (Flute). For flute. Hal Leonard Essential Elements Band Method. Instructional and Play Along. Instructional book, accompaniment CD/CD-ROM and instructional/accompanime nt video: DVD. Introductory text, instructional text and illustrations. 48 pages. Published by Hal Leonard

Treble Recorder Duet and Continuo. By Jean-Baptiste Lully. Arranged by Paul M. Douglas. Fentone Play Along Books. Play Along. Size 9x12 inches. 24 pages. Published by Fentone Music.