Now you can play this iconic album note for note with these authentic guitar transcriptions. Includes notes and tab for 11 tracks: All You Need Is Love - Baby You're a Rich Man - Blue Jay Way - Flying - The Fool on the Hill - Hello, Goodbye - I Am the Walrus - Magical Mystery Tour - Penny Lane - Strawberry Fields Forever - Your Mother Should Know. / Guitare

Magical Colours rassemble seize pièces colorées venant de styles et d'horizons musicaux différents.Ces pièces, parfaitement adaptées aux sonorités de votre instrument, permettent d'aborder la musique klezmer, le blues, la musique des Balkans, le folk, le rock et la house musique. Pour interpréter ces oeuvres, il faut avoir une certaine expérience du jeu. Laissez-vous inspirer par les atmosphères évocatrices des enregistrements en direct ! / Violoncelle / 24 pages / niveau : Elementaire / Partition + Cd

Magical Mozart permet à chaque instrumentiste d'aborder, très tôt dans l'apprentissage, la musique élégante du compositeur de génie Wolfgang Amadeus Mozart. Certaines mélodies sont célèbres, d'autres sont à découvrir. Les notes et les rythmes sont simples et certaines adaptations ont été réalisées. L'accompagnement au piano joint au recueil illumine la partition instrumentale. / Violon / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

Bewitched! is filled with eleven magical pieces that will cast a spell on young pianists. Musicians of around Grade 1-2 standard will love to learn in this chaotic world of failed spells and ghostly apparitions. Helpful notes from the composers and fantastic illustrations to colour just add to the fun. / Instrumental Music, Piano Music / Recueil / Piano

June Armstrong's Magical World features 12 pieces for the Piano, inspired by A. A. Milne's classic children's poetry books 'When We Were Very Young' and 'Now We Are Six'.The pieces presented in this volume are suitable for pianists at a grade 4-6 standard. / Piano

Retrouvez les 155 chansons enregistrées par les Beatles en transcriptions paroles complètes et diagrammes d'accords guitare. Titres : A Day In The Life - A Hard Days Night - Across The Universe - All I've Got To Do - All My Loving - All Together Now - All You Need Is Love - And I Love Her - And Your Bird Can Sing - Another Day - Another Girl - Anytime At All - Baby You're A Rich Man - Baby's In Black - Back In The Ussr - Ballad Of John And Yoko - Because - Being For The Benefit Of Mr Kite - Birthday - Blackbird - Blue Jay Way - Can't Buy Me Love - Carry That Weight - Come Together - Continuing Story Of Bungalow Bill - Cry Baby Cry - Day Tripper - Dear Prudence - Dig A Pony - Don't Let Me Down - Dr Robert - Drive My Car - Eight Days A Week - Eleanor Rigby - End (The) - Every Little Thing - Everybody's Got Something To Hide Except Me And My Monkey - Fixing A Hole - Flying - For No One - From A Window - From Me To You - Get Back - Getting Better - Girl - Give Peace A Chance - Glass Onion - Golden Slumbers - Good Day Sunshine - Good Morning Good Morning - Goodbye - Goodnight - Got To Get You Into My Life - Happiness Is A Warm Gun - Hello Goodbye - Hello Little Girl - Help! - Helter Skelter - Her Majesty - Here There And Everywhere - Hey Bulldog - Hey Jude - Hold Me Tight - Honey Pie - I Am The Walrus - I Call Your Name - I Don't Want To See You Again - I Don't Want To Spoil The Party - I Feel Fine - I Need You - I Saw Her Standing There - I Should Have Known Better - I Wanna Be Your Man - I Want To Hold Your Hand - I Want To Tell You - I Want You (She's So Heavy) - I Will - If I Fell - If I Needed Someone - I'll Be Back - I'll Cry Instead - I'll Follow The Sun - I'll Get You - I'm A Loser - I'm Down - I'm Happy Just To Dance With You -I'm Just In Love -I'm Looking Through You -I'm Only Sleeping -I'm So Tired -In My Life -Inner Light -It Won't Be Long -It's All Too Much -It's For You -It's Only Love -I've Got A Feeling -I've Just Seen A Face -Julia -Lady Madonna -Let It Be -Like Dreamers Do -Little Child -Love Of The Loved -Love You To -Lovely Rita -Lucy In The Sky With Diamonds -Magical Mystery Tour -Martha My Dear -Maxwell's Silver Hammer -Mean Mr Mustard -Michelle -Misery -Mother Natures Son -Night Before -No Reply -Nobody I Know -Norwegian Wood -Not A Second Time -Nowhere Man -Ob-la-di, Ob-la-da -Oh! Darling -One After 909 -Only A Northern Song -Paperback Writer -Penny Lane -Polythene Pam -Power To The People -Rain -Revolution -Rocky Raccoon -Run For Your Life -Sexy Sady -Sgt. Pepper's Lonely Hearts Club Band -She Came In Through The Bathroom Window -She Loves You -She Said She Said -She's A Woman -She's Leaving Home -Step Inside Love -Strawberry Fields For Ever -Strawberry Fields Forever -Sun King -Taxman -Tell Me What You See -Tell Me Why -Thank You Girl -The Fool On The Hill -There's A Place -Things We Said Today -Think For Yourself -This Boy (Ringo's Theme) -Ticket To Ride -Tip Of My Tongue -Tomorrow Never Knows -Two Of Us -Wait -We Can Work It Out -What Goes On -What You're Doing -When I Get Home -When I'm Sixty Four -With A Little Help From My Friends -Within You Without You -Word -World Without Love -Yellow Submarine -Yer Blues -Yes It Is -Yesterday -You Can't Do That -You Like Me Too Much -You Never Give Me Your Money -You Won't See Me -Your Mother Should Know -You're Going To Lose That Girl -You've Got To Hide Your Love Away / Guitare

as performed by Christiano and his Magical Orchestra. Par MEYS / JO HERMANS. Si vous cherchez une introduction musicale au caractère énergique, aux rythmes entraînants et aux parties accentuées de basse et de batterie, vous l’avez trouvée ! Sparks of Fire est un titre du groupe pop et symphonique belge « Christiano andhis magical Orchestra ». Rares sont les gens qui arrivent à rester assis en écoutant cette pièce de musique énergique ! Idéale pour ouvrir ou finir votre concert. / Niveau : 4 / Musique légère originale / Répertoire / Concert Band ou Harmonie

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

Théorie 2B. Par VOGT-BATES / BLET. For all budding, young musicians, The Magical Journey is an essential, well-presented guide into the world of music theory. pianist Leon Bates, has toured the world, performing with many symphony orchestras and his long-standing collaboration with pianist Janet Vogt in aiding aspiring young musicians has proved popular from the start. As an excellently illustrated collection addressing note names, note values, accidentals, intervals and articulations, among other aspects, The Magical Journey, Progressive Discovery of Music Language will appeal to all young beginners. / Pédagogie / Méthode / Piano

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties

Par GERSHWIN GEORGE. Performed by Nayden Todorov, piano; Accompaniment: Plovdiv Philharmonic Orchestra; Conductor: Nayden Todorov Gershwin's masterpiece is now available in a thrilling MMO version! The piano concerto that transformed modern music and integrated jazz sensibilities into 'serious' music is a magical experience for player and listener alike. This deluxe edition includes a new enhanced -20% reduced-speed version for your practicing ease. This pack includes the printed score for solo piano with orchestral reduction; informative liner notes; and a digital stereo compact disc, voluminously indexed for your convenience, containing a complete version with soloist; then a second performanceof the orchestral accompaniment, minus you, the soloist. / Date parution : 2021-11-25/ Répertoire / Piano

One of the most successful British films ever has received an Olivier Award-winning stage makeover with music added by Elton John, and every song from the smash hit show is featured in this commemorative songbook. The magical tale of a northern lad, raised in the masculine environment of the mining industry, but who dreams of attending the Royal Ballet School has struck a chord with audiences the world over. Enjoy the wonderful songs and musical themes that make this show such an unforgettable and uplifting experience, all arranged for Piano, Voice and Guitar. / Piano/Vocal/Guitare (PVG)

Par WEDGWOOD PAM. Back-to-back parties, last-minute shopping, wrapping up presents, cooking the turkey... Christmas can leave you feeling exhausted. What better way to relax and enjoy the season than to sit down at the Piano and chill out with music from the latest in Pam Wedgwood's After Hours series? These Christmas songs, carols and original pieces in a sophisticated jazzy style will conjure up the magical atmosphere of Christmas./ Recueil / Piano

Terry Riley, most commonly associated with the minimalist and experimental schools of music, draws influence from a vast number of sources, including jazz and Indian classical music. In turn, his influence on contemporary composers and music in general is enormous, and with this collection of his Piano Works, you can learn a selection of his fascinating, hypnotic and simply stunning compositions for solo Piano.As one of the founders of western music's minimalist movement, Riley's works have been acclaimed as forays into ever-expanding loops of rhythm and melody, music that, instead of being listened to, immerses and envelops you. His early works, such as 'In C', spearheaded this innovative idea, beginning a career unmatched by other avant-garde composers. With The Piano Works, this collection of Terry Riley sheet music finally brings together some of his best-loved and most acclaimed works for solo Piano, like The Philosopher's Hand and Two Pieces For Piano.Featuring an extensive foreword by Terry Riley himself, this is not just a collection of sheet music, it's almost a work of art: a brilliant publication featuring some beautifully engraved music along with words by a genius composer. Riley gives a vast amount of fascinating biographical and compositional information about his included Piano Works, such as Keyboard Study #1 and #2, Be Kind To One Another (Rag) and The Heaven Ladder Book 7. At times humourous and always eloquent, his foreword tells the story of this composer's journey from humble Piano lessons to masterpieces and an unfathomable influence, it's just great. Finally, at the end of the book, a selection of facsimiles of Riley's own handwritten scores is included, letting you see what the music looks like from the man's own hand.As well as the foreword, there are introductory performance notes for each piece by pianist Sarah Cahill. These expound the techniques, skills and experience necessary to master each piece, but also simply provide some interesting reading before delving into the harmonic and rhythmic rabbit-hole that is Riley's Piano Works. Aside from the theoretical and academic joy that Terry Riley's music affords, the most immediate pleasure is the universal aesthetic beauty of the sounds that will emanate from your Piano as you play these wonderfully whirling and dynamic compositions.As a collection of sheet music, Terry Riley's Piano Works would make a wonderful addition to your music stand. As a book that will bring endless enjoyment to fans not just of Riley himself, but music in general, the foreword and performance notes combined with the magical music make a fantastic edition of a true master's masterpieces. / Piano