Low voice book downloadable backing tracks. Par . for low voice and piano This beautiful collection of 14 songs for low voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for high voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano

Par PARRY BEN / L'ESTRANGE A.. Music For Special Occasions brings together 10 secular choral works in on volume, carefully selected to cater for a wide variety of performance contexts - whether joyful, reflective, or commemorative. Practically and flexibly arranged for Soprano and Baritone or Low Alto, this unique collection of best-loved classics and new pieces is a must-have resource for all school, community and church choirs./ Recueil / Voix Mixtes

Par POULENC FRANCIS. Two secular song for high voice and Piano by Francis Poulenc, based upon the melodies of the French cafe culture by Guillaume Appollinaire./ Répertoire / Chant et Piano

Par BLEZZARD JUDITH. Judith Blezzard This book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development, revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored, and a large section is devoted to the often surprisingly ingenious ways in which secular music has, since the beginnings of the English church, been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall, from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations, this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory, as is often presumed to be the case. Although the book, with its use of musical examples, is designed primarily for the general musical reader - both amateur and professional, its broadly historical approach will appeal to those interested in English cultural heritage, the church, and its worship. ISBN 0 85249 784 9 Judith Blezzard This book looks at English church music from a new standpoint. It examines the relationship between English church music and the various types of other music that have influenced its development, revealing a vigorous tradition of interplay with extraneous musical material that is seldom apparent from the ways in which music is presented for church use. The borrowing of music from churches outside England is explored, and a large section is devoted to the often surprisingly ingenious ways in which secular music has, since the beginnings of the English church, been appropriated as music for worship - often with controversial results. From madrigal tomusic-hall, from plainsong to popular styles: these and many other kinds of music have lent both styles and material to sacred music with English texts. By examining these musical transformations, this book demonstrates that English church music is far from being an exclusively insular and retrospective repertory, as is often presumed to be the case. Although the book, with its use of musical examples, is designed primarily for the general musical reader - both amateur and professional, its broadly historical approach will appeal to those interested in English cultural heritage, the church, and its worship. ISBN 0 85249 784 9/ Livre / Livre

(The Music's Always There With You). Par RUTTER JOHN. for SATB (with divisions) and piano or chamber orchestra Rutter's charming piece sets a secular text by the composer that emphasises the significance of music and harmony in an ephemeral world. A simple accompaniment figure in the piano provides the backdrop to alternating unison and polyphonic verses. / Date parution : 2023-06-01/ Répertoire / SATB et Piano ou Orchestre

Amazing Grace, arranged by Simon Foxley. this most enduring of inspirational songs is scored for SSA and Piano Accompaniment. Originally composed as a hymn by John Newton in the late 1770s, it slowly drifted into secular use to become one of the most famous songs in the world after being set to its defining melody in the 1840s. / Choeur SSA Et Piano

Following the great success of his Christmas Gospel Hymns Jochen Rieger now presents his second collection of popular gospel hymns. These established hymns are suitable for choirs of any standard in sacred or secular performances.Includes well-known gospel hymns such as Nobody Knows The Trouble I Have Seen, Joyful, Joyful We Adore Thee or Sometimes I Feel Like A Motherless Child, and many more.These arrangements can either be performed a cappella or with piano accompaniment. / Choeur Mixte (SATB) Et Piano

from: Sonne, Mond und Sterne. Par SCHINDLER PETER. Peter Schindler?s full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on ?old? texts which are given a new interpretation through his musical settings. Some individual numbers were published in spring, and now further movements with piano accompaniment are available in print and digitally.Choral work of medium difficultyWill appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz backgroundCross-over between jazz, chanson, and chamber music / Date parution : 2022-10-12/ Répertoire / Baryton et Piano

The Beatles Let It Be has become a kind of secular hymn, a plea for tranquil acceptance written by Paul McCartney at the time of the band's turbulent breakup in 1970. Consistently voted a Beatles ' favourite Let It Be has here been arranged for SSA choir with Piano accompaniment by Christopher Hussey . / Choeur SSA Et Piano