Professional Editions-Jazz Ens. Par TAYLOR MARK. / Jazz / Répertoire / Jazz Ensemble

The Really Big Really Easy Piano Songbook combines a huge selection of songs from the entire Easy Piano series. Ranging from Mozart to Justin Bieber, this songbook is sure to satiate any beginner pianist and expand their repertoire ten-fold!Includes songs from: Ludwig Van Beethoven, Coldplay, Bill Withers, John Legend, Elvis Presley, Franz Schubert, Taylor Swift, Simon and Garfunkel, David Bowie, Adele and many more! / Piano

As one of the best-selling artists of all time, Taylor Swift (b. 1989) needs no introduction. Since her debut album in 2006, she has been firmly established as one of the most popular artists working today. Her fifth studio album, 1989, released in October 2014, was the fastest-selling album in the United States in over a decade. As the title suggests, it is heavily influenced by 1980's pop and marks a shift away from her classic country style - nonetheless, it is still unmistakably Taylor Swift.In Taylor Swift: 1989 (Big Note Piano), all 13 tracks from the original album have been transcribed for easy Piano with big notes. Songs include Blank Space, Shake It Off, Bad Blood, and many more. / Piano

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue

Arr. Mark Taylor. Par CALHOUN CHARLES. / Niveau : 3 / Jazz / Répertoire / Jazz Ensemble

Il ne se fait pas tout Funky que cela ! James Brown et l'un de ses mélodies de marques sont un match parfait pour Mark Taylor et cette version exceptionnelle pour l'ensemble de jazz. Fonctionnalités chaud par écrit pour le laiton et un sillon de la section rythmique funky. / Jazz Band

In the skilled hands of Mark Taylor this uptempo bebop classic becomes a showstopper! Listen for the masterful Bird sax soli as well as tight ensemble sounds all at a brisk pace. If your band is ready for something they can sinktheir teeth into this may be the perfect chart.

Arr. Mark Taylor. Par KERN JEROME. / Niveau : 5 / Jazz / Répertoire / Jazz Ensemble