Neue Aspekte Der Regerforschung. A publication of the Max Reger Institute. Since the study of Reger is still in its infancy, there is much new territory to discover in Reger-Studien 2 – Neue Aspekte der Regerforschung. Biographical and analytic contributions to various aspects of his works are mixed with a programmatic view of future research, which is in part still incomplete. 'The volume, edited by Susanne Shigihara … presents a highly stimulating cross-section, which is sufficient for studies that are biographical to analytical, historical-philosophical to iconographical. ' [Klaus Ebbeke in the Neue Zeitschrift für Musik, November 1987]/ Répertoire / Divers

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Beiträge Zur Regerforschung. A publication of the Max Reger Institute/ Répertoire / Divers

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Reger, Max (Trad.). a publication of the Max Reger Institute/ Répertoire / Livre

Musikalische Moderne Und Tradition. A publication of the Max Reger Institute/ Répertoire / Divers

Schriftenreihe Des Max-Reger-Instituts, Band Xix. Noch deutlich an Johannes Brahms orientiert, bereits hochgradig experimentell, musikalisch endgültig konsolidiert, davon losgelöst, ja seltsam neuartig: Wie Perlen auf einer Schnur ziehen sich Max Regers vier Sonaten für Violoncello und Klavier durch dessen schier unübersichtliches oeuvre. Jedes Stück steht dabei beispielhaft für eine der vielen Schaffensphasen, die der Künstler während seines Lebens durchläuft. Das Buch hat sich diese Tatsache zunutze gemacht; anhand unterschiedlicher analytischer Ansätze zu den einzelnen Werken und deren Umfeld entsteht ein immer genaueres Bild des Komponisten und dessen prekärer inneren Zerrissenheit, die sich aus dem utopischbleibenden Wunsch nach einer Verbindung von Traditionellem und radikaler musikalischer Innovation ergibt./ Répertoire / Divers

Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twenty-first century a thematic catalogue of the works of Max Reger and their sources has been put together in the Max-Reger-Institut Karlsruhe funded by the Deutsche Forschungsgemeinschaft. This will be a fitting addition to our series of thematic catalogues of the works of Beethoven, Brahms, Chopin and Schumann. It contains in-depth information in a readable form on the complete original works and arrangements, both published and unpublished, completed or fragmentary. Information concerning the genesis, place and state of the handwritten and printed sources are presented comprehensively and reflect the current state of research. Thus not only scholars but also performers, music lovers and concert organizers will be able to get to know Reger's neglected but in many ways surprising works.Numerous indexes will make the Reger Thematic Catalogue easy and clear to use and it has all of the prerequisites to soon become the definitive reference work for Max Reger. / Orchestre

Par REGER MAX. Die Drei Chören (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on August 1, 1892: 'I will send the choruses op. 6 ? which your son liked very much ? to you tomorrow morning [...]'. George Augener had spent five weeks from undergoing treatment in Wiesbaden and had met on this occasion not only Hugo Riemann but also his 'favorite pupil' Reger. After the publication, the Allgemeine Musik-Zeitung remarked on the 'entirely Brahmsian character to the work'. It praised its polyphonic structure and its'romantic chiaroscuro [...], the effect of which the accompanying piano knows how to exalt excellently'. The work was nevertheless to remain Reger's only composition for this instrumentation.Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works. / Date parution : 2023-06-01/ Répertoire / SATB et Piano