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| Partita (HOLLIGER HEINZ)
Piano seul
Schott
Par HOLLIGER HEINZ. Heinz Holliger has dealt intensively with Friedrich Hölderl...(+)
Par HOLLIGER HEINZ. Heinz Holliger has dealt intensively with Friedrich Hölderlin and Robert Schumann. The third movement of his Partita, a Barcarole, is preceded by the motto: ‘We should let ourselves be cradled | As if on a boat rocking on the sea.’ These lines have been taken from the poem ‘Mnemosyne’ (Memory) by Hölderlin. The piece starts in the rhythm of old gondola songs. But sometimes it loses its typical steady ?ow of music, lapsing into speech
tones and rhythms. The fourth and sixth movements are headed ‘Sphynxen für Sch.’, reminiscent of the term ‘Sphinxes’ used by Schumann in Carnaval to turn his name into tones. The second movement ‘Fuga’ refers back to Schumann’s fugues for pedal piano. The code BACH, a transposition from Schumann’s Op. 60, appears right in the middle.
Holliger‘s Partita clearly shows how he refers to a historical background which he has arranged and structured in many layers.
Composed in anticipation of the Bach anniversary in 2000. The forms and religious symbolism in Holliger’s piece are not restricted in their reference to the Cantor of St Thomas’ Leipzig, but include the interwoven contradictory attitudes towards Bach of Schumann and Liszt. A technically and musically demanding concert piece./ Répertoire / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Songs Band 2 (TCHAIKOVSKI
PIOTR ILITCH)
Voix Moyenne ou Basse et Piano [Partition]
Boosey and Hawkes
20 Romanzen. Par TCHAIKOVSKI PIOTR ILITCH. Continuing our tradition of publishin...(+)
20 Romanzen. Par TCHAIKOVSKI PIOTR ILITCH. Continuing our tradition of publishing Russian music, we are proud to present two invaluable volumes of Tchaikovsky's songs. These have been specially compiled by the distinguished piano accompanist Roger Vignoles, who has created new and idiomatic English singing translations to help both performers and students. These can be used for performance, or as a means to understanding the Russian poetry. Original Cyrillic texts are included to help non-Russian speakers wishing to perform the songs in the original language, transliterations are provided in an Appendix. Each volume contains twenty songs - two superb selections, showing many varied facets of Tchaikovsky's writing - fromsorrow to happiness, love and comedy. Singers and pianists are sure to welcome these volumes, which will open the world of the Russian Romance to many non-Russian musicians. Roger Vignoles is one of the best-known of today's piano accompanists, partner to an impressive list of international singes, including: Elisabeth Soederstroem, Dame Kiri te Kanawa, Thomas Allen, Thomas Hampson, Sarah Walker, Brigitte Fassbaender, Elena Obraztosova, Kathleen Battle, Sylvia McNair and many others. An accomplished linguist and coach, he has given masterclasses for singers and their accompanists in Europe, Scandinavia, Canada, the USA, Australia and the Far East. Tchaikovsky's songs are part of a ricj musical and social tradition; the Russian Romance. They are exhilarating to perform and have a speical way of expressing the emotional essence of a poem. This collection of 20 Romances is scored for Medium/Low Voice and Piano accompaniment. The text is printed in both Russian and English. / Répertoire d'Examen / Répertoire / Voix Moyenne ou Basse et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Brian Elias: Five Songs
To Poems By Irina
Ratushinskaya:
Mezzo-Soprano: Score [Partition]
Chester
Elias: I first came across Irina Ratushinskaya’s poetry when the collecti...(+)
Elias: I first came across Irina Ratushinskaya’s poetry when the collection ‘No I’m Not Afraid’ was published in England in early May 1986. The poems the various circumstances in which they were written and the poet’s integrity commitment and appalling situation (she was still imprisoned) all had a tremendous impact upon me. I was drawn inexorably into the world she describes so vividly. The powerful imagery of resistance the acceptance of shatteringrealities and the fantasies of different kinds of escape made poetry of truly universal significance and urgency and the idea of a setting for voice and large orchestra followed immediately.Each of the settings (in Russian) isself-contained and quite different in mood and orchestration. However I consider the songs as one piece and the whole cycle is performed without a break. All the basic musical material themes and motifs for the entire work arestated in the first few pages and the order of the poems was chosen to provide an overall musical and dramatic shape that attempts to link them together and to reflect more than the immediate meaning of the individual poems.
