Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being able to write the whole thing down ? tune, chords, bassline and drums. That is what you will learn with this course. Real Ear Training is the ultimate book for learning to hear, write down and understand melodies, chords, basslines, rhythms and drum kit grooves. No instrument is required and only basic music notation knowledge is needed. With step-by-step instructions, packed with exercises and accompanied by online audio, this unmissable book is suitable for all levels. Real Ear Training is ideal for rock and pop musicians and teachers, for teaching yourself, and for improving GCSE, A Level, college and university dictation skills. ?This is the book I?ve been looking for all my life ? it contains the secret to having a good ear!? Ed Balls, economist and pianist  ?Help is finally here for today?s music students! This course brilliantly develops the essential ability to hear and transcribe music.? Darius Brubeck, jazz pianist and composer Roland Perrin has gained a reputation both as a jazz and world music composer/pianist and is a sought-after music educator. He is a senior lecturer at the cutting-edge London College of Creative Media where he has taught many students now working in the music industry. / Methods and Tutors / Solfège/Formation Musicale / Ecoute

100 Years Of Popular Music chronicles the greatest music of the last century. This book contains more than 70 songs from the 1950s arranged for Piano, Voice and Guitar, providing a fascinating insight into the music of the era. / Niveau : 4 / Post-1900, Pop, Popular, Rock N Roll / Recueil / Piano, Chant et Guitare

The Faber Music Jazz Piano Anthology is a timeless collection of some of the best Jazz music ever written, beautifully presented in progressive order and specially arranged for the intermediate pianist. Featuring Jazz favourites such as Ev'ry Time We Say Goodbye, My Baby Just Cares For Me, I Got Rhythm, My Funny Valentine and many more. / Niveau : Intermédiaire / Pédagogie / Recueil / Piano

Par . The Faber Music Ballads Piano Anthology is a timeless collection of some of the greatest pop ballads ever written. Beautifully presented in progressive order, and specially arranged for intermediate piano solo, it features music from David Bowie, Adele, Kate Bush, Elton John, Fleetwood Mac, Ed Sheeran, Seal, Patti Smith and many, many more. / Date parution : 2022-11-04/ Recueil / Piano

100 Years Of Popular Music 1900s. Includes, Danny Boy , I'm Forever Blowing Bubbles , It's A Long Way To Tipperary , When Irish Eyes Are Smiling and many more. Arranged for Piano, Voice, and Guitar. / Niveau : Assez Facile / Recueil / Piano, Chant et Guitare

Helmut Eisel is regarded as one of the best and most versatile klezmer clarinettists in Europe. There are only few musicians like him who are able to tell stories on their instrument, each of them born of the moment and addressed directly to their audience.'Talking Clarinet' for the first time contains some of Helmut Eisel's improvisations. Faithfully transcribed, they allow fascinating insights into the current klezmer music and invite you to play these improvisations. The accompanying texts, exercises and music shall encourage you to find your own style and tell your own stories. For music is language, yet it says so much more.The volume is accompanied by an additional C part. / Clarinette

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument