Après des décennies d'anticipation, Alfred est fière de publier les sous licence officielle, à collectionner folios partitions d'accompagnement à la Super Mario Bros ™ série de jeux vidéo. Cette collection de 34 thèmes est conçu pour la performance solo de guitare avec la notation complète et TAB. Chaque chanson est arrangée dans les clés de guitare facile à un niveau facile-intermédiaire, et toutes les pièces sont adaptées pour des récitals, des concerts et des spectacles en solo. Bien-aimés par des générations de joueurs autour du globe, ces mélodies immédiatement reconnaissables sont issus de plus de deux décennies de Nintendo ® jeux vidéo, à partir emblématique Koji Kondo de 'Super Mario Bros ™ musique de fond au sol' à la New Super Mario Bros ™ Wii ™ thèmes. Ajout à l'amusement, des graphiques à partir des jeux correspondants orner chaque page de la partition. Impressionnez vos amis, la famille et des publics de tous âges en jouant de cette magnifique collection, qui fait un grand cadeau pour tous les guitaristes. / TV, Film, Comédie musicale / Tablatures / Guitare Tablatures

Après des décennies d'anticipation, Alfred est fière de publier les sous licence officielle, à collectionner folios partitions d'accompagnement à la Super Mario Bros ? série de jeux vidéo.Les 34 accords de piano dans cette édition intermédiaire-avancé sont la note pour note transcriptions de mélodies reconnaissables instantanément bien-aimés par des générations de joueurs à travers le monde. De Koji Kondo iconique 'Super Mario Bros ? musique de fond au sol' à la New Super Mario Bros ? Wii ? thèmes, des dizaines de pièces dans ce livre représentent les deux décennies et demie de favoris ® Nintendo de jeux vidéo.Ajout à l'amusement, des graphiques à partir des jeux correspondants orner chaque page de la partition. Impressionnez vos amis, la famille et des publics de tous âges en jouant de cette magnifique collection, qui fait un grand cadeau pour tout pianiste. / Piano

The globally beloved musical themes of Nintendo's Super MarioT video games sound great when they're played on the piano, and these new jazzy renditions make them more fun than ever! Each arrangement in this collection was crafted under direct supervision by Nintendo and renowned video game composer Koji Kondo, so each theme retains its musical integrity---but with a unique and lighthearted twist that's guaranteed to entertain. Pianists will enjoy the challenge of these 15 intermediate to early advanced arrangements, and audiences of all ages will be impressed and delighted to hear them. Titles: Super Mario Bros.T Ground Theme * Super Mario Bros.T Underground Theme * Super Mario Bros.T Underwater Theme * Super Mario Bros.T: The Lost Levels Ending * Super Mario Bros.T 3 Ground Theme * Super Mario WorldT Title * Super Mario WorldT Athletic Theme * Super Mario KartT Mario Circuit * Super Mario WorldT 2 Yoshi's Island Ground Theme * Super Mario 64T Main Theme * New Super Mario Bros.T Battle Theme 2 * Mario KartT WiiT Rainbow Road * New Super Mario Bros.T WiiT Title * New Super Mario Bros.T WiiT Ground Theme * Super Mario GalaxyT 2 Yoster. Contents: Mario Kart Wii Rainbow Road New Super Mario Bros Battle Theme 2 New Super Mario Bros Wii Ground Theme New Super Mario Bros Wii Title Super Mario 64 Main Theme Super Mario Bros 3 Ground Theme Super Mario Bros Ground Theme Super Mario Bros The Lost Levels Ending Super Mario Bros Underground Theme Super Mario Bros Underwater Theme Super Mario Galaxy 2 Yoster Super Mario Kart Mario Circuit Super Mario World 2 Yoshi's Island Ground Theme Super Mario World Athletic Theme Super Mario World Title

After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to the Super Mario Bros. video game series. This collection of 34 themes is arranged for solo guitar performance with full notation and TAB. Each song is arranged in easy guitar keys at an easy--intermediate level, and all pieces are suitable for recitals, concerts, and solo performances. Beloved by generations of gamers around the globe, these instantly recognizable melodies are drawn from more than two decades of Nintendo video games, from Koji Kondo's iconic Super Mario Bros. Ground Background Music to the New Super Mario Bros. Wii themes. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every guitarist. Titles: Super Mario Bros. Ground Background Music * Super Mario Bros. Underground Background Music * Super Mario Bros. Underwater Background Music * Super Mario Bros. Invincible Background Music * Super Mario Bros.: The Lost Levels Ending * Super Mario Bros. 3 Map 1 * Super Mario Bros. 3 Ground Background Music * Super Mario Bros. 3 Boss of the Fortress * Super Mario Bros. 3 Skyship Background Music * Super Mario World Title * Super Mario World Castle Background Music * Dr. Mario Chill * Dr. Mario Title Background Music * Super Mario Kart Mario Circuit * Super Mario World 2 Yoshi's Island Athletic * Super Mario World 2 Yoshi's Island Ground Background Music * Super Mario 64 Main Theme * Super Mario 64 Water Land * Mario Kart 64 Circuit * Super Mario Sunshine Dolpic Town * New Super Mario Bros. Title * New Super Mario Bros. Giant Background Music * New Super Mario Bros. Battle Background Music 2 * New Super Mario Bros. Battle Background Music 1 * Super Mario Galaxy Ending Staff Credit Roll * Mario Kart Wii Rainbow Road * New Super Mario Bros. Wii Title * New Super Mario Bros. Wii Ground Background Music * New Super Mario Bros. Wii Underwater Background Music * New Super Mario Bros. Wii Desert Background Music * Super Mario Bros. Time Up Warning Fanfare * Super Mario Bros. Course Clear Fanfare * Super Mario Bros. World Clear Fanfare * Super Mario Bros. Power Down, Game Over. Best in Show Award at Winter NAMM 2012 presented by Music Inc. magazine.

