By Gloria Estefan and Kike Santander. Arranged by Kirby Shaw. Choir Secular. This edition: SoundTrax CD. CD; Choral Octavo. Pop Choral. Published by Alfred Music Publishing

Choral (ChoirTrax CD)

SKU: HL.322513

With Antiphonal Hosanna. Arranged by John Leavitt. Brookfield Choral Series. Easter, General Worship, Palm Sunday, Sacred. CD. Duration 170 seconds. Published by Brookfield Press (HL.322513).

UPC: 888680974558. 5.0x5.0x0.184 inches. II Kings 9:13, John 12:12-19, Matthew 2:1-11.

The sacred evergreen ELLACOMBE is given festive clothing in this arrangement of a Palm Sunday must-do! Multigenerational in scope, music ministry and congregation come together as one for a unique worship experience. Imagine the waving of palms and the warmth of children's voices, the sparkle of bells and the power of corporate singing, as this paean of praise becomes essential repertoire for the community of faith. Score and Parts (perc 1-2, str bs) available as a digital download.) Handbell part (3 oct.) also available as a digital download.

By Anne Mcginty. Concert Band. Queenwood Beginning Band. Score. Published by Queenwood Publications.

By Daniel Baldwin. For flute, oboe, clarinet, horn, bassoon. Level 5. Published by Imagine Music

By Melody Bober. For Piano. Composers In Focus. From the arrival of ominous clouds to the whirling winds of a deadly cyclone, Melody Bober effectively captures the power of nature with these exciting pieces. Contents include: Cloudy Skies; Rainy Day; Thunder Roll; Whirling Winds; Cyclone; The Rainbow's Promise. American Gallery. Level: Intermediate. Book. Published by The FJH Music Company, Inc.

Piano

SKU: HL.49045635

Piano Solo. Composed by Kenji Sakai. Piano. Classical. Softcover. Zen-On #ZN169302. Published by Zen-On (HL.49045635).

This is my first work for piano, except for studies. The 'bell' and 'cloud' in the subtitle are metaphors of motifs used in this piece. The motif representing the sound of the 'bell' in Le gibet, the second of Gaspard de la nuit by Maurice Ravel, is transferred here and tolled insistently from the beginning. The motif gradually loses its figure and transforms into tremolos which represent 'clouds'. I name the process 'Disincarnations.' The work represents the transforming process itself. -Kenji Sakai.

I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Composed by Christian Mason. Breitkopf and Haertel #EB 9334. Published by Breitkopf and Haertel

Concert Band - Grade 3.5

SKU: XC.RCB2401FS

Composed by Tyler Arcari. Rhapsody Grade 3-3.5. Contest/Festival. Score. Excelcia Music Publishing #RCB2401FS. Published by Excelcia Music Publishing (XC.RCB2401FS).

9 x 12 inches.

This new, semi-programmatic work depicts the journey of hot air balloons from their beautiful and hauntingly calm field glows to their ascent into the clouds. Wonderful harmonic movements and clever impact points, as well as optional visual elements, make this work a theatrical experience fit for wowing your audiences. Take a skyward journey with Composer Tyler Arcari!

Concert Band - Grade 3.5

SKU: XC.RCB2401

Composed by Tyler Arcari. Rhapsody Grade 3-3.5. Contest/Festival. Set of parts. Excelcia Music Publishing #RCB2401. Published by Excelcia Music Publishing (XC.RCB2401).

9 x 12 inches.

This new, semi-programmatic work depicts the journey of hot air balloons from their beautiful and hauntingly calm field glows to their ascent into the clouds. Wonderful harmonic movements and clever impact points, as well as optional visual elements, make this work a theatrical experience fit for wowing your audiences. Take a skyward journey with Composer Tyler Arcari!

Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Marimba, Oboe, Percussion, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS224

Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+8+8+2+2+2+2+2+2+4+4 +4+2+2+3+3+3+4+1+1+1+1+3+ 12+2 pages. Duration 3 minutes, 11 seconds. Carl Fischer Music #CPS224. Published by Carl Fischer Music (CF.CPS224).

ISBN 9781491152508. UPC: 680160910007.

Rainb ow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds.  Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students.  This would serve as a welcome change of pace piece on your program for concert or contest.
Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.” In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds” for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2.5

SKU: CF.YPS253F

Composed by David Bobrowitz. Full score. 16 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS253F. Published by Carl Fischer Music (CF.YPS253F).

ISBN 9781491161920. UPC: 680160920600.

A brief introduction sets the mood for this hauntingly beautiful piece. As gentle breezes begin to blow on the surface, the clouds above begin appear in an array of different formations. The clouds float slowly from east to west, as if in an Impressionistic painting. This is one of nature's beautiful settings, and one can seemingly follow the clouds for hours. From a young player's vantage point they must confidently play the intentional dissonance on the third beat of measures 10, 14, 42 and 46. Once they get used to the sound it should become an enjoyable dissonance. In measures 25 to 27, balance the flutes and clarinets so the volume level is consistent between both parts. In general, the piece should be performed at a very relaxed pace, but a disciplined steady beat will be necessary to keep the sixteenth notes even and relaxed at measures 29 through 34. The final chord is a Bb major 7, and the clarinets and alto saxes should be equal in volume before the gradual fade.
A brief introduction sets the mood for this hauntingly beautiful piece. As gentle breezes begin to blow on the surface, the clouds above begin appear in an array of different formations. The clouds float slowly from east to west, as if in an Impressionistic painting. This is one of nature's beautiful settings, and one can seemingly follow the clouds for hours.From a young player's vantage point they must confidently play the intentional dissonance on the third beat of measures 10, 14, 42 and 46. Once they get used to the sound it should become an “enjoyable dissonance.” In measures 25 to 27, balance the flutes and clarinets so the volume level is consistent between both parts. In general, the piece should be performed at a very relaxed pace, but a disciplined steady beat will be necessary to keep the sixteenth notes even and relaxed at measures 29 through 34. The final chord is a Bb major 7, and the clarinets and alto saxes should be equal in volume before the gradual fade.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2.5

