Par LIGABUE. Balliamo sul mondo - Eri bellissima - Hai un momento Dio? - Ho perso le parole - Libera nos a Malo - Tra palco e realtà - Urlando contro il cielo.Ce livre vous permet de apprendre à jouer en utilisant des playbacks d'exellente qualité. Chaque chansotranscrite en notations standard et en tablatures pour guitare. Le CD inclus contient, pour chaque chanson, la base complète, note pour note, pour apprendre à jouer le morceau musical, et la base Minus One pour perfectionner votre habilité et expériml'émotion de Vous produire live. / Pop & rock / Tablatures / Guitare Tablatures

From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content :
IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366
Ilia's recitative and aria, Act I
[1] Quando avran fine omai'Padre, germani, addio!
Elettra's aria, Act I
[2] Tutte nel cor vi sento
Ilia's aria, Act II
[3] Se il padre perdei
Elettra's aria and marcia, Act II
[4] Idol mio, se ritroso altro amante'Odo da lunge armonioso suono
Ilia's aria, Act III
[5] Zeffiretti lusinghieri
Elettra's aria, Act III
[6] D'Oreste, d'Ajace
DIE ENTFÜHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384
Konstanze's aria, Act I
[7] ach ich liebte
Blonde's aria, Act II
[8] Durch Zärtlichkeit und Schmeicheln
Konstanze's recitative and aria, Act II
[9] Welcher Wechsel herrscht in meiner Seele'Traurigkeit
Konstanze's aria, Act II
[10] Martern aller Arten
Blonde's rondo, Act II
[11] Welche Wonne, welche Lust
LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492
Cherubino's aria, Act I
[12] Non sò più cosa son, cosa faccio
Countess Almaviva's aria, Act II
[13] Porgi, amor
Cherubino's arietta, Act II
[14] Voi che sapete
Susanna's aria, Act II
[15] Venite, inginocchiatevi!
Countess Almaviva's recitative and aria, Act III
[16] E Susanna non vien''Dove sono'Ah! Se almen la mia costanza
Barbarina's cavatina, Act IV
[17] L'ho perduta! Me mechina!
Susanna's recitative and aria, Act IV
[18] Giunse al fin il momento'Deh vieni, non tardar
DON GIOVANNI K527
Donna Elvira's aria, Act I
[19] Ah! Fuggi il traditor!
Donna Anna's aria, Act I
[20] Or sai chi l'onore
Zerlina's aria, Act I
[21] Batti, batti
Zerlina's aria, Act II
[22] Vedrai, carino
Donna Elvira's recitative and aria, Act II
[23] In quali eccessi Mi tradì
Donna Anna's recitative and aria (rondò), Act II
[24] Crudele''Troppo mi spiace'Non mi dir
COSÌ FAN TUTTE K588
Dorabella's recitative and aria, Act I / Scene 3
[25] Ah scostati'Smanie implacabili
Despina's aria, Act I / Scene 3
[26] In uomini, in soldati
Fiordiligi's recitative and aria, Act I / Scene 3
[27] Temerari, sortite'Come scoglio'Rispettate, anime ingrate
Despina's aria, At II / Scene 1
[28] Una donna a quindici anni'Dee in un momento
Fiordiligi's rondò, Act II / Sce
[29] Per pietà, ben mio, perdona'A chi mai mancò
Dorabella's aria, Act II / Scene 3
[30] È amore un ladroncello
DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620
The Queen of the Night's recitative and aria, Act I
[31] O zitt're nicht, mein lieber Sohn!'Zum Leiden bin ich auserkoren
The Queen of the Night's aria
[32] Der Hölle Rache
Pamina's aria, Act II
[33] Ach, ich fühl's
LA CLEMENZA DI TITO K621
Vitellia's aria, Act I
[34] Deh se piacer mi vuoi'Che ceicamente crede
Servilia's aria-minuet, Act II
[35] S'altro che lagrime
Vitellia's recitative obbligato and rondò, Act II
[36] Ecco il punto, O Vitellia'Non più di fiori vaghe catene

Par VINCIGUERRA REMO. collana Curci Young Studi di media difficoltà per la tecnica del fraseggio jazzistico. III corso. Nell'esecuzione jazzistica il momento più magico, per ogni musicista, è quello dell'improvvisazione. Questo lavoro è per tutti coloro che, pur amando questo genere musicalehanno mai potuto valicare il 'mistero' dell'improvvisazione./ Méthode / Piano

Par CAMACHO CARLOS. Guía para el moderno arreglista con los mejores ejemplos de la música americana. El principal objetivo de este libro, es dotar al futuro arreglista para: Que disponga de un sistema práctico, eficaz y seguro, que le permita ¡siempre! y sin necesidad de tener que recurrir al piano, órgano o guitarra para buscar o comprobar - Que tenabsoluta certeza de una buena y equilibrada sonoridad de su armonización (a 3, 4 o 5 voces) - Que sepa cómo abrir y cerrar su armonía y cuál es el momento oportuno - Que conozca cuáles son las reglas que regulan los sonidos que pueden añadirse a los ac planear arreglos, escribir para orquesta grande… / Pédagogie / Autre FM / Opéra Théorique ou Didactique

Par WEBER CARL MARIA VON. This volume presents nearly all of the composer’s works for piano solo: four piano sonatas, Invitation to the Dance (a waltz later orchestrated by Berlioz), eight sets of variations, 'Momento capriccioso, ' 'Grande Polonaise, ' 'Rondo brillante' and 'Polacca brillante. ' Reprinted from the authoritative C. F. Peters edition./ Répertoire / Piano

Trascrizione in notazione per chitarra a cura di Paolo Cherici. Par DIVERS AUTEURS / CHERICI. La presente edizione raccoglie in trascrizione chitarristica a cura di Paolo Cherici una scelta di brani fra i più significativi del repertorio rinascimentale inglese per due liuti. Nella musica inglese del periodo elisabettiano il duetto liutistico rappresenta un importante momento di elaborazione strumentale di vari generi musicali qui riproposti. Il carattere di questi brani evidenzia come l’intrattenimento musicale dell’epoca vedesse nella musica non solo un veicolo per dare voce agli affetti ma anche una occasione di gioco e divertimento./ Recueil / Guitare

Par PUJOL MAXIMO DIEGO. Les Suites del Plata s'inspirent de la suite de danses, forme instrumentale très en vogue pendant la période baroque, qui était une série de danses populaires de différentes parties de l'Europe, toutes liées par un élément mélodique-rythmique et précédées d'un prélude. Les Suites del Plata rassemblent des pièces musicales de la région connue sous le nom de 'La Cuenca del Plata', un vaste bassin autour du Rio de la Plata et ses affluents, dans lequel une riche et abondante variété de danses, de formes et de styles de musique populaire a émergé et existe encore aujourd'hui. La Suite n°5 débute par un prélude intitulé 'Desde el aire', moment aérien et léger. Il est suivi d'une pièce urbaine et changeante appelée 'Sarasa' dans laquelle tout est dit, ou rien... 'Gris llanura' (Plaine grise) nous emmène dans la solitude écrasante de la plaine pampéenne. 'Los lirios' (Les lys) est une valse créole inspirée et dédiée à ma propre maison. Pour clore l'oeuvre, nous trouvons 'Candombe final', une danse énergique d'origine uruguayenne qui nous aide à affronter la vie d'un autre endroit. Las Suites del Plata toman como modelo las Suite de Danzas, forma instrumental muy en boga durante el período Barroco, que era una serie de danzas populares de distintas partes de Europa, todas relacionadas por algún elemento melódico - rítmico y precedidas por un Preludio. Las Suites del Plata reúnen piezas musicales provenientes del área conocida como 'La Cuenca del Plata', una extensa geografía alrededor del Río de la Plata y sus afluentes, en la que surgió - y aún hoy conviven - una rica y abundante variedad de danzas, géneros y estilos populares. La Suite del Plata n°5 comienza con un Preludio titulado 'Desde el aire', una etérea y liviano momento. Le sigue una urbana y cambiante pieza llamada 'Sarasa' en la que todo se dice, o nada... 'Gris llanura' nos interna en la abrumadora soledad de la llanura pampeana. 'Los lirios' es un Vals criollo inspirado y dedicado a mi propio hogar. Para cerrar la obra encontramos 'Candombe final', una enérgica danza de origen uruguayo que nos ayuda a enfrentar la vida desde un lugar diferente./ Répertoire / Guitare

Par ARIAS A. (FILS). con acompañamientos de piano y guitarra. El criterio prioritario sigue siendo la motivación del joven estudiante a través de piezas adecuadas a cada momento. La satisfacción de hacer música en grupo es el mejor incentivo y para ello la gran mayoría de las piezas están destinadas a tocarse j otros alumnos de flauta, guitarra o piano. / Pédagogie / Recueil / Flûte Traversière

Molto semplice da memorizzare a causa della facile visualizzazione sulla tastiera, la Pentatonica è sufficientemente complessa per costruire delle ottime melodie ed è preferita dalla sei corde per la sua incisività. Nel video troverete un'esauriente mica sull'uso di questa potente scala e sulle sue implicazioni armoniche. Il percorso didattico è stato pensato per essere seguito a vari livelli, da principiante ad avanzato, non bisogna fare altro che salire a bordo al momento giusto. Si parte manio le diteggiature di base per passare obbligatoriamente attraverso le possibilità pentatoniche del blues per arrivare ad usare le nostre scale per improvvisare in vari generi musicali. I chitarristi più avanzati potranno esplorare le possibilità offelle quarte e, ciliegina sulla torta, una collezione di licks dedicati alla beneamata scala. Il tutto è corredato da numerosi esempi su basi, da diagrammi grafici e da animazioni che faciliteranno la comprensione dei vari argomenti e da alcune esibizi / Guitare

30 Favourite Pieces Arranged For The Middle-Grade Guitarist. 'From Folk to Classical 1” is a mouth-watering collection of thirty arrangements for classical guitar by Paul Coles. The classical pieces include many favourites, including a few you would not expect to hear on the guitar, such as 'Hall of the Mountain King” and 'Three little Maids from School”, but they really work! Traditional folk numbers are not neglected, with 'Sweet Molly Malone” and 'Skye Boat Song” among the best known. The arrangements are for intermediate players and Paul Coles has offered fingering help for both left and right hands. Book 2 will be published in 2018 but, meanwhile, try Paul Coles' '26 Melodic Studies” or his 'Momentos Espanoles”../ Recueil / Guitare

lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

The Gig Book: Bob Dylan is a tough and hard-wearing collection of tunes by one of the greatest songwriters the world has ever seen. These handy books feature lyrics, chord boxes and melody line, as well as a few black and white photos, all condensed into a compendium that may look compact but is actually packed full of genius songs.Bob Dylan is one of those rare songwriters who has managed to keep up an incredibly prolific output since he first burst onto the New York folk scene in the early 1960s. Undergoing constant reinventions of his songwriting style, singing style and even a Christmas album, Dylan has written some of the most famous songs ever, and retained serious critical acclaim throughout the decades he has been writing and singing. This Bob Dylan songbook features highlights from Dylan's entire career, spanning his early folk songs, through his country phase, over his electric rock and pop period through to his more recent return rock balladry. Early protest songs like Blowin' In The Wind, A Hard Rain's A'Gonna Fall and The Times They Are A'Changin' feature, alongside some all-time classics spanning his entire career like All Along The Watchtower, Like A Rolling Stone, Knockin' On Heaven's Door and Make You Feel My Love. Take it from us, if you need some inspiration in songwriting, melody construction, inventive use of chords, or just want to play some incredible songs, The Gig Book: Bob Dylan is the perfect song book for you. This Bob Dylan sheet music is great for guitarists, key for keyboardists and momentous for all other musicians. The durable construction and convenient size of the Gig Book series makes it incredibly easy to carry around, just leave it in your gig bag and we can guarantee it'll stand up to the years of use you'll definitely be getting out of it. So whether you're a die-hard Dylan fanatic, or you've heard cover versions of the most covered artist of all time, we've definitely got you covered with The Gig Book: Bob Dylan, the massive collection of 100 of the best songs by (possibly) the best songwriter. / Ligne De Mélodie, Paroles Et Accords

Learn 15 of the Very Best Hits Of Dolly Parton, the country singer-songwriter who took Nashville, then the world, by storm with her sassy, witty and creatively crafted tunes whose simple lyrics and catchy melodies made them some of the most loved songs of all time. Every song in this collection of Dolly Parton sheet music is arranged for Piano, Vocal and Guitar, with full lyrics and chord boxes.Dolly Parton's progression from talented backwoods kid to world-famous country singer-songwriting star was the stuff of Nashville legend, and testimony to her highly skilful self-management. Underneath her big-hair and busty image was a sweet and instantly-recognisable voice apparently incapable of hitting a false note, and a songwriter of exceptional talent. This talent managed to write fun, upbeat and universally-loved songs like Nine To Five and Islands In The Stream as well as melancholic and poetic ballads like Coat Of Many Colours.It is testament to her abilities as a songwriter that two hugely popular hits, Jolene and I Will Always Love You are cover versions of songs originally written by her- these versions being good, but never quite living up to the way Parton performed them. Since moving to Nashville in the 1960s (relocating the day after finishing high school), Dolly Parton has had an incredibly illustrious career, becoming the most famous and most loved country music star in the world. Her latest release, Blue Smoke, features new songs and new covers, some of which are included in this Dolly Parton sheet music collection, such as Blue Smoke, Banks Of The Ohio and You Can't Make Old Friends.Bolstered by a momentously fun performance at Glastonbury 2014, drawing the biggest crowd the festival has ever seen, the success of the album goes to show that even after 42 studio albums, she still has the knack for impeccable songwriting, performance perfection and a sense of humour that endears her to millions. With this Dolly Parton sheet music songbook, you can learn 15 of her biggest and best songs, taken from her timeless albums, all arranged for Piano, Vocal and Guitar. You'll get the Piano parts and vocal melody in standard notation, as well as every funny, heartfelt and poetic lyric, as well as chord boxes and symbols for Guitar. The Very Best Hits Of Dolly Parton is a collection of the greatest Dolly Parton sheet music for everyone from the die-hard Parton fans to the country-mad music-lovers as well as the general musicians who have a sincere respect for undeniably fantastic songwriting. 15 of her finest songs are included here, arranged for Piano, Vocal and Guitar, so you can inject the sound of classic Nashville into your own home exactly as these songs were written by the original queen of country.If her indomitable legacy and inescapable influence weren't enough to convince you that this book should be a mainstay on your bookshelf, check out her performance of Jolene, included in this book, at Glastonbury Festival in 2014, with 100,000 fans singing her song back to her: / Piano/Vocal/Guitare (PVG)