Descant recorder - easy

SKU: HL.49007511

German Text. Composed by Gerhard Engel, Gudrun Heyens, Hans-Martin Linde, and Konrad Huenteler. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Student book. 80 pages. Schott Music #ED 7771. Published by Schott Music (HL.49007511).

ISBN 9783795750671. UPC: 073999263855. 9.0x12.0x0.199 inches. German. Christa Estenfeld-Kropp.

Wh ere in volume 1 the notes in the octave c1 * d2 were carefully introduced and consolidated, volume 2 expands the range of notes to include c3 and gradually introduces chromatic notes. Rhythmic knowledge is extended (semiquavers, dotted crotchets) and different playing styles are practised (legato, staccato, portato). Lots of songs from all over the world, together with increasing numbers of original pieces, provide varied and colourful teaching repertoire. The teacher's book deals with the prerequisites for starting lessons (buying and caring for an instrument, the principles of teaching) and gives plenty of practical tips for lessons and suggestions for introducing each piece. Following on from volume 2, the publishers now present a tutor book for treble [alto] recorder that continues to feature the descant [soprano] recorder too (ED 8641/ED 8642).

SKU: CA.5023500

Composed by Josef Gabriel Rheinberger. Edited by Han Theill. This edition: Linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Klavierwerke Zu 2 Handen Ii (Ln). Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 400 pages. Carus Verlag #CV 50.235/00. Published by Carus Verlag (CA.5023500).

ISBN 9790007087524.

Bb/C Euphonium TC/BC - easy

SKU: BT.AMP-305-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 40 pages. Anglo Music Press #AMP 305-400. Published by Anglo Music Press (BT.AMP-305-400).

ISBN 9789043138123. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

SKU: PR.UE007326

Composed by Peter Ilyich Tchaikovsky. With Standard notation. Universal Edition #UE007326. Published by Universal Edition (PR.UE007326).

UPC: 803452007043.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3

SKU: CF.CPS245

Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4 +4+6+6+4+4+8+2+2+1+4+1+2+ 24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245).

ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches.

ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1- 4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo.

(2.2.2.2/2.0.0.0,hp,str,v n solo)

SKU: TM.00585SC

Composed by Peter Illich Tschaikowsky. Score. Lucks Music Library #A2200. Published by Lucks Music Library (TM.00585SC).

Solo/pf. Solo includes Op. 42 No. 1-3 (No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie). Orchestrated by A. Glazounov.

(2.2.2.2/2.0.0.0,hp,str,v n solo)

SKU: TM.00585SET

Composed by Peter Illich Tschaikowsky. Set Type: D. Set of parts. Lucks Music Library #A2200. Published by Lucks Music Library (TM.00585SET).

Solo/pf. Solo includes Op. 42 No. 1-3 (No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie). Orchestrated by A. Glazounov.

(2.2.2.2/2.0.0.0,hp,str,v iolin solo)

SKU: TM.00545SC

Composed by Peter Illich Tschaikowsky. Edited by Glazounov. Score. Lucks Music Library #A2199. Published by Lucks Music Library (TM.00545SC).

Solo/pf. Solo contains: Op.42 No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie. Orchestrated by A. Glazounov.

(2.2.2.2/2.0.0.0,hp,str,v iolin solo)

SKU: TM.00545SET

Composed by Peter Illich Tschaikowsky. Edited by Glazounov. Set Type: D. Set of parts. Lucks Music Library #A2199. Published by Lucks Music Library (TM.00545SET).

Solo/pf. Solo contains: Op.42 No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie. Orchestrated by A. Glazounov.

Orchestra (2.2.2.2/4.0.0.0,str,cell o solo)

SKU: TM.00644SC

Composed by Gabriel Faure. Edited by Rose. Score. Lucks Music Library #A1442. Published by Lucks Music Library (TM.00644SC).

Solo/pf. Solo includes Op. 42 No. 1-3 (No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie). Orchestrated by A. Glazounov.

Orchestra (2.2.2.2/4.0.0.0,str,cell o solo)

SKU: TM.00644SET

Composed by Gabriel Faure. Edited by Rose. Set Type: D. Set of parts. Lucks Music Library #A1442. Published by Lucks Music Library (TM.00644SET).

Solo/pf. Solo includes Op. 42 No. 1-3 (No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie). Orchestrated by A. Glazounov.

(1.0.1.2/2.0.0.0,str,cell o solo)

SKU: TM.00649SET

Composed by Georg Goltermann. Set Type: C. Set of parts. Lucks Music Library #A1507. Published by Lucks Music Library (TM.00649SET).

Solo/pf. Solo includes Op. 42 No. 1-3 (No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie). Orchestrated by A. Glazounov.

Orchestra (2.2.2.2/4.2.3.0,timp,hp, str,cello solo)

SKU: TM.00601SC

Composed by Max Bruch. Edited by Rose. Score. Lucks Music Library #A1360. Published by Lucks Music Library (TM.00601SC).

Solo/pf. Solo contains: Op.42 No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie. Orchestrated by A. Glazounov.

