Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ' A un dottor della mia sorte (Il Barbiere di Siviglia) ' Cornelius: Mein Sohn (Der Barbier von Bagdad) ' Smetana: Kezal's Aria (The Bartered Bride) ' Puccini: Vecchia zimarra (La Boheme) ' Mussorgsky: I have attained to power (Boris Godunov) ' Varlaam's Song (Boris Godunov) ' Pimen's Tale (Boris Godunov) ' Verdi: Dormiro sol nel manto mio regal (Don Carlo) ' Infelice! e tuo credevi (Ernani) ' Infin che un brando vindice (Ernani) ' Come dal ciel precipita (Macbeth) ' Il lacerato spirito (Simon Boccanegra) ' Di due figli vivea, padre beato (Il Trovatore) ' Mozart: Madamina! il catalogo e questo (Don Giovanni) ' Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ' Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ' Se vuol ballare, signor Contino (Le Nozze di Figaro) ' Non piu andrai (Le Nozze di Figaro) ' In diesen heil'gen Hallen (Die Zauberflöte) ' O Isis und Osiris (Die Zauberflöte) ' Donizetti: Ah, un foco insolito (Don Pasquale) ' A tanto amor (La Favorita) ' Dalle stanze, ove Lucia (Lucia di Lammermoor) ' Tchaikovsky: Gremin's Aria (Eugene Onegin) ' Gounod: Vous qui faites l'endormie (Faust) ' Le veau d'or (Faust) ' Beethoven: Hat man nicht auch Gold daneben (Fidelio) ' Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ' Mein Herr und Gott (Lohengrin) ' Nun hort und versteht (Pogner's Address) (Die Meistersinger) ' Tatest du's wirklich' (Tristan und Isolde) ' Ponchielli: Ombre die mia prosapia (La Gioconda) ' Meyerbeer: Piff, Paff (Les Heugenots) ' Gluck: De noirs pressentiments (Iphigenie en Tauride) ' Halvey: Si la rigueur (La Juive) ' Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ' Massenet: Epouse quelque brave fille (Manon) ' Flotow: Lasst mich euch fragen (Porter Song) (Martha) ' Thomas: De son coeur j'ai calme la fievre (Mignon) ' Dargomyzhsky: The Miller's Song (Rusalka).

Par VAN DER ROOST JAN. In composing Firework Jan Van der Roost has once again succeeded in creating another spectacular intro following on Flashing Winds and Signature. In just over a minute the composer shows the band off in a powerfull and virtuose manner. / Niveau : 5 / Ouverture / Répertoire / Brass Band

Par VAN DER ROOST JAN. In composing Firework Jan Van der Roost has once again succeeded in creating another spectacular intro following on Flashing Winds and Signature. In just over a minute the composer shows the band off in a powerfull and virtuose manner. / Niveau : 5 / Ouverture / Répertoire / Concert Band ou Harmonie

Arrangeur: Albert Mendoza. Par GRIFFES CHARLES. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. / Niveau : Débutant à Avancé / Etudes et exercices / Répertoire / Piano

Spice Up Your Uke Repertoire with These Timeless Chestnuts. Par REV LIL'. Great songs have four things in common: a strong intro, a powerful ending, a melodic hook or catchy riff, and memorable lyrics. If you'd like to learn how you can spice up your repertoire, let Lil' Rev show you how a simple intro or ending can really lift a tune up. In this book and video pack, you'll explore early jazz, blues, rock, folk and old time traditions. Open to anyone who already knows some basic chords and is willing to venture up the neck a little! Includes nearly an hour of video lessons available for download or streaming online, featuring performances by Lil' Rev. Great songs have four things in common: a strong intro, a powerful ending, a melodic hook or catchy riff, and memorable lyrics. If you'd like to learn how you can spice up your repertoire, let Lil' Rev show you how a simple intro or ending can really lift a tune up. In this book and video pack, you'll explore early jazz, blues, rock, folk and old time traditions. Open to anyone who already knows some basic chords and is willing to venture up the neck a little! Includes nearly an hour of video lessons available for download or streaming online, featuring performances by Lil' Rev./ Etude / Ukulélé

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. / Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et

Director Score. Par MCDONALD MARY. For Holy Week or Good Friday, It Is Finished is a unique, powerful, and compelling Tenebrae service from the always uncommonly creative Mary McDonald. At 30 minutes in length, it is easily prepared and will serve perfectly as a centerpiece for any Holy Week service. Or, perform the anthems separately during Lent and Holy Week. The optional chamber orchestration is elegant, yet practical. Optional PowerPoint files with inspiring images for projection during the service will add a moving visual element. For Holy Week or Good Friday, It Is Finished is a unique, powerful, and compelling Tenebrae service from the always uncommonly creative Mary McDonald. At 30 minutes in length, it is easily prepared and will serve perfectly as a centerpiece for any Holy Week service. Or, perform the anthems separately during Lent and Holy Week. The optional chamber orchestration is elegant, yet practical. Optional PowerPoint files with inspiring images for projection during the service will add a moving visual element./ Répertoire / SATB

This collection features 17 piano solo arrangements of favorite Elfman movie and TV themes including: 1. Alice's Theme (from ALICE IN WONDERLAND - A Film by Tim Burton) [Danny Elfman]2. Ana And Christian (from FIFTY SHADES OF GREY) [Danny Elfman]3. Batman Returns (Selena Transforms) [Danny Elfman]4. Batman Theme [Danny Elfman]5. Beetlejuice (Main Theme) (from the movie BEETLEJUICE) [Danny Elfman]6. Black Beauty (Main Titles) [Danny Elfman]7. Breakfast Machine (from PEE WEE'S BIG ADVENTURE) [Danny Elfman]8. Charlotte's Web (Main Title) (from CHARLOTTE'S WEB) [Danny Elfman]9. Chicago (After Midnight) (from the Miramax Motion Picture CHICAGO) [Danny Elfman]10. Darkman (Main Theme from the Universal Picture DARKMAN) [Danny Elfman]11. Desperate Housewives Main Title [Danny Elfman]12. Dick Tracy (Main Theme) (from the Film DICK TRACY) [Danny Elfman]13. Diner Blues (from MIDNIGHT RUN) [Danny Elfman]14. Edward Scissorhands Introduction (Titles) (from the Twentieth Century Fox Motion Picture EDWARD SCISSORHANDS) [Danny Elfman]15. Theme From ?The Flash? [Danny Elfman]16. Good Will Hunting (Main Titles) [Danny Elfman]17. Harvey's Last Day (from MILK) [Danny Elfman]18. Heroes (from the Motion Picture AVENGERS: AGE OF ULTRON) [Danny Elfman]19. Ice Dance (from the Twentieth Century Fox Motion Picture EDWARD SCISSORHANDS) [Danny Elfman]20. Jenny's Theme (from BIG FISH) [Danny Elfman]21. Love Theme (from the Paramount Motion Picture MISSION: IMPOSSIBLE) [Danny Elfman]22. Mars Attacks! (Main Title) [Danny Elfman]23. M.I.B. Main Theme (from the Columbia Pictures film MEN IN BLACK) [Danny Elfman]24. Oz The Great And Powerful (Main Titles) (from OZ THE GREAT AND POWERFUL) [Danny Elfman]25. Scrooged Main Title (from SCROOGED) [Danny Elfman]26. Silver Lining Titles (from SILVER LININGS PLAYBOOK) [Danny Elfman]27. Theme From The Simpsons (from the Twentieth Century Fox Television Series THE SIMPSONS) [Danny Elfman]28. Sommersby - Main Titles (from SOMMERSBY) [Danny Elfman]29. Spider-Man 2 (Main Title) (from the Columbia Motion Picture SPIDER-MAN 2) [Danny Elfman]30. Tales From The Crypt Theme [Danny Elfman]31. Victor's Piano Solo (from Warner Bros. Pictures' CORPSE BRIDE) [Danny Elfman]32. What's This' (from THE NIGHTMARE BEFORE CHRISTMAS) [Danny Elfman]33. Wonka's Welcome Song (from CHARLIE AND THE CHOCOLATE FACTORY) [Danny Elfman] / Musique films - comédies musicales / Hal Leonard

Par MARVIN HANK. Learn to play eight classic Shadows guitar parts and jam along with a professional session band. The Jam With... guitar workshop is a powerful learning tool that will help you extend your stockpile of licks and fills and develop your improvisational skills! Hank Marvin's unique guitar style has been an inspiration to several generations of guitarists worldwide, with instantly recognisable recordings such as Apache, F.B.I. and Wonderful Land. This guitar workshop is a powerful learning tool that will help you extend your stockpile of licks and fills and develop improvisational skills. The combination of musical notation and guitar tablature in this book together with backing tracks on the CD gives you the opportunity to learn eight of Hank's tracks note-for-note and them jam with a professional session band. The track listing reflects some of The Shadows' most popular recordings, providing something for guitarists to have fun with and improvise with, as well as something to aspire to. / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures

The mega-blockbuster, Man of Steel, has a musical score as powerful as the super hero himself. Composer Hans Zimmer captures the vastness, beauty, conflict, and emotion of the film in his powerful score including: 'Look to the Stars,' 'DNA,' 'Goodbye My Son,' 'Launch,' 'Krypton's Last,' 'If You Love These People,' 'Flight,' and 'What Are You Going to Do When You Are Not Saving the World?' Supermen and superfans are sure to enjoy this super medley. Put on your cape and take off with the Man of Steel! (10:00) / Concert Band

Jóhann Jóhannsson was an award-winning Icelandic composer, renowned for his compositions across film, television, theatre and dance, including his stunning score to James Marsh?s Stephen Hawking biopic The Theory of Everything (2014), which earned him a Golden Globe Award for Best Original Score. Jóhann Jóhannsson: Piano Works brings together for the first time transcriptions of his best-loved works in a special limited-edition collection for solo piano, which celebrates music from his solo albums alongside his highly acclaimed and powerfully moving film scores. Featuring 30 pieces accurately transcribed for solo piano, this collection will allow fans of Jóhannsson to immerse in his unique sound-world with music from across his career including The Theory of Everything, Odi et Amo and Flight From the City. Suitable for intermediate piano.With only a thousand copies available, Jóhann Jóhannsson: Piano Works is presented as a stunning high-end cloth-bound hardback limited-edition book. Alongside the scores, it includes a wealth of striking photographs and a specially written introduction from American composer Dustin O?Halloran, a longtime friend of Jóhannsson.?I believe that music acts as a time capsule, preserving the very essence of an individuals heart. When we play music from the past, we possess the ability to summon their spirit and bring them back to life. Jóhann?s music, in its timelessness, will forever remain vibrant and alive. By playing these pieces, you will find yourself drawing closer to his musical world, ensuring its eternal resonance?. Dustin O?Halloran, composer.?Jóhann Jóhannsson: Piano Works offers a superb tribute and testament to the musical achievement of this much-missed composer.? Andrew Eales, pianodao.com A Game of Croquet (from The Theory of Everything) A Model of the Universe (from The Theory of Everything) Bað A Sparrow Alighted Upon Our Shoulder Be Over (from The Shadow Play soundtrack) Beauty (from Blind Massage) By the Roes, and by The Hinds of the Field Dressing Up (from Personal Effects) The Drowned World Eleven Thousand Six Hundred and Sixty-Nine Died of Natural Causes Englabörn (piano version) Flight From the City Flugeldar II Good Morning, Midnight He Says It?s the Future Indian Wedding (from Personal Effects) Innocence (from Free the Mind) Já, Hemmi Minn Jói and Karen Linda and Walter (from Personal Effects) Melodia (III) Odi et Amo / Krókódíll Payphone (from McCanick) The Radiant City Ruslpóstur The Sun?s Gone Dim and the Sky?s Turned Black Theme from ?Varmints? soundtrack The Theory of Everything (soundtrack) Time to Say Goodbye (from White Black Boy) Will?s Story (from Free the Mind) / Piano / Faber Music

Par COLQUHOUN MICHAEL. Salsa is a popular Hispanic-American urban dance music with deep African and Cuban roots. Charanga is a style of Salsa which was popular from the 1920's through the 1970's. What made Charanga unique was that along with the usual percussion section (congas, bongos/cowbell, timbales, maracas/guiro and clave) there was a string section and a flute lead. When the music was cocinando (or 'cooking”), the percussion, piano, bass and strings would play a powerfully swinging, polyrhythmic patter over which the Charanga flutist was free to improvise complex and intricate riffs. These days, while Salsa is popular as ever, the Charanga as a separate entity is rare. The flute, however,continues to be an important solo instrument. This piece is a cubist portrait of Charanga, and is dedicated to all the great Latin Charanga flutists./ Répertoire / Flûte Traversière

Luke 1:46-55. Par TROTTA MICHAEL JOHN. This seven-movement, 40-minute work for choir, soprano and bass soli, and orchestra delivers a tapestry of melodic richness to powerfully portray the anticipation of the wonder and mystery of the birth of a savior. The piano/vocal score may be performed in Latin or English based on the needs of the ensemble and performance. Movements are: Magnificat anima mea Dominum (SATB and orchestra); Quia fecit (soprano solo and orchestra); Ave rosa sine spinis (SATB, unaccompanied); Fecit Potentiam (SATB and orchestra); Ecce ancilla (SATB, unaccompanied);Esurientes (baritone solo and orchestra); Sicut locutus est (SATB and orchestra). Available with Chamber Orchestra (5-13 players) or Full Orchestra accopaniments. / Date parution : 2021-11-03/ Répertoire / Ch?ur Mixte SATB, Solistes Soprano et Basse