| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Mixed Choir: Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
6.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
4.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
5.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
22.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
15.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Continuo: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
5.00 GBP - vendu par Musicroom GB |
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| Mozart: Kirchensonaten
(MOZART WOLFGANG AMADEUS) Instruments à Cordes et Orgue [Partition] Carus Verlag
Par MOZART WOLFGANG AMADEUS. Seventeen single-movement instrumental works by Wol...(+)
Par MOZART WOLFGANG AMADEUS. Seventeen single-movement instrumental works by Wolfgang Amadeus Mozart are referred to as 'church sonatas' or 'epistle sonatas'. Some are simple trios for two violins and bass, others more lavish concertante pieces with obbligato organ. Only Leopold Mozart took up the epistle sonata in isolated pieces that have survived in fragmentary form. Mozart's sonatas thus form a musically significant repertoire without parallels elsewhere./ Répertoire / Instruments à Cordes et Orgue
58.61 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| SonateswunderkindVol.III
Pour Piano Et Violon K.
26-31 Violon et Piano G. Henle
La famille Mozart séjourna à partir de l'automne 1765 en Hollande, à la deman...(+)
La famille Mozart séjourna à partir de l'automne 1765 en Hollande, à la demande de la princesse Caroline von Nassau-Weilburg. La gloire de l'enfant prodige Wolfgang Amadeus était parvenue jusqu'à elle, de telle sorte qu'elle 'trépignait d'impatience de faire la connaissance de cet enfant' (dixit Leopold Mozart). Parues en 1766, les Sonates pour piano K. 26-31, que l'on peut également accompagner au violon, furent écrites à La Haye et sont bien sûr dédiées à la princesse. À part la première édition, la Neue Mozart-Ausgabe a pris pour source principale une copie qui n'a rien à voir avec Mozart. Notre édition Urtext purge la partition des ajouts erronés provenant de cette source. / Violon Et Piano
24.30 EUR - vendu par LMI-partitions Délais: En Stock |
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| Mozart W.a. - Wunderkind
Sonatas Vol. Iii K. 26-31
- Piano Et Violon G. Henle
Wunderkind Sonatas Volume III for Piano and Violin K. 26-31 Editor: Wolf-Dieter...(+)
Wunderkind Sonatas Volume III for Piano and Violin K. 26-31 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering In autumn 1765 Mozart's family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she had an extraordinary desire to see this child (according to Leopold Mozart). The Sonatas for Piano K. 26-31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source. Violin Sonata (Wunderkind) E flat major KV 26 Level of difficulty (Violin): medium (Level 4) Violin Sonata (Wunderkind) G major KV 27 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) C major KV 28 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) D major KV 29 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) F major KV 30 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) B flat major KV 31 Level of difficulty (Violin): easy (Level 2)
24.30 EUR - vendu par Woodbrass Délais: Sur commande |
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| Leopold Mozart: Beata es
Virgo Maria: SATB Chorale SATB Carus Verlag
Offertorium de Beata Maria Virgine-In the 17th and 18th centuries Salzburg whe...(+)
Offertorium de Beata Maria Virgine-In the 17th and 18th centuries Salzburg where Leopold Mozart was Assistant Court Music Director was a center for polyphonic Offertory settings and multimovement offertory concerti which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice which the 'solemn' orchestration with trumpets and timpani would support.
3.90 GBP - vendu par Musicroom GB |
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| Musikalische
Meilensteine, Band 2
(LEOPOLD SILKE /
REDEPENNING DOROTHEA /
STEINHEUER) Divers [Partition] Barenreiter
111 Werke, die man kennen sollte. Par LEOPOLD SILKE / REDEPENNING DOROTHEA / STE...(+)
111 Werke, die man kennen sollte. Par LEOPOLD SILKE / REDEPENNING DOROTHEA / STEINHEUER . / Livre / Divers
18.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Leopold Mozart: Dona
Nobis Pacem: SSA: Vocal
Score Chorale 3 parties SSA [Vocal Score] Hinshaw Music Inc.
Looking for a liturgical masterwork for your women's chorus? Here you are! In th...(+)
Looking for a liturgical masterwork for your women's chorus? Here you are! In this Patrick Liebergen arranges a marvelous work by Leopold Mozart. (Try it with the optional flutes!)
17.50 GBP - vendu par Musicroom GB |
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| Mozart Leopold -
Kinder-symphonie - Piano
4 Mains
En Français 1 Piano, 4 mains Combre
13 PAGES + PARTIES SÉPARÉES ARRANGEMENT DE LA CÉLÈBRE /SYMPHONIE DES JOUETS...(+)
13 PAGES + PARTIES SÉPARÉES ARRANGEMENT DE LA CÉLÈBRE /SYMPHONIE DES JOUETS/ DE LEOPOLD MOZART, RÉALISÉ PAR CHRISTIANE MEUNIER. CETTE OEUVRE PEUT ÊTRE JOUÉE SIMPLEMENT AU PIANO 4 MAINS AVEC DES JOUETS MUSICAUX AD LIBITUM (COUCOU, ROSSIGNOL, CRÉCELLE, TRIANGLE ...) QUI PEUVENT ÊTRE ADDITIONNÉS OU REMPLACÉS PAR D'AUTRES INSTRUMENTS AU CHOIX DU PROFESSEUR.
24.00 EUR - vendu par Woodbrass Délais: Sur commande |
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| Concerto G Major Trompette Et Orchestre Schott
Leopold Mozart, père du génie inégalé Wolfgang Amadeus, a également composÃ...(+)
Leopold Mozart, père du génie inégalé Wolfgang Amadeus, a également composé la musique, mais il est naturellement éclipsé par son fils. Son Concerto pour trompette a même été prononcées par deux fois, c'est-à -dire également dans le cadre d'une sérénade. Dans la version originale, ce Concerto / Trompette Et Orchestre
23.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Note Book For Nannerl Piano seul SCHOTT
Cette brochure contient une sélection de la musique en feuille que Leopold Moza...(+)
Cette brochure contient une sélection de la musique en feuille que Leopold Mozart mis sur celui de la Salzbourg Maître de chapelle en 1759 pour sa fille, ' Nannerl '. Cette collection manuscrite de pièces pour piano par en grande partie non genan / Piano
14.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Longa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
6.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Missa Longa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Moza...(+)
C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
56.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
38.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.258:
Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
27.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.258:
Continuo: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
4.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.258:
Mixed Choir: Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
19.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.258:
Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not ...(+)
The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in the brevis form it calls for additional instruments besides the usual church trio which assigns it to the genre of the brevis et solemnis mass. Mozart added two oboes whose parts he wrote out himself and which are enclosed together with the primary copy. The two oboe parts seemto have been unavailable to any copyists.Urtext of the ?New Mozart Edition?Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4851) and vocal score (BA4851-90) for sale
4.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
14.00 GBP - vendu par Musicroom GB |
|
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
5.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Voice: Vocal Score Chorale SATB SATB, Piano [Partition] - Intermédiaire/avancé Barenreiter
The Missa K.257 bears the non-authentic dating 1776 and was presumably composed ...(+)
The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
15.50 GBP - vendu par Musicroom GB |
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