Orchestra (2.2.2.2/4.2.0.0,timp,str ,cello solo)

SKU: TM.00600SET

Composed by Eugen D' Albert. Set Type: D. Set of parts. Lucks Music Library #A1204. Published by Lucks Music Library (TM.00600SET).

Solo/pf. Solo contains: Op.42 No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie. Orchestrated by A. Glazounov.

(Klavierstucke II). By Franz Schubert (1797-1828). Edited by Christa Landon; Walther Durr. For Piano. Neue Schubert-Ausgabe. Serie VII, Abteilung 2/5. Klaviermusik, Romantik (Piano Music, Romantic). Playing Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag

Piano (Piano)

SKU: HL.48188981

Composed by Reynaldo Hahn. Leduc. CD. 56 pages. Heugel & Cie #HE33887. Published by Heugel & Cie (HL.48188981).

UPC: 888680874209. 9.0x12.0x0.424 inches.

“The Loose Ribbon is one of the most important pieces by Reynaldo Hahn. This set of twelve waltzes for 2 pianos was conceived as entertainment for Hahn?s friends and has a strong melodic aspect. It is one of the greatest pieces of work composed by Hahn in terms of harmony and, written at the end of his Piano writing period; it is a good transition toward his second period that is more focused on comedies and operas. These twelve waltzes are: 1. Décrets indolents du hazard 2. Les soirs d?Albi 3. Souvenir? Avenir? 4. Dans de l?amour et du chagrin 5. Le demi-sommeil embaumé 6. L?anneau perdu 7. Danse du doute et de l?espérance 8. La cage ouverte 9. Soir d?orage 10. Les baisers 11. Il Sorriso 12. Le Seul Amour A poem by Victor Hugo, 'Puisque j?ai mis ma lèvre', built on the theme of the 12th waltz, Le Seul Amour.”.

(Melodier, humoresker och idyller for piano.). By Wilhelm Peterson-Berger. For piano solo. Op. 16. Published by Gehrmans Musikforlag

Piano - Level 3

SKU: LM.VV142

Composed by Sylvie Decrept. Method, studies. Score. Editions Van de Velde #VV142. Published by Editions Van de Velde (LM.VV142).

ISBN 9790560051420.

DECR EPT Sylvie : Melodie a deux - Chanson breve - Reverie - La main gauche chante - Resonances - Chanson - Les tierces - Mode Kafi - La main gauche accompagne - Couleurs pour le do - Air connu - Coucou - Mode Kafi - Longue pedale - Escapade - Les intervalles chantent - Sympathies - Le petit train - La main gauche chante - Mode Kalyana - Chemins paralleles - La main gauche - Les mesures s'opposent - Plainte - Petit soupir - Melanges - Hors du ton - La petite echelle - Jazz - Histoire breve - Couleurs du temps - Cloches - Intervalles changeants - Surprises - En dansant - Contrastes - Gaiete - En mineur - Chanson triste.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS184F

Composed by Alan Lee Silva. Young String Orchestra (YAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS184F. Published by Carl Fischer Music (CF.YAS184F).

ISBN 9781491151860. UPC: 680160909360. 9 x 12 inches.

Alan Lee Silva's Northwestern Skies?is lyrical and fresh,? with his signature open and expressive style. Young string orchestras will sound rich and full with this sweeping composition.
 

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower strings carry the C theme in m. 49, supported by tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ;

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. MoreA instrtuments areA added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower stringsA carry the C theme in m. 49, supported byA tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The movingA legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in theA violas and then the violinsA over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ;

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. MoreA instrtuments areA added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower stringsA carry the C theme in m. 49, supported byA tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The movingA legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in theA violas and then the violinsA over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ;

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower strings carry the C theme in m. 49, supported by tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ; From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33. The lower strings carry the C theme in m. 49, supported by tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build. The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.
 From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33.The lower strings carry the C theme in m. 49, supported by  tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra (2+1.2.2.2/2.0.2.0,timp,s tr,cello solo)

SKU: TM.00650SC

Composed by Friedrich Gruetzmacher. Score. Lucks Music Library #A1530. Published by Lucks Music Library (TM.00650SC).

Solo/pf. Solo includes Op. 42 No. 1-3 (No. 1 Meditation, No. 2 Scherzo, No. 3 Melodie). Orchestrated by A. Glazounov.

Tuba or Bass Trombone & Piano accompaniment - advanced

SKU: CY.CC2993

Composed by P. I. Tchaikovsky. Arranged by Cory Mixdorf. Russian Romantic. Solo part & Piano accompaniment. 7 pages. Cherry Classics #2993. Published by Cherry Classics (CY.CC2993).

ISBN 9790530058121.

Tcha ikovsky composed Souvenir d'un lieu cher Op. 42 in 1878 for Violin and Piano. Melodie is the third of three movements of this lovely work. Later, in 1884 the movements were published separately and eventually Glazunov arranged the three movements for Violin and orchestra.
The music is poetic, expressive, joyous and refreshing with a wink or two. Professor Mixdorf has beautifully arranged this 3-minute work for advanced performers.