Violin 1 (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-16110-15

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Linda Correll Roesner and Michael Struck. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic; Late-romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16110-15. Published by Breitkopf and Haertel (BR.OB-16110-15).

ISBN 9790004348024. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-16110

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Linda Correll Roesner and Michael Struck. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Full score. 216 pages. Duration 35'. Breitkopf and Haertel #PB 16110. Published by Breitkopf and Haertel (BR.PB-16110).

ISBN 9790004214374. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

(set of parts). By Allesandro Marcello (1669-1747). Edited by R. Hervig / H. Voxman. For Oboe, Orchestra. Musica Rara. Set of parts. 50 pages. Published by Breitkopf and Haertel

(Cadenza Series, Vol. 7). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Dessau. Piano. Softcover. 8 pages. Schott Music #ED20268. Published by Schott Music

By Jan Krtitel Jiri Neruda. For trumpet, piano. Paperback. 32 pages. Published by Breitkopf and Haertel (German import).

(2 Pianos, 4 Hands). Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr, Johannes Umbreit, and Lars Vogt. For 2 Pianos, 4 Hands. Henle Music Folios. Softcover. 114 pages. G. Henle #HN1231. Published by G. Henle

3 Trombones and Orchestra - advanced

SKU: CY.CC2767

Composed by Lyndol Mitchell. Edited by Jeremy Kempton. American 20th Century. Score and parts. Published by Cherry Classics (CY.CC2767).

The Concerto Grosso for Three Trombones and Orchestra by Lyndol Mitchell was composed in 1961 as part of his Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The performers were six students of Emory Remington, including Ralph Sauer and Don King.

The work is is subtitled in stile Barocco and is in three movements.

Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists.

Movement II is a slow and serious Larghetto in C minor.

Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.

The 13-minute work is appropriate for advanced performers.

The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.

Trombone Trio & Piano accompaniment - advanced

SKU: CY.CC2775

Composed by Lyndol Mitchell. Edited by Jeremy Kempton. American 20th Century. Solo parts and Piano accompaniment. Published by Cherry Classics (CY.CC2775).

The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell's Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King.

The work is is subtitled in stile Barocco and is in three movements.

Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists.

Movement II is a slow and serious Larghetto in C minor.

Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.

The 13-minute work is appropriate for advanced performers.

The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.

Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr. For Score (Study Score). Henle Study Scores. Softcover. G. Henle #HN7231. Published by G. Henle

Violin, orchestra (V-solo, 2 Fl, 2 Ob, 2 clarinet-ia, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello,KB)

SKU: BA.BA09099

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Early version 1844 and late version 1845. Score. Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099_00. Published by Baerenreiter Verlag (BA.BA09099).

ISBN 9790006564330. 31 x 24.3 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive.

Mendelssohn� �€™s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Lonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Lonard.

The letter informs us that the composer invited Lonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Lonard.

The recently discovered proofs reveal how Lonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Lonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Lonard’s playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(HLSPL Composer Showcase Two Pianos, Four Hands Early Intermediate Level). Composed by Eugenie R. Rocherolle. For 2 Pianos, 4 Hands. Educational Piano Library. Early Intermediate. Softcover. 32 pages. Published by Hal Leonard

Composed by Clive Brown. Stapled. Book. Opus 64. 72 pages. Baerenreiter Verlag #BA09060. Published by Baerenreiter Verlag (BA.BA09060).

Little Chorale Arrangements for Organ op. 8, no. 3 and individually transmitted Chorale Arrangements. By Hugo Distler. Edited by Armin Schoof. For Organ. This edition: Urtext Edition; Paperbound. Neue Ausgabe samtlicher Orgelwerke, Band II. Score. 45 pages. Published by Baerenreiter Verlag (German import).

Flute, piano

SKU: FG.55011-613-9

Composed by Kai Nieminen. Fennica Gehrman #55011-613-9. Published by Fennica Gehrman (FG.55011-613-9).

ISBN 9790550116139.

The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman.

Violin and piano

SKU: LM.C06797

Composed by Albert Ross. Edited by Frederick Forti. Classical. Score. 8 + 4 pages. Editions Combre #C06797. Published by Editions Combre (LM.C06797).

ISBN 9790230367974.

Peti t Concerto Op. 6 composed by Albert Ross, revised and composed by Frederick Forti.
This concerto can be performed by young player because first position is used only.

It is the perfect piece for exams, auditions and little concerts.

Euphonium, tuba, piano

SKU: P2.80081

Composed by James Grant. Chamber music, 20th century. Published by Potenza Music (P2.80081).

