| Prince: Musicology Piano, Voix et Guitare [Partition] - Intermédiaire/avancé Hal Leonard
L'album `Musicology` de Prince arrangé pour piano, chant et guitare.
27.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Revue Filigrane #11 - New
Musicology (Perspectives
Critiques) Vol.11
En Français [Magazines] Delatour France
La new musicology ne constitue pas un courant, une tendance homogène, car elle ...(+)
La new musicology ne constitue pas un courant, une tendance homogène, car elle provient de sources diverses : les cultural studies britanniques, le déconstructionnisme derridien américanisé, les gender studies, les post-colonial studies, pour ne citer que quelques sources majeures. Il serait également délicat d'assigner un propos général à la new musicology, sinon l'idée que l'on doit se recentrer sur le sens, en opposition à certains courants de l'' ancienne ' musicologie, accusés à tort ou à raison d'être formalistes. Cette idée se matérialise parfois par un investissement subjectif du chercheur et/ou par une étude privilégiée du ' contexte ' (au détriment de l'oeuvre musicale même). / Livre
22.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Dorothea Baumann:
International
Musicological Society Barenreiter
The History Of The Ims (1927-2017)-The History of the IMS (1927-2017)The Interna...(+)
The History Of The Ims (1927-2017)-The History of the IMS (1927-2017)The International Musicological Society (IMS) is the oldest international association of musicologists active during 90 years since its foundation in Basel in 1927.The simplistic definition of historical musicology as the study of the written tradition of Western art music has shaped for many observers a distorted image of the IMS as a ?European? society. This was not the vision of the founders. And it is not the present situation of IMS.The exciting story told in this book compiled by 21 collaborators reconstructs the role of the protagonists of the IMS to the present days.
31.50 GBP - vendu par Musicroom GB |
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| Sämtliche Orgelwerke
Band 8 (BACH JOHANN
SEBASTIAN) Orgue [Partition + CD] Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans
music text faithful to the sources and reflecting the current status of Bach research
developed for musical practice through the cooperation of scholars and performers
contains all of Bach's keyboard works that require an independent pedal manual
contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty
features comprehensive introductions, extensive source descriptions and text-critical notes
features supplementary material illustrated synoptically on CD-ROM (in printable quality)
brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns
'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review)
Subscription Conditions
A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time.
The subscription obliges the subscriber to purchase the entire collection.
The New Edition of Bach's Complete Organ Works
With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext.
Current Urtext status, historically informed, edited with performers in mind:
More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context.
The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore
The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty.
It offers incerta, early, and alternative versions on CD-ROM
In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes.
Edited by a competent team:
With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes.
Werner Breig (* 1932)
studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition).
Pieter Dirksen (* 1961)
studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003.
Reinmar Emans (* 1953)
studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
33.85 EUR - vendu par LMI-partitions Délais: En Stock |
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| Improvisation, culture,
audiotactilité
(CAPORALETTI ?VINCENZO /
CUGNY LAURENT / GIVAN
BENJ)
En Français [Livre] Outre Mesure
Par CAPORALETTI ?VINCENZO / CUGNY LAURENT / GIVAN BENJ. La réunion des trois te...(+)
Par CAPORALETTI ?VINCENZO / CUGNY LAURENT / GIVAN BENJ. La réunion des trois textes figurant aujourd'hui en français dans le présent volume vise au moins trois objectifs. Le premier est d'explorer en profondeur des enregistrements historiques à plus d'un titre. Le deuxième est d'ordre épistémologique : il consiste à éprouver un corps théorique (celui de la formativité audiotactile) en le mettant à l'épreuve de la confrontation à une matière musicale donnée. Enfin, la théorie et la méthode qui en découlent (en constante évolution) aident à dépasser un clivage qui se révèle tous les jours plus problématique dans la musicologie du jazz actuelle, celui que l'académie anglophone a en quelque sorte institutionnalisé avec la distinction entre music theory et musicology. La première se chargerait de l'analyse du matériau musical tandis que la seconde serait consacrée à l'extraction du sens (le fameux meaning dont la littérature anglophone est si friande). Or, et c'est le sens du titre qui a été donné à ce volume, l'entreprise initiée par Vincenzo Caporaletti, illustrant en cela un projet plus global de ce qu'on pourrait appeler une musicologie continentale, vise au contraire à réunir ces deux visées et à les placer en situation d'interaction. Les trois textes et les deux transcriptions illustrent donc la pluralité de cette approche.
