SKU: BR.SON-427 Complete Works. Composed by Felix Bartholdy Mendel...(+)
SKU: BR.SON-427
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Linen.
Complete Works. Romantic
period. Complete Works.
364 pages. Breitkopf and
Haertel #SON 427.
Published by Breitkopf
and Haertel (BR.SON-427).
ISBN 9790004803080. 10
x 12.5
inches.
Based on
the conviction that all
material authored by its
composer belongs to the
musical work as such and
therefore needs to be
published, this volume
collects all surviving
drafts that Felix
Mendelssohn Bartholdy
made for his magnum opus,
the oratorio Elijah op.
70. It not only
incorporates preliminary
studies and sketches that
by no means always take a
direct route to a
specific version of the
work, but also those
passages that were
eliminated from already
completed texts and that
are of special analytical
interest. Due to
Mendelssohn's way of
working and the
particular circumstances
of source transmission at
the end of his life a
considerable number of
later discarded movements
as well as revised
versions have come down
to us. All these sources
provide us with detailed
information both about
the composer's work
method and about the
genesis of the
composition in question.
The volume prepared by
the editor-in-chief of
the Mendelssohn complete
edition contains all
known autograph sources
with annotation referring
to the genesis of Elijah,
as well as other
surviving, as yet
unspecified related
material. The wealth of
documents, compiled and
arranged in an exemplary
fashion and presented in
an unconventional
scholarly format, is
reproduced in all its
complexity while at the
same time enabling users
in a highly illustrative
way to trace details of
Mendelssohn's modus
operandi. The edition of
sketches and drafts,
revised and discarded
settings of Elijah hereby
constitutes a remarkable
example of a creative
approach to the object of
research that
nevertheless strictly
adheres to the historical
facts.
Piano, 4-hands SKU: BR.SON-438 Complete Works. Composed by Felix B...(+)
Piano, 4-hands
SKU:
BR.SON-438
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Schmidt-Beste. Arranged
by Felix Bartholdy
Mendelssohn. Linen.
Complete Works. Romantic
period. Complete Works.
176 pages. Breitkopf and
Haertel #SON 438.
Published by Breitkopf
and Haertel (BR.SON-438).
ISBN 9790004803325. 9
x 12 inches.
The
four-hand piano version
of the Scottish
Symphony was written by
Mendelssohn in 1842,
after he had finished the
orchestral score, but
before it was printed. A
piano arrangement was an
important element of
publicity for him and his
publisher, since this was
the most effective way of
getting an orchestral
work known. When
considering what a
creative spirit
Mendelssohn was, it is
not surprising that he
substantially altered the
first and fourth
movements in his
arrangement, which, in
its turn, left its mark
on the score. The great
diffusion of the work -
and of the four-hand
piano version above all -
is certainly due in part
to the fact that after
its first edition by
Breitkopf & Hartel in
Leipzig, parallel
editions were released in
France and England,
whereby a thank-you note
from Prince Albert to
Mendelssohn even suggests
that he and his wife,
Queen Victoria, played
through the work at the
piano from the dedicatory
copy.
Piano SKU: BR.SON-429 Complete Works. Composed by Felix Bartholdy ...(+)
Piano
SKU:
BR.SON-429
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Solo
instruments; Linen.
Complete Works. Romantic
period. Complete Works.
444 pages. Breitkopf and
Haertel #SON 429.
Published by Breitkopf
and Haertel (BR.SON-429).
ISBN 9790004803097. 10
x 12.5 inches. German /
English.
The
Critical Report on the
oratorio Elijah concludes
the five-volume edition
of this major work by
Felix Mendelssohn
Bartholdy. It presents -
by way of exception in
the form of a volume
separate from the music
editions - the summary of
all the editorial
commentaries particularly
associated with the early
versions (Volume V/11A)
and the final version
(Volume V/11) of Elijah,
which has appeared in
print. With the piano
reduction (Volume V/11B)
and the volume containing
sketches and discarded
versions (Volume V/11C),
the Critical Report
interweaves in other
ways: Since it was
possible to realize an
independent,
self-contained commentary
for the former one, the
present complete report
only contains the
relevant source overviews
and descriptions but no
source evaluation and
text-critical remarks.
The volume of sketches
and discarded versions,
on the other hand,
containing a
classification and
comments on all the
musical documents the
composer had not intended
for the public - among
them, in particular, the
documentation of the
work's modification for
the final version -
serves not least as a
supplement and practical
illustration of the
verbal explanations
contained in the Critical
Report. Thus, the
Critical Report, as
Volume V/11D of the
Edition, is intended to
bundle, systematize and
provide conclusive
commentaries on the
documents transmitted in
connection with the
Elijah, including not
only the musical, but
also all written
documents - libretto
drafts, correspondence,
sources on the (English)
reception -- that are
specifically presented in
this volume. The Critical
Report on Elijah contains
the presentation and
evaluation of a total of
six source collections
and nearly 260 individual
sources, including no
fewer than 20 libretto
drafts written by
Mendelssohn himself or
with his participation.
An essential component is
also a detailed
chronology of the work's
genesis. Mendelssohn's
creative work on his
second oratorio took an
unusually long period of
twelve years, in fact
almost a third of his
life.
SKU: BR.SON-451 Complete Works. Edited by Ralf Wehner. Linen. Comp...(+)
SKU: BR.SON-451
Complete Works.
Edited by Ralf Wehner.
Linen. Complete Works.
Romantic period. Complete
Works. 140 pages.
Breitkopf and Haertel
#SON 451. Published by
Breitkopf and Haertel
(BR.SON-451).
ISBN
9790004803615. 9 x 12
inches.
The
Overture for
Harmoniemusik in C major
op. 24 MWV P 1 by Felix
Mendelssohn Bartholdy is
a special work in two
respects: on the one
hand, it is unique in its
instrumentation in the
composer's oeuvre - in
the main version for 23
wind instruments; on the
other hand, it exists in
several versions
originating from
Mendelssohn himself,
namely a variant for
eleven wind instruments
from 1826 and two
arrangements for piano
four hands from 1838.
These versions, called
Nocturno and Overture for
Harmonie- and
Militairmusik
respectively - form the
content of the present
volume. The outstanding
position of the
composition is also
underlined by a
considerable variety of
sources, by a number of
unresolved questions
connected with its
composition, e.g.
concerning the specifics
of the contemporary
instruments to be used,
and by the fact that the
overture in the extended
wind version was the only
piece of this body of
works that the
self-critical composer
considered worthy of
publication. The
inspiration for its
composition ultimately
goes back to a stay by
Felix Mendelssohn
Bartholdy and his father
in 1824 at the Baltic Sea
resort of Doberan (then:
Dobberan), where the
Grand Duke of
Mecklenburg-Schwerin
maintained a summer
residence surrounded by
members of his court
orchestra of national
renown. Thus, the music
sketched there was
initially not given a
title, but was always
referred to in the
Mendelssohn family as
Dobberan harmony music in
reference to the place
associated with it.
Die erste Walpurgisnacht Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Reduction] Barenreiter
(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1...(+)
(Ballade von Johann
Wolfgang von Goethe). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by John Michael
Cooper. Arranged by Felix
Bartholdy Mendelssohn.
For alto voice solo/tenor
voice solo/baritone voice
solo/bass voice solo/SATB
choir/2 flutes/piccolo/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/3
trombones/timpani/concert
drum/cymbal/2
violins/viola/cello/contr
abass. This edition:
Urtext edition. Level 3.
Piano reduction
(paperbound). Language:
German/English, Text
language: German/English.
Opus 60. Published by
Baerenreiter Verlag
Chorus and piano SKU: BR.SON-453 Complete Works. Composed by Felix...(+)
Chorus and piano
SKU:
BR.SON-453
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Clemens
Harasim. Choir; Linen.
Complete Works. Romantic
period. Complete Works.
700 pages. Breitkopf and
Haertel #SON 453.
Published by Breitkopf
and Haertel (BR.SON-453).
ISBN 9790004803639. 10
x 12.5 inches.
This
Felix Mendelssohn
Bartholdy anthology
contains 19 sacred vocal
works in various choral
and sometimes additional
solo settings, with
organ, harpsichord, or
basso continuo
accompaniment. Among
these pieces composed
from 1821 to 1847 are six
works that were not
published during
Mendelssohn's lifetime.
Seven of the works
presented are each extant
in at least one other
authorized version that
has also been edited
here. The occasions and
circumstances of their
composition vary as much
as their musical
structures and
characteristics: Several
were intended for
specific performances;
others were written from
the outset for
publication.
Chorus (with soloists) and orchestra SKU: BR.SON-452 Complete Works(+)
Chorus (with soloists)
and orchestra
SKU:
BR.SON-452
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Birgit and
Wehner Muller. Choir;
Linen. Complete Works.
