This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl's Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Cor

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

A pocket-sized collection of songs by the biggest names in Country, presented in chord songbook format, with chord symbols, guitar chord boxes and complete lyrics. / Paroles Et Accords de Guitare

Livre 3 dans le cours de guitare Best-seller. Découvrez les accords altérés modernes, théorie de la musique, rythmes syncopés, le pull-off, nouvelles techniques classiques et plus encore. Inclut Wonderwall, Imagine, Can't Buy Me Love et plus encore. / Guitare / 40 pages / niveau : Intermédiaire / Partition

Une sélection de 125 incontournables de l'artiste en transcription 'real book' ligne mélodique et accords chiffrés internationnaux. Titres : Acknowledgement - Africa - Afro Blue - After The Crescent - After The Rain - Airegin - Alabama - All Blues - All Or Nothing At All - Amen - Ascension - Ascent - Attaining - Bessie's Blues - Big Nick - Black Pearls - Blue Train (Blue Trane) - Blues Minor - Blues To Bechet - Blues To Elvin - Blues To You - Body And Soul - Brazilia - But Not For Me - By The Numbers - Bye Bye Blackbird - Cattin' - Central Park West - Chasin' The Trane - Compassion - Consequences - Cosmos - Countdown - Cousin Mary - Crescent - Dahomey Dance - Dear Lord - Dearly Beloved - The Drum Thing - Dusk-Dawn - Eclypso - Equinox - Evolution - Exotica - Expression - The Father And The Son And The Holy Ghost - Fifth House - Giant Steps - Goldsboro Express - Grand Central - Greensleeves - Harmonique - I Want To Talk About You - I'm Old Fashioned - Impressions - In A Sentimental Mood - India - Jupiter - Just For The Love - Lazy Bird - Leo - Liberia - Like Sonny (Simple Like) - Living Space - Locomotion - Lonnie's Lament - Love - Lush Life - Manifestation - Mars - Mary's Blues - Miles' Mode (The Red Planet) - Mr. Day - Mr. Knight - Mr. P.C. - Mr. Syms - Moment's Notice - My Favorite Things - My One And Only Love - Naima (Niema) - Nita - Offering - Ogunde - Olé - Oleo - Omicron - Paul's Pal - Peace On Earth - Pristine - The Promise - Psalm - Pursuance - Resolution - Reverend King (Rev. King) - Russian Lullaby - Satellite - Saturn - Selflessness - Serenity - The Sleeper - So What - Softly As In A Morning Sunrise - Some Other Blues - Song Of Praise - Song Of The Underground Railroad - Soul Eyes - Spiral - Spiritual - Summertime - Sun Ship - Syeeda's Song Flute - Theme For Ernie - To Be - Transition - Tunji - 26-2 - Up 'Gainst The Wall - Velvet Scene - Venus - Vigil - Vilia - Village Blues - We Six - Welcome - Wise One - Witches Pit - Your Lady / Tout Instrument

The Gig Book: Showtunes is jam packed with 85 classic songs by the biggest names in musical theatre. Presented in gig-friendly melody line arrangements with complete lyrics, chord symbols and Guitar chord boxes. / Mélodie/Vocal/Guitare (MVG)

Dispose de 13 mélodies composées par Bono de U2 et The Edge pour le tant vanté comédie musicale de Broadway. / Chant/Vocal/Choeur

Chart Hits Now boasts 5 of the best of the current chart hits, for just £4.99. Each song is in two formats: Easy Piano with full lyrics, and Guitar chord boxes with lyrics. Featuring Coldplay, Years and Years, Adele, Justin Bieber and Zayn, this is the most accurate way to learn the best hits of today. At just £4.99, Chart Hits Now is a great value songbook. You will get the opportunity to learn Justin Bieber's huge hit Love Yourself, Zayn's catchy Pillowtalk, Adele's Hello, Coldplay's Adventure Of A Lifetime and Eyes Shut by Years And Years. The 5 hottest songs on the charts right now are included in this songbook. The first section includes Easy Piano arrangements, full lyrics and chord symbols, while the second section features the same songs in lyrics and Guitar chord format, so whether you're a pianist, singer or guitarist, you can play these 5 brilliant tunes. Not only does Chart Hits Now offer you the most accurate and best value way to learn these popular songs, the book includes invaluable information on the grand staff, note values, time signatures and more - hugely useful as a reference. / Lignes Mélodiques/Paroles/Accords

Par OFFSPRING THE. 'Americana ' est publié par The Offspring en novembre 1998 et le succès majeur single extrait de l'album était 'Pretty fly (for a white guy)', qui atteint le numéro un dans les charts anglais en janvier 1999. C'est un album-concept explorant les sombres réalités de la vie américaine moderne. Ce score transcrit contient l'ensemble de la notation musicale et les paroles de chansons de l'album. / Rép International / Tablatures / Guitare Tablatures

This unique collection of some of the finest Jazz Piano peices of all time includes songs written by Hoagy Carmichael, Michel Legrand, Richard Rodgers, Louis Armstrong, Duke Ellington and Jerome Kern among others here is a treasure trove of jazz Piano that lets everyone play their favourites. / Piano

Now developing pianists can play their favorite contemporary hits with this collection in easy piano format. Includes 30 songs: Burn - Cheap Thrills - City of Stars - Don't Wanna Know - HandClap - H.O.L.Y. - I Don't Wanna Live Forever (Fifty Shades Darker) - Love on the Weekend - Million Reasons - Ophelia - Ride - Say You Won't Let Go - 7 Years - Shape of You - This Town - When We Were Young - Writing's on the Wall - and more. / Piano

Guitaristes ne peut pas obtenir assez de recueils de chansons Pages Blanches! Volume 4 comporte 150 autres grands note pour noter transcriptions. Parmi les chansons retrouvez: Addicted to Love - Bad Moon Rising - Been Caught Stealing - Bridge of Sighs - Can't Buy Me Love - Come Monday - Drive - Eight Miles High - Everlong - Everybody Wants You - Fame - Hallelujah - Hey, Soul Sister - How Soon Is Now - I Wanna Be Your Dog - Jamie's Cryin' - Kiss - Mr. Brightside - Otherside - Peter Gunn - Redemption Song - Surfing with the Alien - Would? / Guitare

Par WALLER FATS. 24 pièces vocales du musical de Broadway 1978 célébrant la musique de Fats Waller. Joignez-vous à la foule de Harlem célèbre Cotton Club pour chanter et échangisme, où les chats sont fraîches et la musique est chaude ! Inclut ces normes grandes Rose de chèvrefeuille, je ne peux pas vous donner autre chose que l'amour, l'articulation est Jumpin'et, bien entendu, Ain't Misbehavine./ Recueil / Chant