This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions.

lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature

Die schönsten Arien für Mezzosopran aus italienischen Opern. Meisterwerke aus der Feder der bedeutendsten italienischen Opernkomponisten aus vier Jahrhunderten. Die schönsten und berühmtesten Arien für Mezzosopran von Vivaldi bis Puccini. Die Ausgabe umfasst den Notentext der Arien als Klavierauszug mit Singstimme, einen kurzen Abriss des jeweiligen dramaturgischen Kontexts sowie die originalen italienischsprachigen Singtexte inklusive einer deutschen Übersetzung. / Niveau : Intermédiaire / Opéra-opérette / Date parution : 1905-07-09/ Recueil / Mezzo-Soprano et Piano

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Saxophone Tenor

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Hip Licks for Saxophone is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn.Think of Hip Licks for Saxophone as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing.Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B' Hip Licks for Saxophone is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions.Special Features of Hip Licks for Saxophone by Greg Fishman:' 168 Hip Licks ' Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc.' Idiomatic Construction ' Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones.' Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor ' 4 CDs included:2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks.' Hip Licks Nail the Most Popular Chord Progressions:- Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords- ii-7 / V7 / I Major (two and four-measure phrases)- ii-7b5 / V7b9 / i Minor (two and four-measure phrases)- Parallel Major to Minor Progressions- ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths)' Modular Design ' The licks are self-contained, easily taken out of the book to be used in a wide variety of songs.' Interactive Call and Response Format, perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along.' Twelve Key Approach ' Every CD track takes you through all twelve keys.' Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales.' Technique Builder ' Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone.

' Voices of Australia ' a tout d'abord été composée pour flûte en 2002, lors d'une résidence de Sophie Lacaze à l'EMU (Electronic Music Unit) de l'Université d'Adelaide en Australie, A la demande du saxophoniste Giuseppe Laterza, la compositrice l'a transcrite pour saxophone soprano en 01/01/15,' Voices of Australia ' se compose d'une partie de voix enregistrées lors d'une soirée dans le bush en South Australia, et d'une partie instrumentale qui imite les chants de six oiseaux australiens : par ordre d'apparition, Brolga, Crested Bellbird, Southern Boobook, Chiming Wedgebill, Fan-tailed Cuckoo et Whip Bird, / Saxophone

Par SANTIN KELLIE / CLARK CHERYL. Pour les débutants de tous âges Progression claire et systématique Compagnon de livres Saxophone Creative 26 pièces qui reflètent la progression du livre tuteur Se concentre sur les styles de musique contemporaine Premiers pas dans les compétences en développement jouant ensemble Saxophone et soutien drumkit pour chaque duo sur CD - comprend des versions pour alto et ténor instruments. Kellie Santin est largement reconnue pour sa voix unique sur le saxophone alto. Grandement influencé par Charlie Parker, Paul Desmond et d'autres, son style de jeu combine technique exceptionnelle avec un sens aigu de la mélodie et une capacité infectieuse de la rainure. Kellie actuellement en cours de saxophone à l'Institut Littéraire Ville de Londres. Kellie freelances aussi avec un large éventail d'artistes tels que Nina Ferro et al Démarrer. Cheryl Clark est un musicien accompli qui se spécialise au saxophone, hautbois, flûte et clarinette. Un membre régulier des groupes phares grands à Melbourne, Cheryl a fait des tournées avec des actes internationaux, dont Ray Charles et Jerry Lewis. Cheryl a également joué avec l'Orchestre symphonique de Melbourne, l'Australie Pops Orchestra et l'Orchestre de l'Etat de Victoria. Elle a fait de nombreuses apparitions à la télévision et a travaillé dans des comédies musicales et des sessions d'enregistrement commercial, y compris les enregistrements et les bandes sonores de film commercial. / Niveau : Très Facile / Recueil / Saxophone

C'est un livre avec des morceaux cool pour ceux qui n'ont pas joué très longtemps, mais toujours l'intention de voler la vedette! Les accompagnements musicaux magnifique sur le CD va vraiment ajouter à la jouissance et il ya place pour faire vos propres solos dans certaines des pièces. / Saxophone Tenor Et Soprano / 28 pages / niveau : facile / Partition + Cd

for Alto Sax. When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs alongs them to do just that! It includes 50 contemporary favorites, including: Believer · Don't Stop Believin' · Happy · High Hopes · Let's Get It Started · Ocean Eyes · Perfect · Rewrite the Stars · A Thousand Miles · You Will Be Found · and more./ Recueil / Saxophone Alto

4 Pieces for Saxophone Quartet (with optional sopr. Par WAIGNEIN ANDRE. Dans cet arrangement pour quatre saxophones le compositeur fait un Outre la bienvenue au répertoire léger moderne pour cette ensemble. Il est agréable contraste entre alternance rapide et des passages lents et Irrégulière Valse vous aurez besoin d'avoir votre esprit à votre sujet pour réussir à faire embarquer les changements de temps. Les morceaux ont été écrits de telle sorte que chaque ensemble membre joue un rôle égal - que tout le monde a un rôle vital à jouer! / Niveau : Facile / Répertoire / 4 Saxophones (Soprano ou Alto, Ténor, Baryton)

Par HAMPTON ANDY. This is the teacher's book accompanying Saxophone Basics Alto Saxophone. Designed to complement the corresponding pupil's book, this volume contains a variety of simple piano and saxophone accompaniments with some teaching tips too. From absolute beginner to about Grade 2, Andy Hampton's method is full of humour and interest which makes it perfect for young saxophonists. The simple arrangements mean that this book is ideal for woodwind teachers who do not specialise in saxophone. / Niveau : Facile / Méthode / Saxophone Alto