humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 9: Norwegian Songs/ Répertoire / Quatuor à Cordes

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 13: German Songs/ Répertoire / Quatuor à Cordes

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 11: Viennese Songs/ Répertoire / Quatuor à Cordes

Für Klavier-Trio. Par PIRCKMAYER GEORG. Vl Vc Klav/ Répertoire / Musique de Chambre

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 10: Viennese Songs/ Répertoire / Quatuor à Cordes

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 7: Austrian Songs/ Répertoire / Quatuor à Cordes

SGST/KL - baritone and piano - Latincomposer: Killmayer, WilhelmÉditeur: Schott Musicpages: 24

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 6: German Songs/ Répertoire / Quatuor à Cordes

Par ADAMS SALLY / MORLEY N.. Concert Repertoire for Flute combines imaginative arrangements with original pieces, all of which have been carefully selected and written for players of Grade 4-7 standard. The pieces are varied and fun ranging from Billy Mayerl's Bats in the Belfry to Brittens Gemini Variations the pieces in this book are bound to be a hit with both players and audiences alike. / Niveau : Assez Facile / Répertoire / Flûte Traversière et Piano

Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.

on Guitar. Par . If you're new to fingerstyle guitar, you're probably eager to learn some new fingerpicking patterns. This book and audio pack provides a variety of must-know examples in the styles of influential fingerstyle folk, classical, rock, country, and blues guitarists. Each is notated with easy-to-read rhythm tab notation and chord diagrams. All 50 patterns also include helpful playing tips, stylistic info, and audio demonstration tracks. The patterns are in the styles of Chet Atkins, Pierre Bensusan, Eva Cassidy, Tracy Chapman, Eric Clapton, Ani DiFranco, Bob Dylan, Mississippi John Hurt, Leo Kottke, John Mayer, Andy McKee, Joni Mitchell, John Prine, Radiohead, Simon and Garfunkel, James Taylor, Merle Travis, Mason Williams, and more. The price of this book includes access to audio tracks online, for download or streaming, using PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2023-06-01/ Etude / Guitare