Vincenzo Caporaletti est guitariste et compositeur. Président de l'Institut Musicologique Italien, il enseigne l'analyse du jazz au Conservatoire de Musique 'Santa Cecilia' de Rome et la musicologie générale et transculturelle à l'Université de Macerata.
Laurent Cugny est musicien, pianiste et arrangeur. Il a créé le big band Lumière, joué et enregistré avec Gil Evans et dirigé l'Orchestre National de Jazz. Il dirige aujourd'hui le Gil Evans Paris Workshop. Auteur de nombreux articles et d'ouvrages, il est professeur à l'université Paris-Sorbonne.
Benjamin Givan, docteur en musique de l'Université de Yale, est professeur associé de musique au Skidmore College. Ses écrits sur le jazz ont paru dans des publications savantes telles que Current Musicology, Musical Quarterly, Journal of the American Musicological Society, etc. / Date parution : 2020-08-21/ Livre / Livre
15.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tropi ordinarii missae.:
Voice: Vocal Score [Vocal Score] Barenreiter
Kyrie eleison-Gloria in excelsis deo-The five volume editorial project Repertori...(+)
Kyrie eleison-Gloria in excelsis deo-The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century.The second volume of the complete edition of mass tropes from Bohemian manuscripts of the 12th to 16th century includes 45 Kyrie tropes and 7 Gloria tropes. They represent thee distinct traditions as they developed in Bohemia in the High and Late Middle Ages: those of Cathedral the Prague Diocese and the late Utraquist liturgy. A considerable number of texts and melodies are presented for the first time in this publication.As in the first volume theedition is complemented by comprehensive commentaries an introduction and plates. The tropes are edited along with their native chants as such this publication will be of interest to both the academic community as well as those interested in performance.Hana Vlhová-Wörner studied musicology in Prague and Basel Switzerland. From 1993 to 2006 she worked at the Institute for Musicology Charles University Prague (Ph.D. 2000 Habilitation 2009). Since 2006 she has lived in the U.S.A. where she has taught at Duke University and UNC Chapel Hill. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Kancionál..Also available:- Part 1: Tropi ordinarii missae. Tropi proprii missae H7878- Part 3: Tropi ordinarii missae. Sanctus H8017- Part 4: Tropi ordinarii missae. Agnus Dei H8030
39.50 GBP - vendu par Musicroom GB |
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| Introduction and Dance
(MARTON KEREKFY) Saxophone et Piano [Partition] EMB (Editio Musica Budapest)
Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's charact...(+)
Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's characteristic sound and virtuosity. It starts with a slow, nascent music, which gives way to a very fast dance with aksak rhythm in an asymmetrically segmented 8/16 meter. The work was commissioned by and is dedicated to saxophonist Levente Puskás and pianist Judit Váradi, who premiered it in September 2020 in the Hungarian Radio, and then first performed in concert in November that year. Márton Kerékfy (b. 1981) studied musicology and composition at the Liszt Academy of Music in Budapest (2000-2007) and received his PhD in musicology (2015) from the same institution. In 2006 he spent one semester on an Erasmus Grant at the Mozarteum in Salzburg. Márton is Senior Research Fellow at the Budapest Bartók Archives, Editor of the Béla Bartók Complete Critical Edition, and Editor-in-Chief at Editio Musica Budapest Zenemukiadó. / Date parution : 2022-04-12/ Répertoire / Saxophone et Piano
13.66 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Tropi ordinarii missae.
