for Fiddle Tunes. Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, you'll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Mason's Apron, and Green Grows the Laurel - plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author. / Niveau : Intermédiaire à Avancé / Date parution : 2020-04-11/ Etude / Violoncelle

Contemporary Musical Theatre For Teens is a four-volume series providing a giant resource of songs from the musicals that appeal to the young singer.This first volume for men contains 26 songs from 21 musicals, including Dancing Through Life (Wicked), If You Were Gay (Avenue Q), Your Eyes (Rent), What I've Been Looking For (High School Musical), Left Behind (Spring Awakening) and more. / Voix Et Piano

Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: All That's Known (from Awakening) * Chim Chim Cher-ee (Mary Poppins) * Corner of the Sky (Pippin) * Evenin' Star (110 in the Shade) * Giants in the Sky (Into the Woods) * Grow for Me (Little Shop of Horrors) * Heart (Damn Yankees) * I Can't Be Bothered Now (Crazy for You) * I Chose Right (Baby) * I Could Write a Book (Pal Joey) * I'd Rather Be Sailing (A New Brain) * I'm Calm (A Funny Thing Happened on the Way to the Forum) * I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * If I Only Had a Brain (The Wizard of Oz) * It's No Problem (Reprise) (High Fidelity) * Johanna (Johanna) * Ladies' Choice (Hairspray: the Movie) * Larther Than Life (My Favorite Year) * Left Behind (Spring Awakening) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Now I've Seen You (Honk!) * On the Street Where You LIve (May Fair Lady) * Singin' in the Rain (Singin' in the Rain) Slide Some Oil to Me (The Wiz) * Some Girls (Once on This Island) * The Streets of Dublin (A Man of No Importance) * They Can't Take That Away From Me (Crazy for You) * They Were You (Solo Version) (The Fantasticks) * What Do I Need with Love (Thoroughly Modern Millie) * What Would I Do If I Could Feel? (The Wiz) * When I'm Not Near the / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Tenor Book/Online Audio. Par . The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Contents: ANNIE: Easy Street · BARNUM: Bigger Isn't Better · CHILDREN OF EDEN: Lost in the Wilderness · CITY OF ANGELS: Stay with Me · DIRTY ROTTEN SCOUNDRELS: Great Big Stuff · DO I HEAR A WALTZ': Take the Moment · THE DROWSY CHAPERONE: I Am Aldolpho · GODSPELL: Alas for You o GREASE: Mooning · GREY GARDENS: Body Beautiful Beale · Drift Away · HAIRSPRAY: The Nicest Kids in Town · Hairspray · JERSEY BOYS: December 1963 (Oh, What a Night) · Can't Take My Eyes Off of You · THE LAST FIVE YEARS: Shiksa Goddess · Moving Too Fast · THE LIGHT IN THE PIAZZA: Il mondo era vuoto · Passeggiata · LITTLE WOMEN: Take a Chance on Me · MOVIN' OUT: She's Got a Way · Summer, Highland Falls · MYTHS AND HYMNS: Saturn Returns · Hero and Leander · ON THE TWENTIETH CENTURY: I Have Written a Play · THE PIRATE QUEEN: I'll Be There · THE PRODUCERS: Springtime for Hitler · Heil Myself · RENT: What You Own · SONGS FOR A NEW WORLD: She Cries · SPRING AWAKENING: Left Behind · TARZAN: Two Worlds · Strangers like Me · THOROUGHLY MODERN MILLIE: What Do I Need with Love · TICK, TICK ... BOOM!: 30/90 · Sunday · URBAN COWBOY: It Don't Get Better Than This · WEST SIDE STORY: Something's Coming · Maria. / Date parution : 2023-08-12/ Recueil / Ténor

Par HAUGLAND BEN. NEW! The much needed transcription book of a jazz genius. Mulgrew, a true jazz giant and legend, left us way too early but left behind an enduring legacy of famous recordings. This book includes 8 note-for-note transcriptions from landmarkrecordings, including Live at Yoshis (Vols 1 and 2), Live At The Kennedy Center (Vols 1 and 2), John Swana and Friends, and Young At Heart. The high quality book includes 128 spiral bound pages for easy opening and reading. Learn Mulgrews technique and concept from the inside out!/ Recueil / Piano

Par LACHNER FRANZ. 2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb] Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble [CV 70. 037]; the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Lisztand Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. / Hymnes et chorals / Répertoire / Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse

Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. / Date parution : 1994-02-01/ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

A British Folk Song Fantasy. Par SPARKE PHILIP. Philip Sparke a composé cette fantaisie basée sur des airs traditionnels en provenance des quatre coins des Îles britanniques. L’oeuvre débute avec Brighton Camp, la version anglaise du chant The Girl I Left Behind Me, qui subit une succession de contorsions. Le passage central, plus lent, s’inspire de la mélodie écossaise O Waly, Waly. Vient ensuite l’exposition solide et puissante du célèbre air gallois Men of Harlech, qui, dit-on, raconterait le passé captivant du château de Harlech. Une oeuvre au flair typiquement britannique ! / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. / Psaumes / Date parution : 1995-01-01/ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

Par LACHNER FRANZ. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technicaldifficulty in the voice parts./ Répertoire / Choeur SATB/SATB

Passionsoratorium. Par LOEWE CARL. Carl Loewe, who today is known only for his Ballades, left behind an extensive musical opus especially created to meet the rapidly growing needs of the emerging middle class during the Biedermeier period [including 15 oratorios]. In the oratorio Das Sühnopfer des neuen Bundes [The Expiatory Sacrifice of the New Covenant], composed during the middle of the 19th century based on the story of the Passion as a compilation by Wilhelm Telschow of texts drawn from the four Gospels, Loewe merged the stylistic tendencies of this era into a simple, charming whole. In accordance with the demands of that time, the vocal parts can be accompanied solely by a keyboard instrument, by stringswith or without a keyboard instrument, or by a symphonic orchestra. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto, Violo

Passionsoratorium. Par LOEWE CARL. Carl Loewe, who today is known only for his Ballades, left behind an extensive musical opus especially created to meet the rapidly growing needs of the emerging middle class during the Biedermeier period [including 15 oratorios]. In the oratorio Das Sühnopfer des neuen Bundes [The Expiatory Sacrifice of the New Covenant], composed during the middle of the 19th century based on the story of the Passion as a compilation by Wilhelm Telschow of texts drawn from the four Gospels, Loewe merged the stylistic tendencies of this era into a simple, charming whole. In accordance with the demands of that time, the vocal parts can be accompanied solely by a keyboard instrument, by stringswith or without a keyboard instrument, or by a symphonic orchestra. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto, Violo

Based on Mohrentanz (La Mourisque) by Tylman Susato. Par DE HAAN JAN. Tylman Susato (circa 1500-1561) was one of the worlds first music publishers and seller of musical instruments. He left behind several collections containing arrangements of Dutch songs and dance and also published several of his own works. Three of these, published in 1551, were called Musyck Boexken, or music book. Almost 500 years later, Jan de Haan has used one of these melodies, Mohrentanz, for this theme with three variations. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie