Jazz Play-Along Vol.73. Par NELSON OLIVER. Onze favoris de Jazz par le compositeur de renommée mondiale, arrangeur et artiste saxophone, Oliver Nelson. Nombreux sont les favoris du kiosque à musique vivace et les autres sont certainement destinés à être. C'est une chance pour tout le monde à découvrir et profiter Oliverlliant mélodique touch et sens harmonique. Section rythmique professionnel comprend Andy LaVerne, Piano - Lynn Seaton, basse - Steve Davis, batterie. / Rép International / Recueil / Tout Instrument

Par KNUSSEN OLIVER. This enchanting 8-minute piece for violin and piano - Oliver Knussen's penultimate work - is made up of various kinds of musical reflection: melody reflected in its inversion: a six-note mode reflected in its complement: and the relationships between the three main parts of the piece, which are in a way varied reflections of each other. There are some reflections in water, too, the work's opus number (31a) demonstrating a relationship to Knussen's unfinished Cleveland Pictures: 'The main melody began as a response to Gauguin's painting of a Breton woman swimming', Knussen wrote, 'and there is also, perhaps, an echo of the lonely underwater world of an ondine, eventually breaking the surface at the end of the piece.' / Niveau : Avancé / Musique contemporaine / Répertoire / Violon et Piano

Par DAVIS OLIVER. 'For many years the violinist Kerenza Peacock and I have been discussing the concept of a piece about trees. One day I received in the post from her a book by Annie Davidson entitled, ‘How to be More Tree’. This brilliant book became the inspiration for the Arboretum Suite. The first tree I decided to write about was Aspen. I read that Aspen trees work together sharing water and nutrients through their root system, so only as a community can they grow in strength. Aspen is followed by Açai Palm, a tree which is native to Brazil and Argentina, hence the Latin American feel of this movement. The score is marked pizzicato, the plucked sound further accentuating the South American rhythms. The Vanishing Mahogany of the Amazon naturally has a very sombre feel, although the major key ending of this movement reflects the hope that we may still manage to save the rain forests. The last movement describes my response to the description of the Mountain Hemlock. I wanted to create rhythms that depicted this beautiful tree swaying in the mountain winds.' - Oliver Davis / Date parution : 2022-06-08/ Répertoire / Violon et Piano

Par DAVIS OLIVER. Writer John Delaney and composer Oliver Davis collaborated on an operatic project based on the Irish mythological tale of Tir na Nog. This Mortal Man was written from the perspective of the goddess Niamh who has fallen in love with earthling Oisin, whom she wishes to marry, against the wishes of the gods./ Répertoire / Soprano et Piano

Par KNUSSEN OLIVER. An engaging solo piano work by Oliver Knussen that draws the listener into its hazy texture and present fleeting moments of tension and release that make for compelling if nonspecific narrative./ Répertoire / Piano

Par KNUSSEN OLIVER. The piano score and solo part to Oliver Knussen's Horn Concerto Op.28. Piano reduction by Lionel Friend. / Niveau : Avancé / Recueil / Cor Français et Piano

Arch Gwyn (Arranger). Par ARCH GWYN. West End Showstoppers contains four classic songs from three of your favourite musicals, including Consider Yourself from Oliver , and Memory from Cats . The Faber Young Voices series is arranged for upper voices, with an optional low Alto or Baritone part, for voices that maybe developing. Also included is the manageable Piano accompaniment. The intermediate series is ideal for young or newly formed choirs looking for rewarding repertoire. / Niveau : Assez Facile / Feuillet / Choeur

Par WAESPI OLIVER. / Niveau : 4 / Pièce de concert / Répertoire / Brass Band

Par WAESPI OLIVER. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Offre une superbe sélection de leçons approfondies pour les joueurs de tous niveaux enseigné et enregistré (lentement et jusqu'à tempo) par maître Flatpicking Oliver Waitze. Apprendre et d'améliorer les principes fondamentaux de la guitare de bluegrass flatpicking ! Exercices efficaces de droite et de gauche, des différents styles de sauvegarde, de conduite et syncopés basse s'exécute, crosspicking, rythme, mélodie et rythmique, les terminaisons de bluegrass gourmet et licks, variations de votre jeu et des exemples pour l'improvisation. Contient de nombreux exercices conçus pour vous aider à trouver votre chemin dans et hors de toute torsion possible et tourner de la gauche et la main droite. Ecrit en notation standard et libre de l'onglet audio téléchargements sont disponibles pour une utilisation avec ce titre. / Guitare (Flatpick) Et Plectre / 94 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Par WAESPI OLIVER. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie