Triple concertos (solos: pno.vl.vc - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-14540

(Triple Concerto) - Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Bernard van der Linde. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Classical. Full score. 232 pages. Duration 35'. Breitkopf and Haertel #PB 14540. Published by Breitkopf and Haertel (BR.PB-14540).

ISBN 9790004211052. 10 x 12.5 inches.

Violin 1 (solo: pno - 1.2.0.0 - 2.2.0.0 - timp - str)

SKU: BR.OB-4438-15

Composed by Wolfgang Amadeus Mozart. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. EB 4067 is printed in score form; two copies are needed for performance. Solo concerto; Classical. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 4438-15. Published by Breitkopf and Haertel (BR.OB-4438-15).

ISBN 9790004309308. 10 x 12.5 inches.

Flute with 1 other inst.

SKU: BR.EB-8736

Composed by Michael Kuhn. Solo instruments; stapled. Edition Breitkopf. Kuhn's new edition should be seen as an alternative to the popular cadenzas you under Reinecke, 3 Cadenzas for Mozart's Concerto in C major K. 299 (297C) . Classical period. Score. 8 pages. Breitkopf and Haertel #EB 8736. Published by Breitkopf and Haertel (BR.EB-8736).

ISBN 9790004181232. 9 x 12 inches.

One could say that Michael Kuhn's cadenzas to Mozart's beloved Double Concerto K. 299 went directly from the concert stage to the publisher, and from the publisher back to performers. Commissioned by the Concentus Musicus Wien, they were recorded on CD in 1998 under the direction of Nikolaus Harnoncourt. Although the musicians played on original instruments (transverse flute and single-action pedal harp), the cadenzas can be executed just as effectively on modern instruments. For his work, Kuhn took as his guideline the original cadenzas Mozart wrote for his Sinfonia concertante K. 364 and his Concerto for two pianos and orchestra K. 365, which date from about the same time. Kuhn's new edition should be seen as an alternative to Carl Reinecke's popular cadenzas (EB 6859), which continue to be available from Breitkopf & Hartel.

Kuhn's new edition should be seen as an alternative to the popular cadenzas 3 Cadenzas for Mozart's Concerto in C major K. 299 (297c) by Carl Reinecke.

Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.EB-11238

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Solo instruments; stapled. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Piano reduction. 44 pages. Duration 9'. Breitkopf and Haertel #EB 11238. Published by Breitkopf and Haertel (BR.EB-11238).

ISBN 9790201812380. 9.5 x 12 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

First flute, second flute (flute-picc), 2 oboes, first clarinet, clarinet-Ialto second voice, 2 bassoons, 3 horn, 2 trumpets, 3 trombones, trombone, Tri, timpani (1. Flute, 2. Flute (Piccolo flute), Oboes (2), 1. Clarinet, 2. Clarinet (in A), Bassoons (2), Horns (3), Trumpets (2), Trombones (3), Tuba, Triangle, Timpani)

SKU: BA.BA09045-65

Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. Opus 104. 11/7/12/7/11/8/8/8/7/6/7/ 4/4/4/4/4/4/1/6 pages. Duration 37 minutes. Baerenreiter Verlag #BA09045_65. Published by Baerenreiter Verlag (BA.BA09045-65).

ISBN 9790006537655. 32.5 x 25.5 cm inches. Key: B minor.

Like every other great 19th-century solo concerto, Dvorak's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorak's autograph score were actually written by the cellist Hanus Wihan; but Barenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.

The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores - for the first time since the original edition was published in 1896 - Dvorak's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.

* With Dvorak's final and definitive version of the solo cello part
* With hundreds of corrections in the solo cello part as well as the orchestral parts
* With hitherto unknown details regarding the collaboration between Dvorak and Wihan
* With Dvorak's original piano reduction
* With Feuermann's and Casals' alternatives to a passage in the first movement.

Violoncello (solos: pno.vl.vc - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-14540-23

(Triple Concerto) - Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Bernard van der Linde. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Classical. Part. 8 pages. Duration 35'. Breitkopf and Haertel #OB 14540-23. Published by Breitkopf and Haertel (BR.OB-14540-23).

ISBN 9790004335994. 10 x 12.5 inches.

(G 153). By Giuseppe Torelli (1658-1709). Concerto. For 2 violins, strings and basso continuo. 2. Score. Op. 8/1. 24 pages

Violin 1 2 violins, strings and harpsichord (piano) - intermediate to advanced

SKU: HL.49000043

Violin 1 Part. Composed by Giuseppe Torelli. Edited by Bernhard Paumgartner. This edition: Saddle stitching. Sheet music. Antiqua (Chamber Music). Classical. Individual part. Op. 8/2. 4 pages. Schott Music #ANT117-11. Published by Schott Music (HL.49000043).

ISBN 9790001003773. UPC: 073999357455. 8.5x11.75x0.011 inches.

Trumpet - Grade 1

SKU: RM.NICO02468

Composed by Rene Nicolas. Trumpet and piano. Instrumental music. Editions Robert Martin #NICO02468. Published by Editions Robert Martin (RM.NICO02468).

ISBN 9790231024685.

Concert Band - Grade 6

SKU: HL.44010749

Grade 6 - Score and Parts. Composed by Philip Sparke. Anglo Music Concert Band. Solo & Concerto. Score Only. Composed 2007. Anglo Music Press #AMP 195. Published by Anglo Music Press (HL.44010749).

UPC: 884088537012. 9x12 inches. English(UK)/Deutsch/Franc ais/Nederlands.

Als o available for trombone and piano (HL44007077) Philip Sparke's Trombone Concerto was written for Olaf Ott, principal trombonist with the Berlin Philharmonic. The concerto is in traditional three-movement form and the whole work could be seen as a dramatic soliloquy for the soloist, who starts in earnest and agitated mood but, as the concerto progresses, is able to take a more optimistic tone before ending the work with what could be called a “symphonic samba.” Movement 1 begins darkly until the solo part introduces a more positive theme - only to be “overruled” by a faster, troubled accompaniment; the movement closes over a sombre drum ostinato. Movement 2 opens with a heartfelt “plea” in the accompaniment that is echoed by the soloist, who then plays a simple chorale melody introducing a delicate central section. A chant-like tune leads to a joyous climax, heralding a return of the opening material. Movement 3 casts all troubles aside in a joyful samba - a jazz-influenced central tune explores the higher ranges of the trombone before the samba rhythms set up a “contest” between trombone and piano. The soloist is the eventual “winner” (of course) and celebrates by reintroducing the samba melody before bringing the work to a virtuosic close.

Violin 1 (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-15

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5353-15. Published by Breitkopf and Haertel (BR.OB-5353-15).

ISBN 9790004340707. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Violoncello (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-23

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5353-23. Published by Breitkopf and Haertel (BR.OB-5353-23).

ISBN 9790004340738. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-5531-07

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day.

Solo concerto; Classical. Study Score. 88 pages. Duration 45'. Breitkopf and Haertel #PB 5531-07. Published by Breitkopf and Haertel (BR.PB-5531-07).

ISBN 9790004212608. 6.5 x 9 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Violin 2 (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-16

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 16 pages. Duration 45'. Breitkopf and Haertel #OB 5353-16. Published by Breitkopf and Haertel (BR.OB-5353-16).

ISBN 9790004340714. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Double bass (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5353-27

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Beethoven would probably have loved to be able to commission a new edition of his violin concerto from Clive Brown, since he is one of the top specialists, with a profound knowledge and experience of performance practice in Beethoven's day. Solo concerto; Classical. Part. 12 pages. Duration 45'. Breitkopf and Haertel #OB 5353-27. Published by Breitkopf and Haertel (BR.OB-5353-27).

ISBN 9790004340745. 10 x 12.5 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

Violin 1 Violin

SKU: HL.49005315

Violin 1 Part. Composed by Antonio Vivaldi. Edited by Walter Kolneder. This edition: ED4987-11. Sheet music. Edition Schott. Classical. Individual part. Op. 12/1. 4 pages. Schott Music #ED 4987-11. Published by Schott Music (HL.49005315).

ISBN 9790001057165. UPC: 073999782554. 8.25x11.75x0.01 inches.

Violin, string orchestra and harpsichord (piano).

Double Bass and Orchestra

SKU: HL.14007483

Composed by Anders Koppel. Music Sales America. Classical. Score. 46 pages. Music Sales #KP01056. Published by Music Sales (HL.14007483).

ISBN 9788759883853. English.

Concerto For Double Bass And Orchestra was composed by Anders Koppel in 2000. The work exists in 3 versions: 1)for Double Bass and String Quartet 2)for Double Bass and Piano 3)for Double Bass and Orchestra (the present edition).

Cello/Bass Part Orchestra

SKU: HL.49005318

Cello/Double Bass Part. Composed by Antonio Vivaldi. Edited by Walter Kolneder. Sheet music. Edition Schott. Classical. Individual part. Op. 12/1. 4 pages. Schott Music #ED4987-14. Published by Schott Music (HL.49005318).

ISBN 9790001057196. UPC: 073999736144. 8.5x11.75x0.015 inches.

Violin, string orchestra and harpsichord (piano).

Orchestra (Score)

SKU: HL.49005313

Full Score. Composed by Antonio Vivaldi. Edited by Walter Kolneder. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Op. 12/1. 22 pages. Schott Music #ED4987. Published by Schott Music (HL.49005313).

ISBN 9790001057141. UPC: 884088674069. 9.0x12.0x0.099 inches.

Violin, string orchestra and harpsichord (piano).

Viola Orchestra

SKU: HL.49005317

Viola Part. Composed by Antonio Vivaldi. Edited by Walter Kolneder. This edition: ED4987-13. Sheet music. Edition Schott. Classical. Individual part. Op. 12/1. 4 pages. Schott Music #ED 4987-13. Published by Schott Music (HL.49005317).

ISBN 9790001057189. UPC: 073999967722. 8.25x11.75x0.015 inches.

Violin, string orchestra and harpsichord (piano).

Violin 2 Violin

SKU: HL.49005316

Violin 2 Part. Composed by Antonio Vivaldi. Edited by Walter Kolneder. This edition: ED4987-12. Sheet music. Edition Schott. Classical. Individual part. Op. 12/1. 4 pages. Schott Music #ED 4987-12. Published by Schott Music (HL.49005316).

ISBN 9790001057172. UPC: 073999663143. 8.5x11.75x0.01 inches.

Violin, string orchestra and harpsichord (piano).