SKU: CF.YPS253

Composed by David Bobrowitz. Set of Score and Parts. 4+4+2+4+4+2+2+3+2+2+2+4+4 +4+3+3+3+2+3+1+1+1+1+2+16 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS253. Published by Carl Fischer Music (CF.YPS253).

ISBN 9781491161364. UPC: 680160919956.

A brief introduction sets the mood for this hauntingly beautiful piece. As gentle breezes begin to blow on the surface, the clouds above begin appear in an array of different formations. The clouds float slowly from east to west, as if in an Impressionistic painting. This is one of nature's beautiful settings, and one can seemingly follow the clouds for hours. From a young player's vantage point they must confidently play the intentional dissonance on the third beat of measures 10, 14, 42 and 46. Once they get used to the sound it should become an enjoyable dissonance. In measures 25 to 27, balance the flutes and clarinets so the volume level is consistent between both parts. In general, the piece should be performed at a very relaxed pace, but a disciplined steady beat will be necessary to keep the sixteenth notes even and relaxed at measures 29 through 34. The final chord is a Bb major 7, and the clarinets and alto saxes should be equal in volume before the gradual fade.
A brief introduction sets the mood for this hauntingly beautiful piece. As gentle breezes begin to blow on the surface, the clouds above begin appear in an array of different formations. The clouds float slowly from east to west, as if in an Impressionistic painting. This is one of nature's beautiful settings, and one can seemingly follow the clouds for hours.From a young player's vantage point they must confidently play the intentional dissonance on the third beat of measures 10, 14, 42 and 46. Once they get used to the sound it should become an “enjoyable dissonance.” In measures 25 to 27, balance the flutes and clarinets so the volume level is consistent between both parts. In general, the piece should be performed at a very relaxed pace, but a disciplined steady beat will be necessary to keep the sixteenth notes even and relaxed at measures 29 through 34. The final chord is a Bb major 7, and the clarinets and alto saxes should be equal in volume before the gradual fade.

Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Marimba, Oboe, Percussion, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS224F

Composed by Carol Brittin Chambers. Concert Band (CPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #CPS224F. Published by Carl Fischer Music (CF.CPS224F).

ISBN 9781491153185. UPC: 680160910687.

Rainb ow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds.  Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students.  This would serve as a welcome change of pace piece on your program for concert or contest.
Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.” In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds” for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.

Instrument Celesta, Choral, Glockenspiel (Instrumental (Score & Parts))

SKU: HL.268950

Composed by Kevin T. Padworski. Pavane Secular. Pavane Publishing #P9083. Published by Pavane Publishing (HL.268950).

UPC: 888680737054. 5x5 inches. Sara Teasdale/Kevin T. Padworski.

If there ever was a piece that describes a text in song, this is it. Sara Teasdale's descriptive words about the clouds become sound in this exquisite composition. Accompanied by piano and celesta, a glockenspiel part is also provided for those who have no access to a celesta. Great for festivals or a concert at any season, this is a piece that is a joy to share. Medium in difficulty.

Composed by Kevin T. Padworski. Arranged by Josef Mellan. Sheet music. Pavane Secular. Octavo. 12 pages. Pavane Publishing #P1612. Published by Pavane Publishing

Choir Secular (2-Part choir)

SKU: AP.50139

Composed by David Waggoner. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-50139. Published by Alfred Music (AP.50139).

UPC: 038081573090. English.

Take your 2-part choir to new heights with this light and lyrical tune, artfully constructed for treble voices. David Waggoner's dreamy melody and creative lyrics invite singers to imagine themselves soaring among the clouds. Let me touch the heavens . . . roam the mountain . . . roar like thunder.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choral (SATB a cappella)

SKU: HL.338920

Composed by Toh Xin Long. Gentry Publications. Concert. Octavo. 12 pages. Duration 960 seconds. Gentry Publications #JG2556. Published by Gentry Publications (HL.338920).

UPC: 840126914399. 6.75x10.5x0.029 inches.

As Tim Sharp travels the world as an ambassador for choral music he sometimes hears composers in foreign lands that deserve our attention. So is the case with this selection based on the Sara Teasdale poem about clouds. The young composer is committed to melody in a way that is a refreshing return to what seems right. The harmonic treatment is sensitive and sensible, and most satisfying. An excellent concert piece for high school, college and community choirs. Medium in difficulty.

For Wind Orchestra. Composed by Johan De Meij. Amstel Music. 40 pages. Amstel Music #AM120140. Published by Amstel Music (HL.4000293).

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.