Edited by Maxwell Eckstein. For piano. Format: piano solo book. With fingerings. Series: Everybody's Favorite Series #3. 191 pages. 9x12 inches. Published by Music Sales.

Piano

SKU: BT.BWHBRM7813

Arranged by Hans Gunter Heumann. Piano Gefällt Mir! Classical. CD Only. Composed 2016. Bosworth & Co. #BWHBRM7813. Published by Bosworth & Co. (BT.BWHBRM7813).

German.

The accompanying CD for Hans-Günter Heumann 's Piano Gefällt Mir! Classics , featuring demonstrations of all the tracks in the book, this is a wonderful way to improve your playing and easily learn the pieces.

By Amy Appleby. For Piano. Classical. Sheet Music. 192 pages. Published by Music Sales.

Melody/Lyrics/Chords Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele

SKU: HL.301272

For Ukulele, Baritone Ukulele, Guitar, Banjo & Mandolin. Composed by Various. Arranged by Mark Phillips. Strum Together. Country. Softcover. 144 pages. Published by Hal Leonard (HL.301272).

ISBN 9781540064110. UPC: 888680964368. 9.0x12.0x0.337 inches.

The Strum Together series enables players of five different instruments – or any combination of them – to “strum together” on great songs. This easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. This collection includes 70 all-time country favorites: Always on My Mind • Boot Scootin' Boogie • Could I Have This Dance • Deep in the Heart of Texas • Friends in Low Places • Green Green Grass of Home • Happy Trails • Hey, Good Lookin' • I Fall to Pieces • Jambalaya (On the Bayou) • King of the Road • On the Road Again • Ring of Fire • Sixteen Tons • Take Me Home, Country Roads • When Will I Be Loved • Your Cheatin' Heart • and more.

Edited by Amy Appleby. For Piano Solo. America's All-Time Favorite. Romantic. Level: Intermediate. Sheet Music. 320 pages. Published by Music Sales

Composed by Thomas Keesecker. Bestseller. Epiphany, Christmas, 21st Century. MorningStar Music Publishers #15-852. Published by MorningStar Music Publishers

Guitar

SKU: FG.55009-369-0

Composed by Kai Nieminen. Published by Fennica Gehrman (FG.55009-369-0).

ISBN 979-0-55009-369-0.

Night Sonata is a guitar suite consisting of three pieces: 1. Night Preludes - Hommage a Joan Miro, 2. Gnomes of the Night - Hommage a Marc Chagall, 3. Night Poems in a Clockshop - Hommage a Salvador Dali. The atmospheric and colourful Night Preludes was inspired by the paintings of Joan Miro. Gnomes of the Night conjures up images of the nocturnal world and the creatures that we sometimes imagine inhabit it. Night Poems in a Clockshop is a study of various ticking and clicking sounds of clocks.

By Dunhill. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

SA, 2 Recorders

SKU: SU.80300157

For SA, 2 Recorders. Composed by Alice Parker. Miscellaneous, Recorder. Accompanied by recorders. Choral Octavo. Treble Clef Music Press #80300157. Published by Treble Clef Music Press (SU.80300157).

1. Lullaby for Titania (You spotted snakes); 2. Oberon's Blessing (Now until the break of day). These deceptively simple pieces are perfect for use as teaching pieces, and as incidental music for a production of A Midsummer Night's Dream, Shakespeare's comedy of the fairies' enchantment of two pairs of noble lovers and of Bottom the weaver. As teaching pieces, their pentatonic melodies, limited range, and use of repetition and canon make them ideally suited to Kodaly techniques. Their rhythmic clarity makes them a good vehicle for simple choreography, and the recorder parts can be played by onstage musicians. SA, mezzo solo, and two recorders; 10 pages; duration: 2:00 min. each; range: e' to e (chorus); c' to c (solo); difficulty: easy. SA, 2 recorders Published by: Treble Clef Music Minimum order quantity: 8 copies.

Graded Pieces for Piano. Composed by William L. Gillock. Edited by Andrew Eales. Willis. Educational, Performance. Softcover. 40 pages. Duration 240 seconds. Published by Willis Music

This edition: M060119620. Boosey and Hawkes Piano. Book only. Published by Hal Leonard.

Concert Band Concert Band - Grade 0.5

SKU: FJ.B1579S

Score Only. Composed by Jack Wilds. Series; Starter Band. FJH Starter Series. Score. Duration 1:00. The FJH Music Company Inc #98-B1579S. Published by The FJH Music Company Inc (FJ.B1579S).

English.

Introdu ce your beginning students to the music of Renaissance composer Tielman Susato, presented here in fanfare style. The melody is passed throughout the ensemble and is presented in a variety of orchestrations, painting a vivid picture of courtiers on parade. Using only six notes in the winds, this piece will surely add an impressive air of stateliness to your next concert!

About FJH Starter Series

Int roduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5

By Arthur Butterworth (1923-). For Trumpet & Piano. Solo Brass. Medium-slightly difficult. Score and part. Published by Brass Wind Publications

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS167

Composed by Bud Woodruff. SWS FS. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+2+8+5+5+5+2+8 pages. Duration 1 minute, 41 seconds. Carl Fischer Music #YAS167. Published by Carl Fischer Music (CF.YAS167).

ISBN 9781491146477. UPC: 680160903979. 9 x 12 inches. Key: D major.