Romantic period. Complete
Works. 360 pages.
Breitkopf and Haertel
#SON 452. Published by
Breitkopf and Haertel
(BR.SON-452).
ISBN
9790004803622. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
lived in the heyday of
men's choruses. Early on,
the composer had
encountered the genre by
way of his teacher Carl
Friedrich Zelter and his
Berlin Liedertafel,
founded in 1809, had then
gathered his own
experience from the
Leipzig Liedertafel
societies, and was in
contact with a number of
male choral societies
throughout his lifetime.
Nevertheless, his
relation to male choral
singing was characterised
not only by his
inclination, but also by
critical distance. The
festive compositions for
male chorus and orchestra
forming the content of
this volume are all
commissioned works, two
of which, the so-called
Gutenberg-Kantate and the
Festgesang an die
Kunstler on a text by
Friedrich Schiller, also
appeared in print during
Mendelssohn's
lifetime.
Chorus (with soloists) and orchestra SKU: BR.SON-425 Complete Works(+)
Chorus (with soloists)
and orchestra
SKU:
BR.SON-425
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Choir;
Linen. Complete Works.
Romantic period. Complete
Works. 516 pages.
Breitkopf and Haertel
#SON 425. Published by
Breitkopf and Haertel
(BR.SON-425).
ISBN
9790004802809. 10 x 12.5
inches.
Felix
Mendelssohn Bartholdy
fundamentally revised his
Elijah after its
successful world premiere
in Birmingham in summer
1846. However, the
individual layers of this
revision are less visible
in the autograph score
than in the piano-vocal
score that was made
parallel to it and which
the composer kept working
on for its simultaneous
publication in England
and
Germany.
SKU: BR.SON-441 Complete Works. Composed by Felix Bartholdy Mendel...(+)
SKU: BR.SON-441
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Linen. Complete Works.
Romantic period. Complete
Works. 308 pages.
Breitkopf and Haertel
#SON 441. Published by
Breitkopf and Haertel
(BR.SON-441).
ISBN
9790004803493. 10 x 12.5
inches.
The
circumstance that Felix
Mendelssohn Bartholdy
searched all his life in
vain for suitable
material for an opera
easily obscures the fact
that he actually produced
a considerable output of
incidental music - from
the Singspiele of his
childhood and youth up to
the large-scale works of
incidental music of the
1840s for the Prussian
king Friedrich Wilhelm
IV.; also an opera
fragment based on the
Loreley material has
survived.The volume
,,Kleinere Buhnenwerke
(Minor stage works) of
the complete edition
contains - with the
exception of the
above-mentioned scores -
all other works that can
be attributed to the
genre of musical drama,
whereby the term ,,stage
works is applied in a
broad sense, since they
also comprise pieces that
are on the border between
a concertante and a stage
performance: several
fragments from his
childhood years, the
contribution, published
in 1833, for a festival
of the Berlin poet
Wilhelm Emil Julius, four
works of incidental music
for the Dusseldorf
theatre (1833-1835) and a
piece of convenience for
the Leipzig theatre
(music for Ruy Blas with
the first version of the
corresponding overture of
1839). In addition to
these (complete and
fragmentary) scores, the
volume includes
arrangements of
individual movements of
these works. It therefore
represents a compilation
of works which in terms
of instrumentation,
character and dimensions
are extremely diverse -
and today for the most
part unknown.
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper.
Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Vocal
Score. Opus 52, MWV A 18.
Baerenreiter Verlag
#BA09092_90. Published by
Baerenreiter Verlag
(BA.BA09092-90).
ISBN
9790006565801. 27 x 19 cm
inches. Text Language:
German, English. Preface:
John Michael Cooper.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
Chorus a cappella SKU: BR.SON-455 Complete Works. Composed by Feli...(+)
Chorus a cappella
SKU:
BR.SON-455
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Choir; Linen. Complete
Works. Romantic period.
Complete Works. Breitkopf
and Haertel #SON 455.
Published by Breitkopf
and Haertel (BR.SON-455).
ISBN 9790004803653. 9
x 12
inches.
Between
1834 and 1847 Felix
Mendelssohn Bartholdy
composed a total of 28
songs for mixed voices,
i.e. for two female
(soprano and alto) and
two male (tenor and bass)
voices each. The pieces
are arranged so that they
can be sung by four
individual singers as
well as by smaller
ensembles or large
choirs. The composer had
almost two-thirds of
these works published by
Breitkopf and Hartel in
the collections opp. 41,
48 and 59, combining
partly already existing
and partly newly composed
songs into a loose cycle
of six songs each. The
purpose of such
occasional music was
clear to him: ... the
most natural music of all
is when four people go
for a walk together, in
the forest, or on a boat,
and then immediately
carry the music with them
and in them. The present
volume contains all the
songs published and
unpublished during his
lifetime, as well as
their versions, which owe
their various performance
contexts.
(Chorale cantata). Composed by Johann Cruger / Felix Mendelssohn Bartholdy. Edit...(+)
(Chorale cantata).
Composed by Johann Cruger
/ Felix Mendelssohn
Bartholdy. Edited by
Gunter Graulich. Arranged
by Paul Horn. For SATB
choir, 2 violins, viola,
cello/double bass, [oboe,
bassoon] (arr: organ).
This edition: Paperbound.
Stuttgart Urtext Edition.
German title: Jesu, meine
Freude. Cantatas, Praise
and thanks. Level 4. Full
score. Language:
German/English. Composed
1828. 24 pages. Duration
9 minutes. Published by
Carus Verlag
(Chorale cantata). Composed by Johann Cruger / Felix Mendelssohn Bartholdy. Edit...(+)
(Chorale cantata).
Composed by Johann Cruger
/ Felix Mendelssohn
Bartholdy. Edited by
Gunter Graulich. Arranged
by Paul Horn. For SATB
choir, 2 violins, viola,
cello/double bass, [oboe,
bassoon] (arr: organ).
Stuttgart Urtext Edition.
German title: Jesu, meine
Freude. Cantatas, Praise
and thanks. Level 4.
Complete orchestral
parts. Language:
German/English. Composed
1828. Duration 9 minutes.
Published by Carus Verlag
By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Tim McCarrick. Orchestra...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Arranged by Tim
McCarrick. Orchestra.
Masterworks; SmartMusic;
String Orchestra. Belwin
Intermediate String
Orchestra. Masterwork
Arrangement; Romantic.
Grade 3.5. Conductor
Score and Parts. 72
pages. Published by
Belwin Publishing
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Schmidt-Beste. Linen.
Complete Works. Romantic
period. Complete Works.
116 pages. Breitkopf and
Haertel #SON 431.
Published by Breitkopf
and Haertel (BR.SON-431).
ISBN 9790004803103. 10
x 12.5 inches.
A
mystifying question of
versions surrounds the
Italian: right after the
world premiere in London,
Mendelssohn is
unsatisfied with his
symphony. Since he no
longer has the score with
him, he writes it down
afresh (except for the
opening movement), but
stops at three quarters
of the way. In the
meantime, trusted experts
weigh in with their
views. Fanny Hensel
writes to her brother: I
dont like the change in
the first melody at all;
why did you make it?
Nevertheless, Felix
continues to busy himself
with the first movement,
but ultimately finds no
more time for it and
leaves it primarily in
the form of the complete
early version of 1833,
which is published
posthumously and remains,
to this day, a standard
repertoire piece in all
concert halls. The
revised torso, in turn,
was long ignored. It was
published in this volume,
yet it is clear that the
three movements of the
incomplete final version
of 1834 were from the
composers viewpoint not
at all ready for
publication, seeing that
Mendelssohn had never
critically reviewed them
after having penned
them.
Volumes 1 and 2. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edi...(+)
Volumes 1 and 2.
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by R.
Larry Todd. This edition:
urtext edition.
Paperback. Performance
score and part,
anthology. 99/27, 54/19
pages. Published by
Baerenreiter Verlag
(BA.BA9098).
Volume 2. Composed by Felix Bartholdy Mendelssohn (1809- 1847). Edited by R. La...(+)
Volume 2. Composed by
Felix
Bartholdy Mendelssohn
(1809-
1847). Edited by R. Larry
Todd. This edition:
urtext
edition. Paperback.
Performance score and
part,
anthology. 54/19 pages.
Published by Baerenreiter
Verlag
Violin, cello, piano SKU: BR.SON-421 Complete Works. Composed by F...(+)
Violin, cello, piano
SKU: BR.SON-421
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Salome Reiser.
Linen. Complete Works.
Romantic period. Complete
Works. 292 pages.
Breitkopf and Haertel
#SON 421. Published by
Breitkopf and Haertel
(BR.SON-421).
ISBN
9790004802663. 9 x 12
inches.
