Quartet in C Minor is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism though there is a darker more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino played by the Viola but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into thesecond Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind.

Chorus PartSATB Ba solo and orchestra.Settings of George Herbert (Easter; I got me flowers; Love bade me welcome; The Call; Antiphon). 

Composed for the Coronation of King George the Sixth and first performed at Westminster Abbey on 12th may 1937. For mixed chorus and organ or brass and percussion or orchestra.

The complete edition of Songs Of Travel with words by Robert Louis Stevenson. This editon is for High Voice and Piano accompaniment.

From 'Folk Songs of the Four Seasons'-This setting was originally published as part of Folk Songs of the Four Seasons. The attractive melody is set to a lilting accompaniment to create a charming arrangement that will appeal to choirs and audiences of all ages.

A cycle of six sonnets for Voice and Piano with words by Dante Gabriel Rossetti.

12 well-known Christmas carols arranged for SATB Choir with lyrics in Danish and English.

The Piano Quintet in C is a substantial and superbly written work lasting some 30 minutes. The first movement marked Allegro con fuoco is expansive loquacious and filled with late romantic passion its harmonies Brahmsian for the most part but tinged with modality in the quieter passages. The expressive romantic melody of the Andante second movement is fully characteristic of the composer and resembles the song Silent Noon that he composed in the same year. The finale is a set of five well-differentiated variations ending with a beautiful bell-like coda. This work was written in 1903.