Some of the most beautiful and diverse pieces by some of the finest composers in recent history are included in this enormous Library Of Modern Piano Music. Such a comprehensive collection of brilliant works for solo Piano belies the rich quality and sheer amount of music being composed that just begs to be learned. Over 100 fantastic pieces are guaranteed to keep you learning from this truly classic selection until the next century!The Library Of Modern Piano Music boasts an unprecedented volume and variety of amazing compositions, some well-known, some more unfamiliar, some composed as standalone pieces and others as film scores, but the one thing uniting them all is their impeccable musicality and how enjoyable they are to play. Featuring the biggest names in contemporary classical music, composers like Einaudi lend their wonderful compositions (Primavera, Una Mattina), and all-round geniuses like Philip Glass are represented with a generous selection of their finest work (Metamorphosis Five, Opening Piece From Glassworks and more).The varied progression of Piano music through the 20th century to the present day has given rise to an exceptionally vast and diverse repertoire. The unbelievable depth of the composers included here means you'll rarely be stuck for something to play. Kaija Saariaho, Stravinsky, Francis Poulenc, Dustin O'Halloran, Nico Muhly and Witold Lutoslawski are genuinely just a fraction of the composers featured in The Library Of Modern Piano Music. Some great standalone compositions like Samuel Barber's incomparable Adagio For Strings sit aside excerpts from longer works like a portion of Edward Gregson's An Album For My Friends or Joby Talbot's Once Around The Sun.If you happen to be a fan of film and television scores, a taste of Michael Nyman's distinguished score for The Piano is included, a section from Crouching Tiger, Hidden Dragon, as well as parts of Richard Rodney Bennett's score for the now rarely-seen but superb 1980s miniseries of Tender Is The Night. Many established composers are included in this collection who are widely-recognised as masters. However, The Library Of Modern Piano Music also includes many young virtuosos who have not yet achieved that status but are certainly well on their way.These original compositions span standalone pieces, albums, suites and arrangements from diverse talents, making The Library Of Modern Piano Music a collection that is certain to be seen by future generations as a perfect collection of the best of contemporary classical music. / Piano

Un condensé des plus grands chefs d'oeuvres d'illustres compositeurs. Contient les 'PrEludes' de Bach, les 'Valses' de Chopin, des 'ThEmes de Symphonies', des 'Concertos pour piano' de Schubert et Beethoven ainsi que beaucoup d'autres classiques. Reliure À spirales. / Piano / 240 pages / Partition

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

The Piano Bench Of Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's greatest inventions, movements, nocturnes, valses, mazurkas, intermezzos, romantic short pieces, impressionist works, and light classics - as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas and ballets by the master composers of the past four centuries. / Piano

Par . This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse andcompelling programmes, whether preparing for a Trinity diploma or not. Detailed performance notes by Steven Osborne and John Paul Ekins offer valuable insights and suggestions for every piece. Showcasing repertoire spanning overfour centuries to the present day and in a wide range of genres, this is a rich compendium that all classical pianists will enjoy. 'This anthology has gathered a wonderful collection of works, familiar and unfamiliar, covering agreat range of style and emotion. Dive in!' ' Steven Osborne / Date parution : 2021-11-25/ Recueil / Piano

50 indémodables du classique en transcription piano solo facile. Titres : Arabesque, Op. 100, #2 - Arioso (from CANTATA NO. 156) - Ave Maria - Can Can (from ORPHEUS IN THE UNDERWORLD) - Canon In D (from ORDINARY PEOPLE) - Clair de Lune - Eine Kleine Nachtmusik - Fantasie Impromptu - Funeral March (Piano Sonata In B Flat) - Fur Elise - Gymnopedie #1 - Habanera (from CARMEN) - Hallelujah Chorus (from MESSIAH) - The Happy Farmer - Humoresque - Hungarian Dance #5 - In The Hall Of The Mountain King (from PEER GYNT) - Jesu, Joy Of Man's Desiring - La donna e mobile (from RIGOLETTO) - La Fille Aux Cheveux De Lin (The Girl With The Flaxen Hair) - Largo From Symphony #9 ('New World?) - Liebestraum (Dream Of Love) - Lullaby (Cradle Song) - March (from THE NUTCRACKER) - Meditation (from THAIS) - Minuet In G (from the ANNA MAGDALENA NOTEBOOK (originally for keyboard)) - Minuet In G Major - Piano Sonata #14 In C# Minor ('Moonlight?) Op. 27 #2 First Movement Theme - Morning (from PEER GYNT) - Night On Bald Mountain - Nocturne In E Flat Major Op.9 #2 - Ode To Joy (from SYMPHONY #9 IN D MINOR, FOURTH MOVEMENT CHORAL THEME) - Pavane Pour Une Infante Defunte - Piano Concerto #2, Third Movement Excerpt - Polovtsian Dance Theme - Pomp And Circumstance - Reverie - Rhapsody On A Theme Of Paganini, Variation XVIII - Romeo And Juliet (Love Theme) - Sicilienne - Sonata in C Major, K. 545, First Movement - Sonata #11 In A Major, K 331, Third Movement ('Rondo Alla Turca?) - Sonatina in C Major, Op. 36, #1 - Spinning Song - The Surprise Symphony - The Swan (Le Cygne) (from CARNIVAL OF THE ANIMALS) - Theme-Pictures At An Exhibition - To A Wild Rose (from WOODLAND SKETCHES) - Waltz In A Minor - William Tell Overture (featured in the TV Series THE LONE RANGER) / Piano

