Incorporating the wonderful spiritual This Little Light of Mine children of all ages will resonate with the hopeful message of sharing the light of love with everyone. This anthem is full of Advent imagery and challengingspiritual lessons that will enliven the understanding and symbolism of this season of preparation and anticipation. You can sing unison or two-part with equal success. Outstanding!

Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration iPrint Consort Orch CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs PreviewPack RehearsalTrax CDs Digital Resource Kit. Duration: ca. 59:21 (full performance) and ca. 48:37 (w/o opt. congregational anthems).

Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).

Orchestration/Conductor's Score-From Joseph Martin comes a cantata that is filled with the wonder and light of Christmas. This imaginative new work uses carols and candlelight to embody the hope of Christ. Featuring orchestration by Brant Adams and narration byPamela Martin this cantata empowers a director with many creative performance and programming options. Carols featured include: In the Bleak Midwinter ? Silent Night ? O Come Little Children ? What Child is This'? O Little Town of Bethlehem ? and many others. Amazing writing from the acclaimed composer of A World of Christmas and The Winter Rose.

32 selections from 'Beautiful America' 'Music of Hope' and other releases from this new age pianist. Includes: 'Canyon Winds' 'Echo Lake' 'Far and Beyond' 'For Only a Moment' 'Harvest Moon' 'Light on the Moon' 'The Sea on Every Side' 'Swept Across Forever' and more.

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Par SILVERMAN JERRY. This comprehensive and historically significant collection captures the hope and tragedy of the Civil War era with period photographs and lithographs. Includes guitar/vocal and guitar solo arrangements of 38 favorite songs of the period. Songs are classified by subject matter: The Union, the Confederacy, Lincoln, universal sentiments, soldier's songs, battles, Negro spirituals and abolitionist songs, the lighter side, and post-bellum. Written in standard notation and tablature. / Niveau : Débutant à Intermédiaire / American - Songbooks / Tablatures / Guitare Tablatures

Based on the poem Dreams by Paul Laurence Dunbar one of the first African American poets to gain national prominence and recognition. Singing of the power of dreams and how they take flight. When they do they take all of us singers and listeners to higher heights of hope and inspiration.

#2 from The Greatest of These Eugene Rogers Choral Series-Number 2 from ?The Greatest of These? (No. 1 Unseen and No. 3 Flight) this movement is written on the virtue of hope. Using a rich yet simple harmonic palette that strives to create a sense of nostalgia. Hope here assures that in the darkest ofexperiences when all joy is but a distant flicker of light it serves as a spark for the immortal flame of life that can illuminate even from the deepest shadows.

Uses: Maundy Thursday Good Friday Holy Week Scripture: Luke 22:53b; Matthew 26:36-38 Profoundly moving poetry pours emotion into a bittersweet scene from Christ's anguish in Gethsemane and onGolgotha. To experience the glory of Easter we must first embrace the shadows of Holy Week. This thoughtful anthem accomplishes this journey with emotive rich music that sonically paints the deep sadness of the text. Solid fourpart textures create a full sound and when at last the piece suggests the coming light of Easter the listener is left with a winsome whisper of hope. Duration: ca. 4:09.

The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century singers and their pianist collaborators were able to create recital programmes from a deepreservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated oftenfeaturing elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing.There are several songs for voice and piano but some requireother instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty as our criteria were more broadly performative and musical rather than didactic. All selected composers have aparticular sympathy for the singing voice so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type but this shouldn't be thought of as prescriptive; they are designed tobe flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging the intense and mysterious to the sad and the light-hearted. We hope that manyperformers will find their tastes represented here.Compiled by David Blake and John Potter.Edited by Michael Hooper.

Ed. Maitland-Squire, Rev. Dover Edition. The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music. ' - Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation. Reprint of the Breitkopf & Härtel edition. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano

Par WEDGWOOD PAM. This book is perfect for those looking for something to bridge the gap between grades. Pam Wedgwood's inimitable, style is guaranteed to breathe new life into your saxophone playing. The varied pieces in this new collection range from toe-tapping jazzy numbers to more classical styles, all designed to ease you gently on towards the next grade. This book is especially useful to students who have passed Grade 1 and would like a break before plunging into the syllabus for Grade 2. So lighten up and move on with Up-Grade! . This edition includes selections from ABRSM Alto and Tenor Saxophone Examinations Grades 1 and 2. / Niveau : Facile / Recueil / Saxophone Alto et Piano