Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Riduzione per flauto e pianoforte - revisione di Ginevra Petrucci-Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as ?the first among the living flutists? in a period when virtuosos were reaching extraordinary levels Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output but it is through his concertos ? a real cornerstone in the instrumental virtuosic repertoire of the 1800s ? that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi?s concertos are intended for technically and stylisticallyadvanced performers.

Riduzione per flauto e pianoforte - revisione di Ginevra Petrucci-Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as ?the first among the living flutists? in a period when virtuosos were reaching extraordinary levels Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output but it is through his concertos ? a real cornerstone in the instrumental virtuosic repertoire of the 1800s ? that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi?s concertos are intended for technically and stylisticallyadvanced performers.

Vent was commissioned in 1990 by the American flautist Andrew Sterman and first performed in New York. It is scored for Flute and Piano. The Pulitzer Prize winning American composer David Lang was born in 1957. He is passionate prolific and complicated embodying the restless spirit of invention. Deeply versed in the classical tradition he is also committed to music that resists categorization constantly creating new forms.

Suite op. 34 for Flute and Piano-The name Widor is so closely associated with music for the Organ that his many compositions for other instruments can easily be overlooked. The Suite for Flute and Piano presumably composed in1877 stands out amongst chamber music works on account of the wealth of expressive and tonal nuances.The late Romantic work is specially tailored to the possibilities of the Flute; and it is no accident that it wasdedicated to the most important French flautist and flute teacher of the time Paul Taffanel who gave its first performance in 1884. From the very beginning the four-movement Suite has been very popular and now belongs to thecore repertoire for Flute and Piano.

36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pieces With Piano Accompaniment is a collection of fantastic Flute pieces and arrangements with Piano Accompaniment compiled and edited by David Peck.These will provide an enjoyable challenge for the advancing flautist.The solo Flute part is also included on a separate insert.

Tasty Tunes est une collection de répertoire court ou pièces de concert pourl'instrumentiste en développement. Les titres descriptifs, tels que la geléeCopters, Pâte m'élève, une allumeuse crème et Cornish Pasticheaider à évoquer l'ambiance de la musique et agir comme un stimulant pour lainterprète. Avec un mélange de styles et de tempos ces piècesreprésentent un défi intéressant pour les joueurs de la troisième à lanorme des cinq. Pièces peuvent être réalisées individuellement ou combinésdans n'importe quel nombre pour créer une suite - ou peut-être un bonbon? Bien que lela musique est accessible et la lumière dans le caractère, il fournit d'importanteset techniques expérience musicale. Amusez-vous et mouillez vosauditoire appétit! Une partie de piano d'accompagnement est séparéeinclus avec ce livre. / Flûte Traversière Et Piano / 32 pages / niveau : Facile - Elémentaire / Partition + Cd

Pastorale Polka Valse-Alexander Glazunov's Three Miniatures Op.42 were originally written for Piano in 1893. Here the miniatures have been arranged by Mark Tanner for Flute and Piano.

Riduzione per flauto e pianoforte - revisione di Ginevra Petrucci-Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as ?the first among the living flutists? in a period when virtuosos were reaching extraordinary levels Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output but it is through his concertos ? a real cornerstone in the instrumental virtuosic repertoire of the 1800s ? that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi?s concertos are intended for technically and stylisticallyadvanced performers.

IV: Viottolo di campagna - Gelsomina vaga sola (Rielaboraz. per fIauto e pianoforte di C. Tabarelli)

Blaz Pucihar's Concerto For Flute And String Orchestra. Piano reduction and Flute part. Orchestral material on rental.

sur 'Obéron' de C. M. von Weber 'Les classiques de la flûte' n° 76 (rév. Marcel Moyse)-Les Classiques De La Fl?te No.76. Composed by Jules Demersseman (1833-1866) ?Grande Fantaisie De Concert Op. 52 has been reviewed by the French flautist Marcel Moyse. Written for Flute and Piano it is based on 'Ob?ron' by Weber and would fit players with advanced skills and abilities and strong endurance. Part of the series Flute Classics this piece number 76 is among those adapted by P. Taffanel Ph. Gaubert M. Moyse and others. Grande Fantaisie De Concert?starts with the Piano alone soon joined by the Flute. The main theme does not start before the top ofthe second page of the Flute score which is then followed by variations and the finale.