Délais: En Stock |
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| Hoagy Carmichael: I Get
Along Without You Very
Well: SATB: Vocal Score
Chorale SATB [Vocal Score]
Hal Leonard
Except Sometimes-The great Hoagy Carmichael penned this 1938 standard inspired ...(+)
Except Sometimes-The great Hoagy Carmichael penned this 1938 standard inspired by a J.B. Thompson poem offered here in an easy accompanied ballad for jazz choirs. Available: SATB Instrumental Pak ShowTrax CD. Performance Time: Approx. 3:00.
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| Libby Larsen: I Am A
Little Church: Mixed
Choir: Vocal Score [Vocal Score]
Oxford University Press
This ravishing setting of a heartfelt and emotional poem by e. e. cummings captu...(+)
This ravishing setting of a heartfelt and emotional poem by e. e. cummings captures a sense of the ineffable place of faith in existence that transcends mere worship doctrine even humankind itself.The musical setting is mostly consonant bittersweet and well-attuned to the emotional content of the words. The piece is perfect for church dedications and anniversaries.
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| Kenneth J. Dunbar:
Because I Could Not Stop
For Death: SATB: Vocal
Score
Chorale SATB [Vocal Score]
Hinshaw Music Inc.
This lovely arrangement of an Emily Dickenson poem demonstrates the beauty found...(+)
This lovely arrangement of an Emily Dickenson poem demonstrates the beauty found in both music and poetry
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| George L.O. Strid Mary
Donnelly: I Gave My Love
a Red Red Rose: 3-Part
Choir:
Hal Leonard
This is a wonderful concert/contest work for beginning mixed choruses with a te...(+)
This is a wonderful concert/contest work for beginning mixed choruses with a text inspired by the Robert Burns poem. It offers well-crafted interesting vocal parts so that young choirs will sound their best. Available: 3-Part Mixed. Performance Time: Approx. 2:00.
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| Peter Boyer: I Dream a
World: 2-Part Choir:
Vocal Score
Chorale 2 parties [Vocal Score]
Pavane Publishing
Commissioned by the Battle Creek Symphony Orchestra popular composer Peter Boye...(+)
Commissioned by the Battle Creek Symphony Orchestra popular composer Peter Boyer has written a beautiful setting of Langston Hughes' famous poem. This arrangement for treble voices and piano lifts the text for world peace mosthonorably. An excellent choice for fall and spring concerts.
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| Geoffrey O'Hara: I Walked
Today Where Jesus Walked:
Soprano & Tenor: Single
Schirmer
A setting of the poem written by Daniel Twohig. Arranged for soprano and tenor b...(+)
A setting of the poem written by Daniel Twohig. Arranged for soprano and tenor by Kenneth Downing.
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| Johnny Marks: I Heard the
Bells On Christmas Day:
TTBB: Vocal Score
Chorale TTBB [Vocal Score]
Shawnee Press
After its ethereal introduction the Longfellow poem set to Johnny Marks' famili...(+)
After its ethereal introduction the Longfellow poem set to Johnny Marks' familiar melody begins and weaves through elaborate chord progressions and vocal harmony. Powerful unison singing explodes into an incredible and strongharmonic sound concluding this new addition to the Turtle Creek Chorale Series.
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| Cheryl Frances-Hoad: I'll
have the Whetstone
Chester
Anonymous Folk Poem-Soprano Recorder (Soprano Treble and Tenor Recorders) 1 pl...(+)
Anonymous Folk Poem-Soprano Recorder (Soprano Treble and Tenor Recorders) 1 player-2 playing score
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| Hoagy Carmichael: I Get
Along Without You Very
Well: Part
Hal Leonard
Except Sometimes-The great Hoagy Carmichael penned this 1938 standard inspired ...(+)
Except Sometimes-The great Hoagy Carmichael penned this 1938 standard inspired by a J.B. Thompson poem offered here in an easy accompanied ballad for jazz choirs. Available: SATB Instrumental Pak ShowTrax CD. Performance Time: Approx. 3:00.
