| Queen for Piano Duet - Phillip Keveren Series
1 Piano, 4 mains - Intermédiaire/avancé Hal Leonard
By Queen. Arranged by Phillip Keveren. Piano Duet. Softcover. 48 pages. Publis...(+)
By Queen. Arranged by
Phillip
Keveren. Piano Duet.
Softcover. 48 pages.
Published
by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Orchestral Violinist's Companion, Volumes 1 2 Violon Barenreiter
By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A compr...(+)
By Martin Wulfhorst. This
edition: 1st printing
2012 edition. Paperback.
A comprehensive guidebook
with hundreds of
excerpts. Book. Language:
English. 483 pages.
Published by Baerenreiter
Verlag
$113.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Unblocked Intuition
SKU: M7.ELLI-3570 Musik aus Osteuropa. Composed by V.A. 3 CDs. 3 C...(+)
SKU: M7.ELLI-3570
Musik aus
Osteuropa. Composed
by V.A. 3 CDs. 3 CDs with
72-page booklet. Duration
185'. Intuition #ELLI
3570. Published by
Intuition (M7.ELLI-3570).
ISBN 9781559614580.
UPC:
052296357023. The
end of the Cold War and
the dissolution of the
Soviet Bloc has opened a
floodgate of
communication with the
nations of Eastern
Europe, allowing access
to their long sequestered
heritage of music and
culture. This collection
ranges from ethereal
church chorales to earthy
peasant dances to modern
fusions with Western
rock, pop and jazz. The
instrumentation includes
fiddles and accordions,
brass bands and bagpipes,
cimbaloms and
utogaardons, jew's-harps
and hurdy-gurdies, with
vocals that range from
the sensual to the
sublime. Accompanying
''Unblocked's'' three CDs
are essays on Eastern
Europe's tangled web of
languages, tribes and
religions, as well as
photos and extensive
track notes. ''Unblocked
documents diversity and
the survival of local
forms against the
pressures of
homoginazation and
globalization.'' [NY
Times]. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Riders of the Purple Sage: The Opera based on the novel by Zane Grey (Piano/Vocal Score) Opéra - Intermédiaire Schirmer
Opera in 3 Acts for mixed voices (2[1.2/pic] 2 [1.2/Eh] 2 2- 4 2 2 1-tmp 2-hp,...(+)
Opera in 3 Acts for mixed
voices (2[1.2/pic] 2
[1.2/Eh]
2 2- 4 2 2 1-tmp 2-hp,
kbd-
str) - Late Intermediate
SKU: EC.8932
Composed by Craig
Bohmler.
Instrumental part. E.C.
Schirmer Publishing
#8932.
Published by E.C.
Schirmer
Publishing
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best Of 1000 No.1 Hits: Chord Songbook Music Sales
| | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 ...(+)
Violin 1 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-15
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo: pno - 2.2.2.2 -
4.2.0.0 - timp - str.
Solo concerto; Romantic.
Part. 8 pages. Duration
43'. Breitkopf and
Haertel #OB 3210-15.
Published by Breitkopf
and Haertel
(BR.OB-3210-15). ISBN
9790004300695. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Billy Joel: Greatest Hits - Vol. 1 and 2 Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and black and
white photos. Soft rock
and pop rock. 136 pages.
9x12 inches. Published by
Hal Leonard.
(11)$24.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Modern Band Method – Ukulele, Book 1 Ukulele [Partition + Accès audio] Hal Leonard
A Beginner's Guide for Group or Private Instruction. Modern Band. Instr...(+)
A Beginner's Guide
for Group
or Private Instruction.
Modern
Band. Instruction,
Method.
Softcover Media Online.
64
pages. Published by Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-27
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-27. Published by
Breitkopf and Haertel
(BR.OB-3210-27). ISBN
9790004300732. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Gig Book (the) No.1 Hits Hal Leonard
| | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-23
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-23. Published by
Breitkopf and Haertel
(BR.OB-3210-23). ISBN
9790004300725. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Hal Leonard Bass Tab Method Basse electrique [Partition + Accès audio] Hal Leonard
Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1
and 2
with Online Audio. Guitar
Tab
Method. Instruction,
Method.
Softcover Audio Online.
64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs
you
want to play! Learn the
notes
of the bass with riffs
like
"Day Tripper" and "Stand
by
Me," reading rhythms and
tab
with classics by the Who
and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low
Rider,"
beginning slap technique
with
songs like "Higher
Ground"
and "Fly Away," and much
more. The method's
unique,
well-paced, and logical
teaching sequence will
get
students playing more
easily
than ever before, and
music
from popular artists like
the
Beatles, Nirvana, and
Green
Day will keep them
playing
and having fun. This
special
combo edition includes
books
one and two of the series
plus online audio
access.ard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-19
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
12 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-19. Published by
Breitkopf and Haertel
(BR.OB-3210-19). ISBN
9790004300718. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Bend Chorale SATB SATB divisi, A Cappella Galaxy Music Corporation
Composed by Kyle Pederson. Graduation. Octavo. Galaxy Music Corporation #1.361...(+)
Composed by Kyle
Pederson.
Graduation. Octavo.
Galaxy
Music Corporation
#1.3613.
Published by Galaxy Music
Corporation
$2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-30
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Set
of parts. 90 pages.
Duration 43'. Breitkopf
and Haertel #OB 3210-30.
Published by Breitkopf
and Haertel
(BR.OB-3210-30). ISBN
9790004300749. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $92.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Really Easy Piano: No.1 Hits Piano Facile Music Sales
| | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-16
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16). ISBN
9790004300701. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Exercises for Three Finger Banjo Banjo - Débutant Mel Bay
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay ...(+)
Composed by Jack
Hatfield. Squareback
saddle stitch. Book.
Published by Mel Bay
Publications, Inc
(MB.99783).
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Violin 1 (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-15 ...(+)
Violin 1 (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.OB-15148-15
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Part. 8 pages. Duration
28'. Breitkopf and
Haertel #OB 15148-15.
Published by Breitkopf
and Haertel
(BR.OB-15148-15). ISBN
9790004342176. 10 x 12.5
inches. Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Viola (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-19 ...(+)
Viola (solo: pno- 1.2.2.2
- 2.2.0.0 - timp - str)
SKU:
BR.OB-15148-19
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Part. 8 pages. Duration
28'. Breitkopf and
Haertel #OB 15148-19.
Published by Breitkopf
and Haertel
(BR.OB-15148-19). ISBN
9790004342190. 10 x 12.5
inches. Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Basso (cello/double bass) (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR...(+)
Basso (cello/double bass)
(solo: pno- 1.2.2.2 -
2.2.0.0 - timp - str)
SKU:
BR.OB-15148-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Part. 8 pages. Duration
28'. Breitkopf and
Haertel #OB 15148-26.
Published by Breitkopf
and Haertel
(BR.OB-15148-26). ISBN
9790004342206. 10 x 12.5
inches. Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Woodwinds (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-30 ...(+)
Woodwinds (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.OB-15148-30
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Set of parts. 72 pages.
Duration 28'. Breitkopf
and Haertel #OB 15148-30.
Published by Breitkopf
and Haertel
(BR.OB-15148-30). ISBN
9790004342213. 10 x 12.5
inches. Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants. $61.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Piano duets (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10787 ...(+)
Piano duets (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.EB-10787
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Solo
instruments; Softcover.
Edition Breitkopf. In
Cooperation with G. Henle
VerlagEB 10787 is printed
in score form; two copies
are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Piano reduction. 68
pages. Duration 28'.
Breitkopf and Haertel #EB
10787. Published by
Breitkopf and Haertel
(BR.EB-10787). ISBN
9790201807874. 9.5 x 12
inches. Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants. $29.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto in C minor K. 491 Breitkopf & Härtel
Violin 2 (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-15148-16 ...(+)
Violin 2 (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str) SKU:
BR.OB-15148-16
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle VerlagEB 10787 is
printed in score form;
two copies are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Part. 8 pages. Duration
28'. Breitkopf and
Haertel #OB 15148-16.
Published by Breitkopf
and Haertel
(BR.OB-15148-16). ISBN
9790004342183. 10 x 12.5
inches. Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
EB 10787
is printed in score form;
two copies are needed for
performance. Our edition
EB 8579 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 491. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Broad Strokes Caisse Claire [Partition + CD-ROM] Tapspace Publications
Studies in Style for the Advanced Snare Drummer. Composed by Rick Dior. B...(+)
Studies in Style for
the Advanced Snare
Drummer. Composed by
Rick Dior. Book CD-ROM.
140 pages. Published by
Tapspace Publications
(TA.TSPB-28).
$35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 5 Danses Profanes Et Sacrees (quintet-wind) Leduc, Alphonse
SKU: HL.48182235 Composed by Henri Tomasi. Leduc. Classical. Alphonse Led...(+)
SKU: HL.48182235
Composed by Henri Tomasi.
Leduc. Classical.
Alphonse Leduc #AL23291.
Published by Alphonse
Leduc (HL.48182235).
UPC: 888680908676.
0.211
inches. French
composer and conductor,
Henri Tomasi (1901-1971)
published Five Secular
and Sacred Dances for
Wind Quintet in 1963. As
with his other wind
compositions, Five
Secular and Sacred Dances
was well-received by
audiences. Tomasi was
born in Marseille, but
his Father and Mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his Grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his Grandmother in to his
compositions. Five
Secular and Sacred Dances
is a reduction
arrangement of his work
of the same name for
Chamber Orchestra.