Par CASTELNUOVO-TEDESCO MARIO. Born into a family of bankers that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) studied under Pizzetti at the city' s Conservatoire. He soon became one of the leading members of the young Italian school, which broke with the tyranny of bel canto to return to the instrumental tradition of the Italian masters from the Baroque era. In 1928, Amédée-Landély Hettich, a vocal teacher in Paris, asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-E tudes, the publication of which he was supervising at Leduc. Castelnuovo-Tedesco' s contribution, entitled Vocalise-E tude for Medium Voice, became so popular that it was immediately transcribed several times over. The present adaptation for cello and piano, was created, with prior consent from the composer, by the famous Catalan cellist Gaspar Cassadó in 1930. The works opens with a poignant lamento that grieves the tragic fate of the Jewish people- it is followed by a folk dance whose ' brisk and stubborn” movement marks, with panache, an imperious refusal to yield to resignation. The composer adopted the same proactive stance himself when in 1939, fleeing Mussolini' s antisemitic laws, he decided to emigrate to the United States, a land of refuge to which he would remain faithful until his death some thirty years later./ Répertoire / Violoncelle et Piano

Par CASTELNUOVO-TEDESCO MARIO. Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers' place of worship. It was only when he discovered Schelemo, a rhapsody for cello and orchestra written in 1916 by Ernest Bloch, that he began to understand what ' Jewish music” could be. It would take until the death of his maternal grandfather, and the discovery of a collection of prayers set to music among his papers, for the young Castelnuovo-Tedesco to begin to explore Jewish music. In 1928, two years after publishing the Dances of King David, he wrote this Vocalise-E tude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich, who wanted to include it in the Répertoire moderne de Vocalises-E tudes published by Leduc. The piece became so popular that it led to several adaptations, and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections, the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a ' Wailing Wall”, Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk, ' lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif, allowing the piece to conclude on a hopeful note./ Répertoire / Violon et Piano

Edizione Critica A Cura Di Frédéric Zigante, From Op.170. Par CASTELNUOVO-TEDESCO MARIO. Mario Castelnuovo-Tedesco composed 52 Greeting Cards for various instruments between 1953 and 1967, collectively catalogued as opus 170, which he developed in a non-systematic manner up to the year before his death. These pieces were conceived as gifts for his interpreters and students, whom the author meant to gratify with these pleasant little vignettes. The 21 Greeting Cards for guitar, written from 1954 to 1967, are here collected for the first time. Historical introduction and critical commentary in Italian and English. / Niveau : Intermédiaire / Répertoire / Guitare

Revisione Sull'Autografo Di Rina You. Par PILATI MARIO. The artistic production of the Neapolitan composer Mario Pilati (Naples, 1903-1938) has recently been undergoing a reappraisal. Having died at a young age, he never had the opportunity to gain the recognition he deserved, and much of his music has, in fact, fallen into oblivion. Less well-known than his Sonata in La (Sonata in A major) written a few years later for the same formation, his Sonata per violoncello e pianoforte (Sonata in D major for cello and piano) was composed in 1922 when the composer was nineteen years old, in the ninth year of his compositional studies in the class of Maestro Antonio Savasta. The Sonata, based on the opening of a piece by Carl Reinecke, is in sonata form, and develops over a single movement. In the piece, which has got clear post-romantic connotations, the expressive vein, singing lines and lyricism that would also distinguish Pilati’s later works can already be heard. / Niveau : Intermédiaire / Date parution : 1905-07-10/ Répertoire / Violoncelle et Piano

Compositeur(s): THIERRY NAOUM, LUC DE WACTER and MARIO BARARAVECCHIA / Piano Et Chant

Compositeur(s): THIERRY NAOUM, LUC DE WACTER and MARIO BARARAVECCHIA / Piano Et Chant

Compositeur(s): THIERRY NAOUM, LUC DE WACTER and MARIO BARARAVECCHIA / Piano Et Chant