Agnus Dei: Vocal: Vocal
Score [Vocal Score] Barenreiter
The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi prese...(+)
The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century.The fourth volume of the complete edition of the mass tropes includes 20 tropes to the Agnus Dei representing the Bohemian tradition from the 12th to early 16th century.Similar to previous volumes with the repertory of ordinary tropes the older repertory is represented by the unique collection of tropes included in the so-called St Vitus?s Troparium which is distinctly French. Included in the volume is an introductory study that summarises basic factsand explains the unusual development of the Sanctus and Agnus Dei tropes in late medieval Bohemia.As in the other volumes the edition is complemented by comprehensive commentaries an introduction and plates (Czech/English).This publication will be of interest to both the academic community as well as those interested in performance.Hana Vlhová-Wörner studied musicology in Prague and Basel Switzerland. From 1993 to 2006 she worked at the Institute for Musicology Charles University Prague (Ph.D. 2000 Habilitation 2009). Since 2006 she has lived in the U.S.A. where she has taught at Duke University and UNC Chapel Hill. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Kancionál..Also available:- Part 1: Tropi ordinarii missae. Tropi proprii missae H7878- Part 2: Tropi ordinarii missae. Kyrie eleison / Gloria in excelsis deo H7959- Part 3: Tropi ordinarii missae. Sanctus H8017
35.50 GBP - vendu par Musicroom GB |
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| Jazz Chords On Piano -2:
Piano: Instrumental Tutor Piano seul [Partition] Wilhelm Hansen
Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Ja...(+)
Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano. There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing but admittedly there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focuson four typical techniques: Part 1 - Playing Arpeggioin left handPart 2 - 4-stacked chords in a piano movementPart 3 - Left-hand chordsPart 4 - Overlying triads when accompanying To illustrate the various techniques I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master’s Degree in Musicology from University of Copenhagen.Since 1988 Tormod has been a jazz piano lecturer atThe Rhythmic Music Conservatory Copenhagen TheInstitute of Musicology at University of Copenhagen and the Royal Danish Academy of Music Copenhagen.The material you fi nd in this book has been used at theabove three educational institutions and is primarilytargeted to music students that do not have the pianoas their primary instrument at these schools. Butothers may also benefi t from this book provided youhave an elementary theoretical background in music.Since 2013 Tormod has also been Music SchoolManager at the Rødovre School of Music.
22.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Abraham Veinus: The
Concerto - From Its
Origins To The Modern
Era: Reference Dover Publications
This authoritative survey constitutes the first thorough English-language explor...(+)
This authoritative survey constitutes the first thorough English-language exploration of the concerto as a musical form. The musical form's long and colorful history is explored in critical terms accessible to lay readers as well as specialists forming a listener's guide an important musicological study and a fascinating reading experience.Examining the social economic and personal factors that influenced the concerto's growth author Abraham Veinus also summarizes the contributions of theorists composers and musicians and defines the genre's terms and the changing nature. He traces the early development of the concerto as well as that of the concerto grosso theearly solo concerto classic forms Beethoven's characteristic use of the form the Romantic concerto and the modern concerto. A pleasure to read and a valuable reference this volume is an ideal companion for musicians music students and lovers of classical music.Reprint of the 1963 revised edition published by Doubleday Doran and Company 1945 and Cassell and Company Limited 1948.'Sound history intelligent evaluation and a good literary style.' - Library Journal'Colorful and interesting ... a very valuable addition to our rising literature in musicology.' - Saturday Review'An excellent and eminently readable history.' - New York Herald Tribune
17.30 GBP - vendu par Musicroom GB |
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| Musicologies Nouvelles -
Agregation 2017
En Français Formation musicale - Solfège [Magazines] Lugdivine
Les Editions Lugdivine sont heureuses et fières de vous annoncer la création d...(+)
Les Editions Lugdivine sont heureuses et fières de vous annoncer la création de Musicologies Nouvelles.
Une nouvelle collection qui répond à la volonté d?offrir à tous les professionnels du monde de l?enseignement musical des outils en phase avec leurs besoins, en termes de formation et d?application.
Cette collection s?appuie sur la publication annuelle de trois revues spécifiquement dédiées :
- au programme d?agrégation (Musicologies Nouvelles Agrégation),
- au programme du Bac (Musicologies Nouvelles Bac)
- à un dossier spécial (Musicologies Nouvelles Dossier spécial).
Toute l?équipe éditoriale, regroupée autour de Mihu Iliescu et Laurence Le Diagon-Jacquin, ainsi que les différents rédacteurs ponctuels apportent toute leur expérience et leurs compétences pour garantir un niveau d?excellence en rapport avec l?ambition de cette publication.
Musicologies nouvelles : pourquoi une nouvelle revue '
L'éditorial de Jean-Jacques Nattiez - Professeur émérite de l?Université de Montréal - Président d?honneur du comité de rédaction de Musicologies nouvelles
31.20 EUR - vendu par Woodbrass Délais: En Stock |
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| Ethnomusicology: A Very
Short Introduction Oxford University Press
Ethnomusicology: A Very Short Introduction
8.99 GBP - vendu par Musicroom GB |
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| Caporaletti Vincenzo /
Cugny, Laurent / Givan,
Benjamin : Improvisation,
culture, audiotactilité.
Édition critique des
enregistrements du
Concerto pour deux
violons et orchestre en
ré mineur BWV 1043 de
Jean-Sébastien Bach par
Eddie South, Stéphane
Grapp
En Français [Livre] Outre Mesure
La réunion des trois textes figurant aujourd'hui en français dans le ...(+)
La réunion des trois textes figurant aujourd'hui en français dans le présent volume vise au moins trois objectifs.