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| Philip Lawson Sue
Cowling: I Knew a King
Was Born: 2-Part Choir:
Vocal Score
Chorale 2 parties [Vocal Score]
Hal Leonard
Philip Lawson has taken a beautiful poem by Sue Cowling and set it simply and ex...(+)
Philip Lawson has taken a beautiful poem by Sue Cowling and set it simply and expressively. The imagery is that of a winter walk in the country and the profound realization of the great miracle of Christmas. Available: 2-Part Treble. Performance Time: Approx 3:00.
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| David Dickau E.E.
Cummings: i carry your
heart with me: TTBB:
Vocal Score
Chorale TTBB [Vocal Score]
Walton Music
Following the solid success of Dickau's SATB setting of the beautiful love poem ...(+)
Following the solid success of Dickau's SATB setting of the beautiful love poem by e.e. cummings here is his musical arrangement for men's voices. It is an impressive yet romantically intimate piece suited for festival highschool college and beyond. Also available for SATB and SSAA. Duration: ca. 4:00.
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| Patti Drennan: The Great
Spirit I Am: Upper
Voices a Cappella: Vocal
Score
Chorale 3 parties
SSA [Vocal Score]
Hal Leonard
Flute wind chimes rain stick djembe and shaker contribute to the reflective m...(+)
Flute wind chimes rain stick djembe and shaker contribute to the reflective mood of this musical setting of a Lakota poem. The modal melodies vocal effects and rising and falling phrasing offer appropriate challenges to treble choirs from middle school and up.
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| Christopher H. Harris: I
Am Loved: Double Choir:
Vocal Score [Vocal Score]
Hinshaw Music Inc.
The driving rhythm of the accompaniment along with the bold choral writing in th...(+)
The driving rhythm of the accompaniment along with the bold choral writing in this setting of the Sara Teasdale poem beautifully conveys the strong message of love. It is another addition to the Andre Thomas choral series and an excellent choice for festival or honor choirs.
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| Johnny Marks: I Heard the
Bells on Christmas Day:
SATB: Vocal Score
Chorale SATB [Vocal Score]
Shawnee Press
One of the best of the best is represented in this contemporary classic from the...(+)
One of the best of the best is represented in this contemporary classic from the pen of Johnny Marks. Master arranger Lloyd Larson places this beloved setting of the Longfellow poem with “Dona Nobis Pacem” sung bychildren – the results are amazing. Perform this with a full orchestration StudioTrax accomapniment CD or with or without the handbell parts which are included in the octavo. Whichever version you choose this is themust-do holiday anthem of the season.
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| David Dickau E.E.
Cummings: I Carry Your
Heart With Me: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Walton Music
Here is an impressive yet romantically intimate piece. The title gives away th...(+)
Here is an impressive yet romantically intimate piece. The title gives away the mood of the beautiful love poem by E.E. Cummings. With rich colour and expression this work is very suitable for mature high school choirs and beyond.
Délais: En Stock |
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| Rosephanye Powell: I Want
to Die While You Love Me:
Upper Voices a Cappella:
Chorale SSAA [Vocal Score]
Gentry Publications
Rosephanye Powell has taken a passionate poem of love by Georgia Douglas Johnson...(+)
Rosephanye Powell has taken a passionate poem of love by Georgia Douglas Johnson and given us notes that truly sing. A fitting wedding song it celebrates the moment when love is at its fullest and would fit almost any high school college or community choir concert program. Medium.
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| Kelsey Hohnstein: I Am
Not Yours: Mixed Choir a
Cappella: Vocal Score [Vocal Score]
Hal Leonard
Emerging composer Kelsey Hohnstein has produced a warm deeply expressive settin...(+)
Emerging composer Kelsey Hohnstein has produced a warm deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines interesting choral textures and a full dynamic range making this a superb selection for better mixed choirs at the high school level and up as well as honor choirs.
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| Jay Rouse: How Do I Love
Thee?: SAB: Vocal Score
Chorale 3 parties
SAB [Vocal Score]
Shawnee Press
Elizabeth Barrett Browning's well-loved poem sings beautifully in this setting f...(+)
Elizabeth Barrett Browning's well-loved poem sings beautifully in this setting for mixed voices. Unison blooms to four-part writing throughout and the text is painted with a soaring melody while rich contemporary harmonies reflect the mood and message of the text. Gorgeous for younger as well as older choirs with an exquisite piano accompaniment.