James Grant's Double Concerto for Euphonium and Tuba was commissioned by a consortium of individuals and ensembles. Regarding the concerto, Grant says, Movement I, 'Playground', needs little description beyond its title. Together, the two solo instruments make their way through a relentless maze of technical challenges (imagine seesaws, sliding boards, swing sets, obstacle courses and trampolines) accompanied by wind ensemble, which is faced with its own insistent array of fun and games. Movement II, 'Passage', is best described as the recollection of a journey - as though the two soloists have returned from a noble quest and are recounting their adventures... Like the title to the first movement, the title to movement III, 'Sprint', speaks for itself. The music is based on materials from a previous work originally scored for tuba quartet called 'Etude/Attitude', and is a breathless, high-energy romp from beginning to end..

Edited by Guy/Mcarthur. For Piano. The second installment of this exceptional piano literature series continues to strengthen a student's ability to find and project melody. The music represents a variety of keys, tempi, meters, and style. Includes technical exercises for melodic expression, descriptive summaries for each piece, and composer biographies. Contents include: Fantasia in G major Wq. 117:8 (C.P.E. Bach); Concerto in D Minor BWV 974 2nd mvt (J.S. Bach); Gavotte from French Suite #5 (J.S. Bach); Buciumeana from Romanian Dances No. 4 (Bartok); Bagatelle in F Major Op. 33 No. 3 (Beethoven); Sonata in C# Major Op. 27 No. 2 1st mvt (Beethoven); Dream (Bloch); Waltz in G# Minor Op. 39 No. 3 (Brahms); Mazurka in G Minor Op. 67 No. 2 (Chopin); Prelude in C Minor Op. 28 No. 20 (Chopin

Viola and piano

SKU: LM.C06798

Composed by Albert Ross. Edited by Frederick Forti. Classical. Score. 8 4 pages. Editions Combre #C06798. Published by Editions Combre (LM.C06798).

ISBN 9790230367981.

Peti t Concerto Op. 6 composed by Albert Ross, revised and composed by Frederick Forti.
This concerto can be performed by young player because first position is used only.

It is the perfect piece for exams, auditions and little concerts.

Two descants and five treble recorders - Intermediate

SKU: FP.FBW01

Composed by Walter Bergmann. Published by Forsyths Publications (FP.FBW01).

ISBN 979-0-57050-014-7.

This work in concerto grosso style was composed in 1945 for famous music broadcaster and author John Amis. Bergmann's original compositions for the recorder, though few, are now a much-loved part of the repertoire. This recently discovered Septet will be welcomed by recorder players everywhere. The opening prelude (Andante Sostenuto) is followed by an extended Fugue. The final movement is a Little March in the composer's most ebullient style. The work radiates joy throughout.

Cello

SKU: HL.48025250

For Solo Cello. Composed by Detlev Glanert. Boosey & Hawkes Chamber Music. Classical. Softcover. Duration 300 seconds. Bote & Bock #M202537169. Published by Bote & Bock (HL.48025250).

UPC: 196288142942.

The composer and conductor Oliver Knussen (1952 - 2018) was loved by many companions for his generosity and musical intellect. To Detlev Glanert, whose works he loved to perform, he was a friend and one of his 'personal heroes'. By his own admission, he learned attention to detail from 'Olly', with whom he worked at Tanglewood as early as 1986. If Glanert's Trumpet Concerto, composed in 2018, is the large-scale symphonic homage to his role model, the solo “Little Letter to Olly” does the same in a small format. Two elegiac adagio sections frame a boisterous presto with all kinds of virtuoso tricks. The 'Letter without Words' owes its existence to a suggestion by the cellist Anssi Karttunen, who asked for commemorative pieces for Knussen's 70th birthday from a number of composers and premiered them at the Aldeburgh Festival 2022.

Orchestra - Grade 1.5

SKU: AP.47461

Composed by Johann Sebastian Bach. Arranged by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Masterwork Arrangement. Score and Part(s). 72 pages. Highland/Etling #00-47461. Published by Highland/Etling (AP.47461).

ISBN 9781470652838. UPC: 038081544526. English.

The famous first movement of Bach's Brandenburg Concerto No. 5, arranged by Richard Meyer, has been simplified and shortened for the first-year player but still retains all the energy and spirit of the original. It uses only the notes of the D major scale (including a few high E's for Violin I), and the rhythms are within reach of players with very little experience. The perfect selection for your beginning orchestra's first real piece, this arrangement is sure to become a traditional part of your string curriculum.