Le premier est d'explorer en profondeur des enregistrements historiques à plus d'un titre.
Le deuxième est d'ordre épistémologique : il consiste à éprouver un corps théorique (celui de la normativité audiotactile) en le mettant à l'épreuve de la confrontation à une matière musicale donnée.
Enfin, la théorie et la méthode qui en découlent (en constante évolution) aident à dépasser un clivage qui se révèle tous les jours plus problématique dans la musicologie du jazz actuelle, celui que l'académie anglophone a en quelque sorte institutionnalisé avec la distinction entre music theory et musicology.
La première se chargerait de l'analyse du matériau musical tandis que la seconde serait consacrée à l'extraction du sens (le fameux meaning dont la littérature anglophone est si friande). Or, et c'est le sens du titre qui a été donné à ce volume, l'entreprise initiée par Vincenzo Caporaletti, illustrant en cela un projet plus global de ce qu'on pourrait appeler une musicologie continentale, vise au contraire à réunir ces deux visées et à les placer en situation d'interaction.
Les trois textes et les deux transcriptions illustrent donc la pluralité de cette approche. / Livre / Agrafé /
15.00 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Studien Zu Franz
Schuberts Orchestersatz Divers [Partition] Carus Verlag
Das Obligate Accompagnement In Den Sinfonien. Contributions to Musicology, Tübi...(+)
Das Obligate Accompagnement In Den Sinfonien. Contributions to Musicology, Tübingen/ Répertoire / Divers
32.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Benet Casablancas:
Haikus: Piano:
Instrumental Work
Español Piano seul Unión Musical Ediciones
Benet Casablancas' Haikus for solo Piano. Widely regarded as one of the leading...(+)
Benet Casablancas' Haikus for solo Piano. Widely regarded as one of the leading Spanish composers of his generation Casablancas studied in Vienna at the Academy of Music and in Barcelona at the Universidad Autònoma from which he graduated with a degree in philosophy before gaining a PhD in musicology. His music firmly rooted in the great modernist tradition is notable for its great individuality structural complexity and extraordinary richness of textural detail. In the 1990s he became more concerned with harmony timbral differentiation and instrumental virtuosism. Critics highlight his concern for balancingconstructional rigour and expressive strength lyricism dramatic character and whimsical register. Benet Casablancas' works are performed regularly around Europe Canada US Japan and Latin America. His first opera 'L´Enigma Di Lea' was commissioned by Gran Teatre del Liceu de Barcelona for its 2017 season. In 2013 he was appointed first composer in residence for the Barcelona Symphony Orchestra and L´Auditori and was awarded with the most prestigious composition prize in Spain the National Music Prize granted by the Spanish Ministry of Culture.
10.99 GBP - vendu par Musicroom GB |
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| Tropi proprii missae:
Voice: Vocal Score [Vocal Score] Barenreiter
Mass Tropes I.The five volume editorial project Repertorium Troporum Bohemiae Me...(+)
Mass Tropes I.The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century.Many of the texts and melodies in this publication are made accessible for the very first time. The first volume (Tropi Proprii Missae) includes the troped chants of the Proper of the Mass along with an intorduction commentaries and plates. The tropes are published unabridged with the original chants making this edition suitable not only for the professional public but also for practical performances.HanaVlhová-Wörner studied musicology in Prague and Basel Switzerland. Since 2006 she has lived in the U.S.A. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to the 16th centuries and is one of the editors of the Jistebnice Kancionál.Also available:- Part 2: Tropi ordinarii missae. Kyrie eleison / Gloria in excelsis deo H7959- Part 3: Tropi ordinarii missae. Sanctus H8017- Part 4: Tropi ordinarii missae. Agnus Dei H8030
35.50 GBP - vendu par Musicroom GB |
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| Alban Bergs Lyrische
Suite Divers [Partition] Carus Verlag
Satztechnische Analyse Ihrer Zwölftönigen Partien. Contributions to Musicology...(+)
Satztechnische Analyse Ihrer Zwölftönigen Partien. Contributions to Musicology, Tübingen, Number 8/ Répertoire / Divers
27.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| I Saw The Lord (STAINER
JOHN) Choeur SATB/SATB et Orgue [Partition] Carus Verlag
Par STAINER JOHN. John Stainer [1840–1901] is known primarily as a pioneer of ...(+)
Par STAINER JOHN. John Stainer [1840–1901] is known primarily as a pioneer of English musicology. As a composer he dedicated himself primarily to “Cathedral music. ” His Services and Anthems from this body of music were written largely for St. Paul’s Cathedral, where he worked temporarily as an organist./ Répertoire / Choeur SATB/SATB et Orgue
7.01 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| John Dunstable: Complete
Works: Orchestra: Score Orchestre Stainer and Bell
Edited by Manfred Bukofzer.A milestone in 20th-century musicology when first pub...(+)
Edited by Manfred Bukofzer.A milestone in 20th-century musicology when first published and the standard edition ever since this volume presents the surviving sacred and secular output of this renowned medieval English composer whose genius was recognized throughout Europe. First published in 1953 revised 1970 and reprinted 1983.
96.00 GBP - vendu par Musicroom GB |
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| Mårten Jansson: In the
Light of God: Mixed
Choir: Vocal Score Chorale [Partition] Barenreiter
?I asked my friend the poet Einar Askestad if he could write a poem for me abo...(+)
?I asked my friend the poet Einar Askestad if he could write a poem for me about love between father and son brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece various aspects of these relationships are conveyed?. - Mårten JanssonBiography:My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led people todescribe my music as both ?so sad that it sounds like birds who have lost their wings? and ?the happiest classical music we ever heard?. I have also always preferred beautiful music to atonal music and that is surely the reason why the most part of my music is more on the sad side but what a dream it would be to be able to create beautiful music that?s bubbling over with joy! My compositions consist of almost only sacral music. This is to express my own faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries.In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until we decided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs the knowledge that what I write during the night will be tested the next evening is a driving force that not so many are lucky enough to have.I work as a voice music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and a MFA in Music Education and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm.- Choral works a cappella.- Sample pages for download: www.baerenreiter.com.
10.50 GBP - vendu par Musicroom GB |
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| LISZT F. - PIANO PIECES
FROM THE YEARS 1880-85 Piano seul Barenreiter
Liszt, Franz Piano Pieces from the Years 1880?85 - Scholarly-critical ...(+)
Liszt, Franz Piano Pieces from the Years 1880?85 - Scholarly-critical Urtext edition at the cutting edge of musicology - Valuable notes on interpretation by Steffen Schleiermacher (Ger/Eng) - Well-suited for medium-level piano teaching · Romance oubliée (Vergessene Romanze) / Romance oubliée (Forgotten Romance) · Vergessene Romanze (Romance oubliée) / Forgotten Romance (Romance oubliée) · Wiegenlied (Chant du berceau) / Cradle Song (Chant du berceau) · Unstern! (Sinistre) / Disaster! (Sinister) · Die Trauer-Gondel (La lugubre gondola) · The Funeral Gondola (La lugubre gondola) (S 200/1) · Die Trauer-Gondel (La lugubre gondola) · The Funeral Gondola (La lugubre gondola) (S 200/2) · R. W. ? Venezia · Am Grabe Richard Wagners / At the Grave of Richard Wagner · Frage und Antwort. Nocturne / Question and Answer. Nocturne · Schlaflos! Frage und Antwort. Nocturne (nach einem Gedicht von Toni Raab) · Sleepless! Question and Answer. Nocturne (after a Poem by Toni Raab) · Trübe Wolken (Nuages gris) / Gloomy Clouds (Nuages gris) · En rêve. Nocturne / In a Dream. Nocturne / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
22.10 EUR - vendu par Woodbrass Délais: Sur commande |
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| Kompositionsweisen Und
Bearbeitungstechnik In
Der Instrumentalmusik
J.S. Bachs Divers [Partition] Carus Verlag
Von JS Bach. Contributions to Musicology, Tübingen, Number 3/ Répertoire / Div...(+)
Von JS Bach. Contributions to Musicology, Tübingen, Number 3/ Répertoire / Divers
33.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Gabriel Fauré:
Barcarolles - Piano Solo:
Piano: Instrumental Album Piano seul - Avancé Barenreiter
Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (...(+)
Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (1882 1921) are highly representative of his output for piano and are regarded as his most characteristic works. They reflect his breaking free from the Romantic idiom particularly that of Chopin and Mendelssohn developing an independent musical language in which he combined tradition and the emerging modernism.These important works are now made available in scholarly-critical Urtext editions based on the ?uvres complètes de Gabriel Fauré and reflect the latest state of research. Detailed forewords offer information on the genesis and significance of thecompositions as well as valuable suggestions on historical interpretation.All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration leading to new discoveries particularly regarding the Valses-Caprices.Based on the ?uvres complètes de Gabriel FauréBased on the latest research findings and extensive source studiesInformative forewords with advice on performance practice (Fr/Eng/Ger)Christophe Grabowski is a French pianist and doctor of musicology and studied in Warsaw and Paris. He has edited a volume of the ?uvres complètes de Gabriel Fauré and is Series Editor of the Complete Chopin: A New Critical Edition as well as two volumes of the Édition Complète des ?uvres de Claude Debussy. Together with John Rink he published the Annotated Catalogue of Chopin?s First Editions in 2010.
23.50 GBP - vendu par Musicroom GB |
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| Theobald Böhm: Flute And
Flute Playing: Flute:
Instrumental Reference Dover Publications
The modern flute owes its invention to the author of this 1871 musicology classi...(+)
The modern flute owes its invention to the author of this 1871 musicology classic. It details the instrument's acoustics explains techniques for establishing proportions keying fingering care and repair and bass flute in G. Includes insights on development of tone exercises and methods of practicing and interpretation. 50 illustrations.Reprint of the Dayton C. Miller 1922 edition.
15.20 GBP - vendu par Musicroom GB |
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| Die Tonarten In Lassos
Bußpsalmen Divers [Partition] Carus Verlag
Mit Einem Vergleich Von Alexander Utendals Und Jacob Reimers 'Bußpsalmen'. Cont...(+)
Mit Einem Vergleich Von Alexander Utendals Und Jacob Reimers 'Bußpsalmen'. Contributions to Musicology, Tübingen/ Répertoire / Divers
25.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Fauré, Gabriel : Ballade
op. 19
Piano Quintette: piano, violon, alto,
violoncelle, contre basse [Partition] Barenreiter
Fauré?s piano works are of central importance within his compositional oeuvre. ...(+)
Fauré?s piano works are of central importance within his compositional oeuvre. He dedicated his ?Ballade?, composed in 1879, to his teacher Camille Saint-Saëns. Structurally and in terms of its lyrical character the work breaks from the genre?s epic form and takes on the traits of the sonata form. In 1881 Fauré arranged his ?Ballade? for piano and orchestra and the work was premiered in this new scoring.' ' Drawing on the most recent discoveries and comprehensive source research, the work is presented in a scholarly-critical Urtext edition. The publication, which is based on the ??uvres complètes de Gabriel Fauré?, includes a detailed foreword and notes on performance practice.' ' - Published on the basis of ??uvres complètes de Gabriel Fauré?' - Incorporates the latest research and findings regarding the sources' - Scholarly-critical Urtext edition with advice on performance practice' - Detailed foreword (Fr/Eng/Ger)' ' Christophe Grabowski' is a pianist and doctor of musicology who studied in Warsaw and in Paris. He edited, among other works, one volume of the ??uvres complètes de Gabriel Fauré?, two volumes of the ?Édition Complète des ?uvres de Claude Debussy?, and was the series editor for the new Chopin Complete Edition. In 2010, together with John Rink, he published the ?Annotated Catalogue of Chopin?s First Editions?. / [Ballade Opus 19] / Classique / Partition / Agrafé /
16.50 EUR - vendu par Note4Piano Délais: En Stock Plus que 1 ex. en stock, commandez vite ! |
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| Prince: Prince: Planet
Earth: Piano Vocal and
Guitar: Album Songbook Piano, Voix et Guitare [Partition] Hal Leonard
The 29th album from Prince became an international hit despite almost no global ...(+)
The 29th album from Prince became an international hit despite almost no global marketing with a sound that builds on his previous release Musicology. Includes the single Guitar and Chelsea Rodgers .Prince (also know as O(+> or The Artist Formerly Known As Prince) broke the distribution mould by giving this album away in The Mail On Sunday in the UK during October 2007 four months before Radiohead released their album online and gave purchasers the chance to choose how much to pay.
18.99 GBP - vendu par Musicroom GB |
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| Untersuchung Zur
Kompositionstechnik Der
Motette Im 13.
Jahrhundert Divers [Partition] Carus Verlag
Durchgeführt An Den Motetten Mit Dem Tenor In Seculum. Contributions to Musicol...(+)
Durchgeführt An Den Motetten Mit Dem Tenor In Seculum. Contributions to Musicology, Tübingen, Number 2/ Répertoire / Divers
32.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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