Barn Dance Saturday Night depicts the gathering of hometown country folks for a square dance. Different from a rousing fiddle tune, in that the tempo is a bit more reserved, it is happy music that will be fun to play and will delight your audiences.
I wrote this piece several years ago for one of my groups which met during the last period of the day. They loved to play what they called “Happy Music,” because it perked them up and they left school in a good mood. The arrangement I wrote then was quite group specific; this version should fit most orchestras very well, and itspreads the melody around more.This work is not intended to be intimidating or profound in the least but, instead, should evoke smiles. However, that does not mean that it should be played in a sloppy manner or without a diligent attitude. The staccatos are very important. Players should take special care not to clamp down on the bow with their bow holds in order to make the notes short; they can be executed by using relaxed wrist andfingers alone, if that is what the teacher wants their players to be learning while preparing this piece. There should be only good tone on those notes, and accents should not be added where not indicated unless instructed to do so by the teacher.There are notes in this piece with a tenuto mark (full value, but clearly defined) AND a staccato mark (separated). I want these notes to be clearly enunciated; not short, but not sustained into the next note, either. The key to doing this well may come in m. 48, where the basses and cellos must make a retake going into m. 49. The length of the quarter notes in m. 44 should match the length of the quarter notes in m. 48.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: MN.15-852CD

Composed by Thomas Keesecker. CD. MorningStar Music Publishers #15-852CD. Published by MorningStar Music Publishers (MN.15-852CD).

UPC: 688670007156.

A sequel to the composer's bestselling piano book and CD, The Quiet Center, (15-843), this is a collection of nine reflective pieces for the seasons of Christmas and Epiphany. Warm, creative settings of familiar carols along with two original pieces: The Quiet Night, and Epiphany Waltz, which can also be played with violin and piano.

(8 contemporary pieces for mixed voices). By Bob Chilcott; Jussi Chydenius. For SATB choir accompanied and a cappella. Mixed Voices. Secular, Choral Collection. Vocal score. 80 pages. Published by Oxford University Press

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Alto- or tenor recorder - intermediate

SKU: HL.49011302

Composed by Harald Genzmer. Edited by Markus Zahnhausen. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Composed 1998. 20 pages. Duration 13'. Schott Music #OFB 193. Published by Schott Music (HL.49011302).

ISBN 9790001126779. 9.0x12.0x0.092 inches.

These nocturnal meditations are suitable performance pieces for concerts or competitions. The edition contains two versions: a transposition for treble and for tenor recorder. In the Evening * Dreams * In the Night-time * Silence of night * In the Morning.

Piano Accompaniment; Violin

SKU: HL.50600872

Violin and Piano. Composed by Marius Felix Lange. String. Classical. Softcover. 24 pages. Sikorski #SIK8741. Published by Sikorski (HL.50600872).

8.25x11.75x0.077 inches.

The operas of Marius Felix Lange, especially “Snow White,” “The Canterville Ghost,” “Die Schneekönigin,” “Das Opernschiff oder Am Südpol, denkt man, ist es heisse” have been incredibly successful. Many of his operas have also been performed on foreign stages, including those in Switzerland and France. Other points of emphasis in Lange's work include orchestral compositions and Lieder. The American violinist Hilary Hahn had an unusual yet very clever idea in 2012 when she requested encore pieces from present-day composers. The cycle “In 27 Pieces: The Hilary Hahn Encores” were consecutively premiered by the violinist until the end of the 2012/13 season and recorded on CD. Amongst the submissions selected by Hilary Hahn during the course of an online contest, Marius Felix Lange's violin piece “Nutcracker's Nightmare” immediately ended up amongst the ten best-placed works. The title “Nutcracker's Nightmare” recalls E.T.A. Hoffmann's famous fairytale “The Nutcracker and the Mouse King,” the gloomily imaginative story in which a wooden toy is awakened to life and has to fight against the powers of darkness.

Piano

SKU: HL.48185862

Composed by Betsy Jolas. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL29601. Published by Alphonse Leduc (HL.48185862).

UPC: 888680857127. 9x12 inches.

“from the Concerto-Fantaisie 'Oh night, oh...'&rdquo.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in set)

SKU: AP.36-A929590

Arranged by Erich Wolfgang Korngold, R. Mark Rogers, and ed./arr. Leo Artok. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score and Part(s). LudwigMasters Publications #36-A929590. Published by LudwigMasters Publications (AP.36-A929590).

UPC: 735816239411. English.

When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by Various. Classical. Textbook. Trinity College London #TCL020567. Published by Trinity College London

Piano Solo. By Norman Dello Joio. Piano. Size 9x12 inches. 16 pages. Published by Marks.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Timp.Perc(2): Harm: Str (9-8-7-6-5 in set)

SKU: AP.36-A929501

Arranged by Erich Wolfgang Korngold, R. Mark Rogers, and ed./arr. Leo Artok. Full Orchestra. Kalmus Masterworks Library. Masterwork. Score. LudwigMasters Publications #36-A929501. Published by LudwigMasters Publications (AP.36-A929501).

ISBN 9781638875192. UPC: 735816239497. English.

When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

(10 Intermediate Character Pieces for Piano Solo). Composed by Joyce Grill. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Early Intermediate. 24 pages. Published by Alfred Music