51 pièces pour piano du répertoire romantique, des compositeurs tels que Brahms, Chopin, Fauré, Field, Grieg, Liszt, Mendelssohn, Rachmaninoff, Schubert, Schumann, Scriabin, et Tchaikovsky. Comprend notamment : la Rhapsodie en Sol Mineur Opus 79 No2 de Brahms, la Fantaisie-Impromptu in Do# mineur Opus 66 de Chopin, Rêves damour No3 de Liszt, et bien d'autres. / Piano

Compilation. A compendium of the world's most loved music. True to the spirit of the great composers, this volume fills the vital needs of the student and teacher. Works by Bach, Tchaikovsky and Prokoviev. / Niveau : Intermédiaire / Rép Classique / Recueil / Piano

Plus de 150 grands thèmes classiques, tous présentés dans le format ' busker ', en haut de gamme arrangements avec cordes symboles. Comprend Largo de Handel, Clair De La Lune de Debussy, Air de Bach sur une chaîne g et Elgar faste et circonstance mars. / Chant Et Guitare / 128 pages / Partition

Par SUZUKI SHINICHI. The New International Edition of Suzuki Piano School, Volume 7, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed to include J. S. Bach's 'Prelude and Fugue in D Major, ' Chopin's 'Nocturne in C-sharp Minor, ' Debussy's 'La fille aux cheveux de lin, ' and Bartók's 6 Romanian Folk Dances. Handel's 'Prelude' and Paderewski's 'Minuet' have been permanently removed. Titles: Sonata in A Major (Andante grazioso; Minuetto and Trio; Alla turca), K. 331 (300i) (W. A. Mozart) * Prelude & Fugue inD Major, BWV 850, from The Well-Tempered Clavier, Book 1 (J. S. Bach) * Nocturne in C-sharp Minor, Op. posthumous (Chopin) * The Harmonious Blacksmith, from Suite No. 5 in E Major (Handel) * La fille aux cheveux de lin, from Préludes, Book 1, L. 117:8 (Debussy) * Romanian Folk Dances, Sz. 56 (1. Joc cu Bâta; 2. Brâul; 3. Pe loc; 4. Buciumeana; 5. Poarga Româneasca; 6. Maruntelul) (Bartók). / Pédagogie / Méthode / Piano

In accordance with the tradition of the genre, these are characterised by sentimentality, intimacy and programmatic tendencies. Characteristic for them is a turbulent middle section and a richly ornamented reprise. However, variability of dynamics and musical course are not appropriate for nocturnes, rather holding on to a particular mood, full of expectation or the past brought to the present. Critical source-edition edited by Jan Ekier and Pawe? Kami?ski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form. Performance commentary by: Jan Ekier, Pawe? Kami?ski Source commentary by: Jan Ekier, Pawe? Kami?ski Cover Design: Maria Ekier Editor: Jan Ekier, Pawe? Kami?ski Editor of graphic design: Maria Ekier Publisher: PWM Edition and Foundation of National Edition of F. Chopin Table of contents: Chopin Fryderyk Nocturne in A flat major Op. 32 No. 2 Chopin Fryderyk Nocturne in B flat minor Op. 9 No. 1 Chopin Fryderyk Nocturne in C minor Op. 48 No. 1 Chopin Fryderyk Nocturne in C sharp minor Op. 27 No. 1 Chopin Fryderyk Nocturne in D flat major Op. 27 No. 2 Chopin Fryderyk Nocturne in E major Op. 62 No. 2 Chopin Fryderyk Nocturne in E flat major Op. 55 No. 2 Chopin Fryderyk Nocturne in E flat major Op. 9 No. 2 Chopin Fryderyk Nocturne in E flat major Op. 9 No. 2 (version with variants) Chopin Fryderyk Nocturne in F major Op. 15 No. 1 Chopin Fryderyk Nocturne in F minor Op. 55 No. 1 Chopin Fryderyk Nocturne in F sharp major Op. 15 No. 2 Chopin Fryderyk Nocturne in F sharp minor Op. 48 No. 2 Chopin Fryderyk Nocturne in G major Op. 37 No. 2 Chopin Fryderyk Nocturne in G minor Op. 15 No. 3 Chopin Fryderyk Nocturne in G minor Op. 37 No. 1 Chopin Fryderyk Nocturne in B major Op. 32 No. 1 Chopin Fryderyk Nocturne in B major Op. 62 No. 1 Chopin Fryderyk Nocturne in B major Op. 9 No. 3

Studien Edition Formato Studio Ridotto. Par SCHUBERT FRANZ. Les 22 sonates pour piano de Schubert reflètent très fidèlement le cheminement de ce compo-siteur disparu trop tôt. Partant des premiers essais effectués entre seize et dix-neuf ans, elles permettent de retracer l’évolution constante de son écriture jusqu’aux cinq grandes sonates composées entre 1823 et 1826, puis jusqu’aux trois sonates magistrales composées peu de temps avant sa mort qui le placent incontestablement au même niveau de maîtrise que Beetho-ven dans ce domaine. Schubert se consacra intensément à ce genre ce qui explique sans doute le grand nombre de ses sonates pour piano inachevées. Outre ses sonates de jeunesse des années 1815–1818, le vo-lume III del’édition Urtext en trois volumes des éditions Henle contient donc ces fragments de sonates complétés par Paul Badura-Skoda. Les ajouts de ce dernier sont reconnaissables à leur impression en plus petits caractères. Le commentaire critique en annexe de ce volume donne également des renseignements détaillés sur la genèse de chacune des oeuvres. / Partition brochée / Répertoire / Piano