Scott John (Editor). Par SCOTT JOHN. The 'Unbeaten Tracks' series has made a profound mark on the music world with its volumes of specially commissioned pieces for intermediate-level players. This new volume for Organ continues in the same vein with a kaleidoscopic mix of pieces and styles. In addition small Biopics have been collected for each composer giving nuggets of information regarding inspiration, these are designed to give players a greater insight into the pieces. Unbeaten Tracks for solo Srgan has been produced in association with the Royal College of Organists. / Niveau : Assez Facile / Date parution : 2001-05-17/ Recueil / Orgue

Matthew Mark Luke And John is a West Country folk song arranged for SATB chorus by Gustav Holst. It was published as part of a collection of six such arrangements in 1916 forming the composer'sopus 36b. The work was dedicated to W. G. Wittaker (1876-1944) a highly respected conductor pedagogue and composer. Gustav Holst (1874-1934) was an English composer and teacher. Having studied underStanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

In the midst of thy temple. This six-minute anthem by Matthew Martin was commissioned by the Dean and Chapter of Westminster for a service held on 15th October 2019 to mark the 750th anniversary of the dedication of the Abbey Church of Henry III and first performed by the Choir of Westminster Abbey conducted by James O?Donnell with Peter Holder (organ). The piece sets Latin and English text ? the Angularis fundamentum (Christ is the sure foundation) (Anon 7th century), translated by. John Mason Neale (1818?1866) / Joseph Armitage Robinson (1858?1933), Dean of Westminster 1902?11. The work is scored for mixed choir with divisi, and the organ part is typical of Martin?s inimitable style.

Survivor is a song by American R&B group Destiny's Child. It was written and composed by band member Beyoncé Anthony Dent and Mathew Knowles for the band's third studio album of the same name (2001). The song won the Best R&B Performance by a Duo or Group with Vocals at the 2002 Grammy Awards. As part of the ?Chart Topper Series? Survivor is arranged here by Mark Brymer for SSA Voices with Piano accompaniment.Destiny's Child has sold more than 60 million records worldwide to date. Billboard magazine ranks the group as one of the greatest musical trios of all time and the ninth most successful artist/bandof the 2000s.

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

Par MARTIN MATTHEW. This spirited setting of Ave Sancta Etheldreda exhibits the hallmarks of Matthew Martin’s fresh and vibrant compositional style.  Scored for SATB voices with minimal divisi, this festive work features a striking organ accompaniment and would make an excellent addition to the repertory of any aspiring SATB choir. / Choral Music / Répertoire / Orgue et Voix Mixtes

Par MARTIN MATTHEW. This setting of 'O lux beata Trinitas' (ascribed to St Ambrose) weaves together a range of vocal styles and textures to build gradually from the quietly pensive opening section to a rousing unison declamation on the words 'Deo Patri sit Gloria!'. With the hallmarks of Matthew Martin's inimitable voice, this anthem will prove a powerful choice in evensong or as part of a mixed choral programme./ Feuillet / Choeur Mixte (SATB) et Piano

There is expressive joy in this descriptive setting of Matthew 3:13-17. The Baptism of Christ is portrayed with tenderness and gentle beauty. The writers make the connection to our own baptism and God's pleasure at our embracinghis example. Alternate texts are provided for the various baptism traditions. The innocence and sincerity of this lovely work make it an outstanding choice for celebrating this event in the life of a Christian.

Arr. D. Matthews. Par WAGNER RICHARD. The first performance of The Shorter Ring was given by William Howard, at Shoreditch Church (St Leonard's) as part of the Spitalfields Festival, London, in a programme to mark the 70th birthday of the composer, on 14 June 2013. David Matthews writes: In May 2012 William Howard asked me if I could make a condensed piano version of Der Ring des Nibelungen for him to play at a 70th birthday party for our mutual friend Colin Senior, who is a keen Wagnerian. William wondered if I could compress the fifteen hours of The Ring into three minutes. I thought this might be a little impracticable, but I managed to do it in five minutes, while retaining enough of the thematic material, I think, to give listeners a clear idea of the story. In this bicentennial year I hope the piece will give pleasure and amusement to Wagnerians, and may also encourage those who haven't heard the whole cycle to embrace the extraordinary experience that Wagner's great work affords./ Répertoire / Piano

Straight Talk from Successful Music Pros-The Best Jobs in the Music Industry is an essential career guide for those who love music and are exploring different areas of the music industry beyond the obvious performer route. Michael Redman boils down the jobrequirements skill sets potential revenue longevity benefits and challenges of a variety of music careers both direct and indirect spanning from performer to label executive to recording engineer and musicproducer.Each description of a job starts with a short summary designed to help you decide right off the bat whether this might be something you want to explore further followed by the real stories paths to success andchallenges you may confront – all in the words of real pros. Read and learn from people who have lived the music industry navigated it well and been successful.Redman interviewed over 70 pros in the business including Lee Sklar (sessions and touring musician) Damon Tedesco (scoring mixer) Brian Felsen (CD Baby CEO) Mike Boris (worldwide director of music for McCann) Louis Clark (MTV/VH1 Music Supervisor) David Newman (composer) Michael Semanick (re-recording mixer) Conrad Pope (orchestrator) Todd Rundgren (musician) Gary Calamar (music supervisor) Mark Bright (producer) and Scott Matthews (producer).

Piano-Ralph Vaughan Williams's Concerto for Bass Tuba and Orchestra was composed in 1953-4 to mark the 50th anniversary of the formation of the LSO and was written for the orchestra's principal tuba player Philip Catelinet. It was the first major concerto to be written for the instrument and remains today the outstanding work of its kind. This new edition is based on all extant sources and contains full textual notes and a discussion of the editorial method. Notable additions are the inclusion of two sets of phrasing for the Romanza-one from the first publication largely influenced by Catelinet and the other from Vaughan Williams's manuscript-andthe original cadenza to the first movement. This arrangement for tuba and piano has been updated in light of the research carried out by David Matthews and all orchestral parts have been revised.

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano

The message of peace unity mercy and love are perfectly captured in this text that calls each of us to ?put Christ into each other?s hands.? Original music sets these words in an emotionally packed anthem with piano andoptional flute accompaniment. Ideal for communion services and any worship emphasizing care for each other. (Exodus 14:19-31 Psalms 34:14 Proverbs 15:1 Zechariah 8:19 Matthew 26:26 Mark 9:50 Mark 14:22 Luke 1:79 Luke 2:14 Luke 22:19 John 14:27 John 16:33 Romans 2:10 Romans 12:18 Romans 14:19 1 Corinthians 7:15 1 Corinthians 10:16 1 Corinthians 11:23-24 1 Corinthians 11:33-34 2 Corinthians 10:1 2 Corinthians 13:11 Galatians 5:23 Ephesians 4:2 Philippians 4:5 Colossians 3:12 Colossians 3:15 1 Thessalonians 5:13 1 Timothy 2:2 1 Timothy 3:3 1 Timothy 6:11 Hebrews 12:14 1 Peter 3:4 1 Peter 3:11 1 Peter 3:15)