Comprising five
movements; 1) Rural
Dance, 2) Secular Dance,
3) Sacred Dances, 4)
Bridal Dance, and 5)
Warrior Dances, Five
Secular and Sacred Dances
is one of three Wind
Quintets by the composer.
This Tomasi piece is
suitable to an advanced
Wind Quintet, providing
an exciting alternative
addition to the ensemble
repertoire.. $71.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Liturgical Fanfares, For Brass Ensemble, Timpani And Drums Leduc, Alphonse
SKU: HL.48181499 Composed by Henri Tomasi. Leduc. Classical. 40 pages. Al...(+)
SKU: HL.48181499
Composed by Henri Tomasi.
Leduc. Classical. 40
pages. Alphonse Leduc
#AL21123. Published by
Alphonse Leduc
(HL.48181499). UPC:
888680842659.
9.0x12.0x0.288
inches. French
composer and conductor,
Henri Tomasi (1901-1971)
published Liturgical
Fanfares in 1952. As with
his other wind
compositions, Liturgical
Fanfares was
well-received by
audiences. Tomasi was
born in Marseille, but
his Father and Mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer he stayed with his
Grandmother in Corsica
where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his Grandmother into his
compositions. Composed
for an unusual
instrumentation of Brass
Ensemble, Timpani and
Drums, Liturgical
Fanfares comprises four
movements; 1)
Annunciation, 2) Gospel,
3) Apocalypse, and 4)
Good Friday Procession.
This Tomasi piece is
suitable to advanced
players and provides an
exciting, alternative
addition to the ensemble
repertoire.. $57.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Divertissements, For Four Clarinets Quatuor de Clarinettes: 4 clarinettes Leduc, Alphonse
SKU: HL.48182297 Composed by Henri Tomasi. Leduc. Classical. 9 pages. Alp...(+)
SKU: HL.48182297
Composed by Henri Tomasi.
Leduc. Classical. 9
pages. Alphonse Leduc
#AL23411. Published by
Alphonse Leduc
(HL.48182297). UPC:
888680839994.
9.0x12.0x0.183
inches. â??French
composer and conductor,
Henri Tomasi (1901-1971)
published Three
Divertissements for
Clarinet Quartet in 1964.
As with his other wind
compositions, Three
Divertissements was
well-received by
audiences. Tomasi was
born in Marseille, but
his Father and Mother
were originally from La
Casinca in Corsica.
Despite being pressured
into musical studies by
his parents, Tomasi
dreamed of becoming a
sailor, and during the
summer, he stayed with
his Grandmother in
Corsica where he learnt
traditional Corsican
songs. However, in 1921,
he began his studies at
the Paris Conservatoire
and went on to become a
high profile composer and
conductor. Tomasi did not
forget his Corsican
routes, often
incorporating themes of
the songs he had learnt
during the summers with
his Grandmother into his
compositions. The Three
Divertissements are
named; 1) Proceedings, 2)
Masquerade, and 3)
Rounds. This Tomasi piece
is suitable to an
advanced Clarinet
Quartet, providing an
exciting alternative
addition to the ensemble
repertoire.â?. $30.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dal niente Clarinette Breitkopf & Härtel
Interieur III. Composed by Helmut Lachenmann. World premiere: Nuremberg (Ars ...(+)
Interieur III. Composed
by
Helmut Lachenmann. World
premiere: Nuremberg (Ars
nova), June 4, 1970.
Breitkopf and Haertel #EB
9395. Published by
Breitkopf
and Haertel
$46.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| XPRS82 Active Loudspeaker Hal Leonard
SKU: HL.1461572 Pioneer DJ. Studio & Rehearsal Support. Duration 270 seco...(+)
SKU: HL.1461572
Pioneer DJ. Studio &
Rehearsal Support.
Duration 270 seconds. Hal
Leonard #XPRS82.
Published by Hal Leonard
(HL.1461572). UPC:
841300102465.
14.25x15.25x21.5
inches. DSP Modes
The XPRS82 features four
DSP modes including Live,
Music, Speech, and
Monitor 2. 16
Customizable User DSP
Modes In addition to the
four presets, each XPRS2
full-range speaker
includes 16 custom user
DSP modes – which can
be saved with custom
names – to ensure the
EQ settings are maximized
for every scenario.
XPRS82 Full-Range Speaker
Design The XPRS82
features an 8″ woofer
with a 2″ voice coil
and a 1″ exit
compression driver with a
1.75″ voice coil for
excellent audio
performance. With a
maximum sound pressure
level (SPL) of 127 dBand
frequency response of 60
Hz -20 kHz, the XPRS82 is
built to ensure all
audio, including music
and spoken word, are
reproduced as accurately
as possible. $749.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Page suivante 1 31 |