Selected and edited by Peter Wastall. Par . Ces 21 pièces pour trompette et piano, sélectionnées et éditées par Peter Wastall, ont été et réarrangées afin de répondre aux attentes d?une nouvelle génération de musiciens. Suite idéale du cycle d?apprentissage développé dans les volumes de la méthode primée Learn As You Play de Peter Wastall, ce recueil attrayant de morceaux de répertoire est parfaitement adapté aux interprètes de niveau moyen. Avec chaque morceau, vous trouverez des conseils utiles à la pratique et l?interprétation, ainsi qu?un accompagnement de piano. Des pistes de démonstration et d?accompagnement sont également accessible en ligne. / Niveau : facile - moyen / Date parution : 2022-10-12/ Recueil / Trompette et Piano

This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London conducted by Peter Maxwell Davies. Duration c.23 minutes. Peter Maxwell Davies: The hornwriting is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn player to the highest most exposed sostenuto of afirst horn soloist presenting here challenges of embouchure and sheer stamina I should think fairly unprecedented.Solo part and piano reduction on sale (CH61758) Conductor's score and orchestral parts available for hire.

Requiem c-moll. Par WINTER PETER VON. Dtb Nf Band 20/ Répertoire / Choeur Mixte et Orchestre

This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London by Richard Watkins. Peter Maxwell Davies: The horn writing is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn player to the highest most exposed sostenuto of a first horn soloist presenting herechallenges of embouchure and sheer stamina I should think fairly unprecedented.Duration c.23 minutes. Miniature score on sale CH61757 Conductor's score and orchestral parts on hire.

Par HOLMAN PETER. Music for three violins and bass formed a small yet distinctive corpus of instrumental music at the Restoration court of Charles II and in the Catholic chapel of James II. Introduced to England by the German violinist Thomas Baltzar, the genre was adopted by John Jenkins, whose ten late fantasia-suites for three violins, bass viol and continuo, together with Gottfried Finger’s five sonatas for the same group of instruments, constitute the bulk of this volume. Other representative works include Baltzar’s own Suite in C major and Bartholomew Isaack’s Ground in A minor, all fascinating progenitors of Purcell’s crowning contributions to the repertoire, his Pavan in G minor and ‘Three Parts upon a Ground’. / Date parution : 1905-07-10/ Répertoire / 3 Violons, Bas Viol et Basse Continue

This work was commissioned by Alistair Grant to commemorate the 250th anniversary of the second Jacobite rising (1745-6). It was first performed on 15th October 1997 at the City Halls Glasgow conducted by Peter Maxwell Davies. Scored for Soprano Alto Tenor and Bass solo Chorus and orchestra. Duration c.40 minutes. Vocal score on sale Conductor's score and orchestral parts on hire.

Peter Maxwell Davies' 1979 work for mezzo-soprano baritone and orchestra commissioned by the Philharmonia Orchestra who gave the first performance in May 1992 at the Royal Festival Hall with Simon Rattle conducting.The'Black Pentecost' is the coming of uranium mining which was a threat to Orkney when the work was written. The text tells of the destruction of old ways of life the eclipse of the human by the technological. Davies sets it as agripping dramatic cantata which is also a four-movement symphony with the songs for imperious baritone and lyrical mezzo-soprano linked by orchestral transitions. The work is a lament and at the same time a fiercely arguedprotest.Score. Duration c. 40mins.

Peter Sculthorpe's programme note reads as follows 'Lullaby is based upon one of the number of indigenous Australian melodies collected by Dr H.C. Lethbridge during the 1930s and is a lullaby for children victimised by war. It opens with several statements of indigenous melody the words lovingly entreating children to embrace sleep as night falls. This is followed by a short central section that questions the need for war its text taken from another song in the Lethbridge collection. The melody then returns leading to a quiet coda suggesting the calmness of sleep and for many children the beauteousness of Paradise.'The piece is set for unaccompanied mixedvoices.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Il Rozzo Martello for unaccompanied choir SATB by Peter Maxwell Davies was commissioned by BBC Radio 3. It was first performed on 14th August 1997 at the Queen Elizabeth Hall London by the BBC Singers conducted by StephenCleobury.A Michaelangelo sonnet lies at the heart of Il Rozzo Martello - a contemplation on the process of artistic creation and the role of inspiration within it the sculptor's ‘crude hammer’; of the title in Davies'swords ‘a pale echo of the creative efforts of exploring the same theme and similar imagery’. This introduction is distinguished from the setting of Michaelangelo's test by adopting a plainsong style although it builds to aclimax with progressively rich harmony Duration: c 12 minutes.

Corpus Christi is an anonymous Middle English Carol first written down c.1500. It was re-worked as a carol for Soprano and Tenor Soloists with SATB chorus by Peter Walock (1894-1930) in 1919. It wasdedicated to Thomas Strong later Bishop of Oxford who had been Dean of Christ Church College during Warlock's brief time studying there and who is better known for encouraging William Walton's musicalcareer. While he is best remembered for his scandalous lifestyle and his large-scale Capriol Suite the Corpus Christi carol ranks alongside Bethlehem Down as one ofWarlock's most sensitive and beautiful creations.

Commissioned to write a piece for the 50th anniversary of the United Nations Davies provided a musical General Assembly of his own: a bright overture based on an Australian aboriginal song which gives rise to 'national anthems'of various kinds and instrumental colourings. Finally the 'anthems' are combined 'if not triumphantly' Davies says 'at least in a manner whereby they get along together'.The first performance took place in June 1995 inNottingham. It was given by the Royal Philharmonic Orchestra conducted by Peter Maxwell Davies.Score (miniature). Duration c. 14mins.

Tonalité : C-Moll -. Par SCHINDLER PETER. Gattungen: Weltliche Chorsätze - Reihen bei Carus: Songs für Kinder - Langue : Allemand/ Répertoire / Choeur d'Enfants à 1 à 2 Parties, Piano ou Clavier

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition NUN DANKET ALLE GOTT / Bach arr. Peter Knudsvig - Quintette de Cuivres and Orgue qui a été écrite pourQuintette De Cuivres Et Orgue. Les éditions De Haske Publications qui ont éditées cette oeuvre l'ont répertoriée sour la référence DHP 1084582-070. / Quintette De Cuivres Et Orgue / niveau : Elémentaire / Partition