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| David Dickau: I Am Not
Yours: SATB: Vocal Score
Chorale SATB [Vocal Score]
Walton Music
Here is an impressive yet romantically intimate piece by David Dickau inspired...(+)
Here is an impressive yet romantically intimate piece by David Dickau inspired by the wonderful mood of Sara Teasdale's poem. A lovely choice for the mature high school choir and beyond or for a festival performance. Duration: ca. 4:00.
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| Kelsey Hohnstein: I Am:
Mixed Choir a Cappella:
Vocal Score
Chorale SATB [Vocal Score]
Mark Foster Music
Winner of the 2016 ACDA Raymond W. Brock Student Composition Contest and premier...(+)
Winner of the 2016 ACDA Raymond W. Brock Student Composition Contest and premiered by the Riverside City College Chamber Singers here is a lush setting of the iconic Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep. Dedicated to American conductor Richard Bjella this is a college and professional work that is worthy of any fine choir.
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| Jay Rouse: How Do I Love
Thee?: SATB: Vocal Score
Chorale SATB [Vocal Score]
Shawnee Press
Elizabeth Barrett Browning's well-loved poem sings beautifully in this setting f...(+)
Elizabeth Barrett Browning's well-loved poem sings beautifully in this setting for mixed voices. Unison blooms to four-part writing throughout and the text is painted with a soaring melody while rich contemporary harmonies reflect the mood and message of the text. Gorgeous for younger as well as older choirs with an exquisite piano accompaniment.
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| On The Beach (Vocal
Score)
Chorale
I.M.P.
On the Beach at Night Alone is an attractive new work, commissioned and premiere...(+)
On the Beach at Night Alone is an attractive new work, commissioned and premiered at the Leeds Open Air Concerts in the Summer of 1999. The text is taken from a short poem by Walt Whitman which explores the patterns in all creation, an apt theme for the beginning of the new millennium. The musical setting is melodic and highly approachable. This publication provides a piano accompaniment.
Délais: 2-5 jours - En Stock Fournisseur |
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| Eric Thiman: I Love All
Graceful Things: Unison
Voices: Vocal Score
Chorale Unison
Unison/2-parties, Piano [Partition] - Intermédiaire
J. Curwen and Sons
The setting of a poem by Kathleen Boland for Unison voices (or soloist) with Pia...(+)
The setting of a poem by Kathleen Boland for Unison voices (or soloist) with Piano.
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| I Vow To Thee, My Country
Concert Band/Harmonie [Conducteur et Parties séparées]
Hal Leonard
(with opt. unison vocal). Par HOLST GUSTAV. This populat British patriotic hymn ...(+)
(with opt. unison vocal). Par HOLST GUSTAV. This populat British patriotic hymn features a poem by Sir Cecil Spring Rice set to the familiar chorale melody from “Jupiter” by Gustav Holst. It is associated with Remembrance Day services throughout the United Kingdom, and has long been a favorite of the British royal family. This stately setting for band includes an optional part for unison voices. / Date parution : 2023-10-31/ Répertoire / Concert Band/Harmonie
Délais: 2-5 jours - En Stock Fournisseur |
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| Hojun Lee: I Rest in Your
Arms of Grace: Mixed
Choir a Cappella: Vocal
Score
Chorale SATB [Vocal Score]
Epiphany House Publishing
This anthem may begin gently and humbly but the sorrow soon gives way to joy. ...(+)
This anthem may begin gently and humbly but the sorrow soon gives way to joy. The verses and chorus are wonderfully melodic with a moving piano accompaniment. The poem presents the emptiness of being alone and the security of being found in the arms of Jesus. Easy to medium for church choirs non-seasonal.
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| Connor J. Koppin: I Go
Among Trees: SATB: Vocal
Score
Chorale SATB [Vocal Score]
Schirmer
Andrea Ramsey Choral Series-This beautiful Wendell Berry poem sets a mood of qui...(+)
Andrea Ramsey Choral Series-This beautiful Wendell Berry poem sets a mood of quiet and serenity. This piece captures this same mood through the music. The added cello will assist in capturing the long lines and quiet stirring.
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