Concerto for Percussion duo and Orchestra (1st movement only) - Piano reduction (solo parts and Piano part).The title Spices Perfumes Toxins! refers to three substances that are extremely appealing yet filled with danger. Spices delight the palate but can cause illness; perfumes seduce but can also betray; toxins bring ecstasy but are deadly.The concerto combines Middle-Eastern drums orchestral percussion and rock drums with orchestral forces a unique sound both enticing and dangerous. The work was written for the duo PercaDu. — Avner Dorman

Concerto for Percussion and Orchestra - Percussion duo parts only.What determines the special character of a piece of music written for percussion instruments is the very choice of sets of instruments. In Udacrep Akubrad I have chosen a similar set of instruments for each of the players: a marimba two Darbuka and a tom-tom. This piece draws its inspiration from the ?Eastern? music extending the boundaries of the region as far as the Indian sub-continent. The main source materials in this piece are scales and the rhythms emanating from the traditional classical music of the peoples of the Mediterranean; and repetitive minimalism fromthe music tradition of the Middle East as well as the recently developed techniques in western music. ? Avner Dorman

Howard Blake's The Snowman - Schools Version. Instrumentation: Flute Oboe (or 2nd Flute) 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb Trombone/Tuba Descant/Tenor Recorder Treble Recorder Classroom Percussion Orchestral Percussion 3 Timpani Violin 1 Violin 2 Viola/Violin 3 Cello Double Bass Rhythm Guitars/Bass Guitar and Piano Duet. This is the score and setof parts. A score only version is available under the code CH78001-01.

String Orchestra - Percussion-A collection of 12 traditional carols for developing string orchestra (Grade 2) from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come.Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. May be accompanied by piano or harp and percussion. Songs include: Away in a Manger • We Wish You a Merry Christmas• Deck the Halls • Ding Dong Merrily on High • God Rest Ye Merry Gentlemen • Greensleeves • O Come All Ye Faithful • Chanukah Oy Chanukah • O Holy Night • Pat-A-Pan • Silent Night• Three Holiday Songs (Medley including The Dreydl Song Jingle Bells and Joy to the World).Available for:04490308 Conductor / $19.9504490309 Violin 1 / $5.9504490310 Violin 2 /$5.9504490311 Violin 3 (Viola T.C.) / $5.9504490312 Viola / $5.9504490313 Cello / $5.9504490314 String Bass / $5.9504490315 Piano / $8.9504490316 / Opt. Harp / $8.9504490317Opt. Percussion / $5.95.

Par THARICHEN WERNER. Werner Thärichen, timbalier légendaire de l'Orchestre philharmonique de Berlin sous Furtwängler et Karajan, était aussi actif comme un auteur, compositeur et chef d'orchestre. Le plus connu de ses oeuvres de plus de 70, sans doute, est son Concerto vibrant pour timbales et orchestre opus 34. C'est pour son fils Nicolai, à qui il donne des leçons de percussions, et qui a entre-temps se fait un nom comme pianiste de jazz, compositeur et arrangeur, que Thärichen a écrit la Percussion Concerto opus 66 en 1988. La version orchestrale a été effectuée dans une école de musique de Berlin avec beaucoup de succès. Compte tenu de la grand intérêt dans le travail, le compositeur, un peu plus tard, a écrit la version actuelle, un morceau de 26 minutes fascinant pour cette instrumentation trio qui n'est pas inhabituel dans les écoles de musique./ Répertoire / Percussions et Orchestre

Koncert For Skrammel Og Orkester (Concerto For Trash and Orchestra) is a Children's Concerto for 3 'trash percussionists' and Orchestra composed by Anders Koppel in 2007.

A complete and comprehensive Drum tutor designed to meet the needs of the young student aspiring to play in a school band or orchestra.From how to stand correctly and hold the sticks/beaters to rudiments such as rolls and flams as well as syncopations. Book Two extends your vocabulary of rudiments introducing the paradiddle the flamacue the ratamacue and many more. You will learn your first solo pieces as well as becoming familiar with 3/4 and 6/8 measures.With no stone left unturned this detailed and rigorous method provides everything you need to master the drums as a band/orchestral percussionist.

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

One of MacMillan’s earliest successes was his first percussion concerto Veni Veni Emmanuel (1992) firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore received with great excitement at its premiere in 2014 by Colin Currie and the Netherlands Radio Philharmonic. Like its predecessor the second concerto is formed in a single c25-minute span albeit with contrasting sections but with full orchestra scoring. The significant array of solo percussion is complemented by two orchestral percussion sections

Duo pour hautbois et percussions : marimba et trois wood blocks.Techniquement accessible dès la fin du premier cycle d'enseignement musical.' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ' (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Hautbois Et Percussions

Originally, Svoboda 'only' wanted to create a reduction for trio of his Music for Trombone and Orchestra (2010). When working on it, however, he discovered so many interesting possibilities in the combination of trombone, piano and percussion that he wrote a new, totally independent piece. / Trombone, Piano Et Percussions