Nearly an
entire decade lies
between the first mention
(1831) and the printing
(1840) of the Trio op.
49. Mendelssohn kept
trying to set it to
paper, but he was
probably again making too
many demands on this
work, his first in the
piano trio genre. Yet his
efforts were immediately
rewarded: It is the
master trio of the
present, and Mendelssohn
the Mozart of the 19th
century, proclaimed
Robert Schumann, who was
also to compose a
landmark D minor Trio
seven years later.
Mendelssohn's second Trio
op. 66 was composed with
a relatively light hand
in 1845. Over and beyond
the familiar Trios opp.
49 and 66, the
corresponding volume of
the Leipziger
Mendelssohn-Ausgabe
contains sketches and
drafts in the same
scoring, which were not
further developed.
Volume 1. Composed by Felix Bartholdy Mendelssohn (1809- 1847). Edited by R. La...(+)
Volume 1. Composed by
Felix
Bartholdy Mendelssohn
(1809-
1847). Edited by R. Larry
Todd. This edition:
urtext
edition. Paperback.
Performance score and
part,
anthology. 99/27 pages.
Published by Baerenreiter
Verlag
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Mixed choir (...(+)
Solo voices, SATB chorus,
orchestra (Soprano solo
(2), Tenor solo, Mixed
choir (SATB), Orchestra)
SKU: BA.BA09092
A Symphony-Cantata
after Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 52,
MWV A 18. Baerenreiter
Verlag #BA09092_00.
Published by Baerenreiter
Verlag (BA.BA09092).
ISBN 9790006565795. 31
x 24.3 cm inches. Text
Language: German,
English. Preface: John
Michael Cooper. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles
Henry.
Mendelssohn
€™s contemporaries
frequently mentioned his
“Hymn of
Praise†in the same
breath as
Beethoven’s Ninth
– and often enough
viewed it as an
imitation. Mendelssohn
authority John Michael
Cooper, in his extensive
Introduction to this new
Urtext edition, shows
that the comparison is
completely unfounded:
with this work
Mendelssohn created a new
genre to which he gave
the name
“symphony-cantataâ
€. Later he added a
secular counterpart with
“Die Erste
Walpurgisnachtâ€.
Drawing on all
relevant sources, Cooper
provides a detailed
account of the genesis
and structure of this
monumental work. Rounding
off his scholarly
performing edition are
notes on the
work’s
performance, e.g. tempo,
articulation and
dynamics.
For the
first time the piano
reduction includes
Mendelssohn’s
authorised version of the
“Sinfoniaâ€,
based on the first
edition of No. 1 for
piano solo.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: BR.SON-422 Complete Works. Composed by Felix Bartholdy Mendel...(+)
SKU: BR.SON-422
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Salome Reiser.
Linen. Complete Works.
Romantic period. Complete
Works. 188 pages.
Breitkopf and Haertel
#SON 422. Published by
Breitkopf and Haertel
(BR.SON-422).
ISBN
9790004802670. 9 x 12
inches.
The music
world has long been
familiar with
Mendelssohn's celebrated,
standard-setting Piano
Trio in D minor op. 49.
No one, however, knew how
many stages this
masterpiece went through
before it was finally
published in 1840.
According to preliminary
sketches that can no
longer be reconstructed,
the early version of the
of the work in its
traditional piano-trio
scoring was written in
spring 1839. It was given
its first performance at
the Mendelssohn home in
Berlin and remained
unpublished. The
following year,
Mendelssohn brought out a
version of the work with
flute instead of violin
at the request of an
English publisher. He had
already strongly reworked
the original version for
the publication. Another
revision was made of the
flute version, which not
only took into account
the different technical
possibilities of a wind
instrument, but also
affected the
compositional substance
of the work. Thus
Mendelssohn very nearly
did write his D minor
Piano Trio three
times!
Die Musik
von Felix Mendelssohn
Bartholdy gehort fur
viele Chore zum festen
und gern gesungenen
Repertoire, das vom
einfachen romantischen
Volkslied bis zum
ausgewachsenen Oratorium
reicht. Durch alle
Chorsparten ist seine
Musik bekannt und
beliebt. Und dochhat
Mendelssohn kaum fur
Fraunenchöre
geschrieben, obwohl
entsprechende Ensembles
bereits zu seinen
Lebzeichen im 19.
Jahrhundert inder
Chorlandschaft ein Rolle
spielen. Fur die
vorliegende Sammlung hat
sich Pascal Martine
deshalb des Kunstgriffs
der Bearbeitung bedient.
Als Vorlage dienten
Mendelssohns Gesange fur
zwei Frauenstimmen und
Klavier, die er auf drei
Frauenstimmen erweitert
hat. Dabei ist die
hinzugefugte Stimme so
konzipiert, dass die
romantische
Stimmführung
berücksichtigt und
Mendelssohns jeweilige
Satztechnik logisch
erweitert wurde. Die
originale
Klavierbegleitung wurde
beibehalten und tragt so
zum liedhaften Charakter
dieser Chorbearbeitungen
bei. Contents: Ich wollt'
meine Lieb' ergosse sich;
Gruss; Herbstlied; Wie
kann ich froh und lustig
sein; Maiglockchen und
die Blümelein;
Abendlied;
Sonntagsmorgen; Denn in
seiner Hand ist, was die
Erde bringt.
Piano SKU: BR.SON-423 Complete Works. Composed by Felix Bartholdy ...(+)
Piano
SKU:
BR.SON-423
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt. Linen.
Complete Works. Romantic
period. Complete Works.
140 pages. Breitkopf and
Haertel #SON 423.
Published by Breitkopf
and Haertel (BR.SON-423).
ISBN 9790004802656. 9
x 12 inches.
It is
significant that the
highly self-critical
Mendelssohn could
envision if at all only
four-hand piano
arrangements of his
Concert Overtures nos. 2,
3 and 4. He made it clear
to the publisher
Breitkopf & Hartel that a
two-hand version would
find no admirers. Since
Mendelssohn made his own
arrangements of the
Hebrides Overture (op.
26) and the Overture zur
schoenen Melusine (op.
32), this gives the
Leipzig Mendelssohn
Complete Edition the
opportunity to bring out
a slender supplementary
volume to the orchestral
scores of the four
Concert Overtures (LMA
I/8).
Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Co...(+)
Violin, orchestra
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Breitkopf and Haertel #OB
5645-27. Published by
Breitkopf and Haertel
Orchestra SKU: BR.SON-443 Complete Works. Composed by Felix Bartho...(+)
Orchestra
SKU:
BR.SON-443
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Linen. Complete Works.
Romantic period. Complete
Works. 252 pages.
Breitkopf and Haertel
#SON 443. Published by
Breitkopf and Haertel
(BR.SON-443).
ISBN
9790004803516. 10 x 12.5
inches.
Mendelssohn
's ConfessionThe
Reformation Symphony,
misleadingly numbered
posthumously as 5 by its
publishers, was
Mendelssohn's first
confrontation with the
large symphonic form in
Beethoven's wake. Linking
it conceptually with the
300th anniversary of the
Augsburg Confession in
1830 seems to have first
occurred late in the
progress of its
composition, yet the
premiere did not take
place until 1832 and
ultimately even enabled
the composer to distance
himself completely from
his work and its concept.
Thanks to access to a new
source [or, ... new
access to sources... or
...new access to a
source...?], this edition
can now finally refute
the legend that a
separate original or
early version of the
symphony once
existed.
SKU: BR.SON-424 Complete Works. Composed by Felix Bartholdy Mendel...(+)
SKU: BR.SON-424
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Salome Reiser.
Linen. Complete Works.
Romantic period. Complete
Works. 300 pages.
Breitkopf and Haertel
#SON 424. Published by
Breitkopf and Haertel
(BR.SON-424).
ISBN
9790004802595. 10 x 12.5
inches.
Mendelssohn
's first completed work
for a large scoring, the
Singspiel
Soldatenliebschaft, is
also the first of his
stage works. The
successful performance of
the lovely operetta (thus
the composer to his
librettist) on 11
December 1820 to
celebrate his fathers
birthday astonished the
family and convinced them
for good that the
11-year-old was
predetermined for a
career in music. The
overture and 14 vocal
numbers gave the young
composer ample
opportunity to prove his
talent. Although the
Soldatenliebschaft is
occasionally mentioned in
the correspondence of the
Mendelssohn family, and
the music was not
completely unknown in
Weimar as well, the work
was neither published nor
performed in public
during the composers
lifetime. Now that the
score has been released
in the Complete Edition,
the publisher was
preparing the performance
material as well, so that
the work can be made
available to
theaters.
Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Ba...(+)
Urtext based on the
Leipzig
Mendelssohn Complete
Edition.
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Score. Breitkopf and
Haertel
#PB 5645. Published by
Breitkopf and Haerte