Helen Grime's Bright Travellers for Soprano and Piano accompaniment. Commissioned in 2017 by Wigmore Hall with the support of André Hoffmann, President of the Foundation Hoffmann, a Swiss grant-making foundation

Based on The Arkansas Traveler . Arranged by Robert Sheldon. Concert Band; Part(s); Score. Young Symphonic. Folk. 258 pages. Published by Alfred Music (AP.44986).

Brass Band - Grade 6

SKU: BT.AMP-448-130

In search of 'La Valse'. Composed by Philip Sparke. Elite Series. Score Only. Composed 2016. 85 pages. Anglo Music Press #AMP 448-130. Published by Anglo Music Press (BT.AMP-448-130).

9x12 inches. English-German-French-Dut ch.

WINNING PERFORMANCE EBBC LILLE 2016Raveling, Unraveling In Search of ‘La Valse’ was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke’s The Unknown Journey (2014) forconcert band, and the use of Ravel’s La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke’s aim was to produce a work that is organic rather than episodic in nature. The composer’s view is that little inmusic does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. Asthe music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.

WINNAAR EBBC LILLE 2016Raveling, Unraveling In Search of ‘La Valse’ is geschreven voor de Britse Cory Band als keuzewerk voor de Europese Brassband Kampioenschappen van 2016 in Lille. De oorsprong ligt in Sparkes The Unknown Journey (2014) voorharmonieorkest. Het is een diepe buiging naar Ravels La Valse, die wordt gebruikt als een soort structurele onderstroom van een origineel stuk muziek, met als doel een werk te maken dat organisch van karakter is. De componist heeftverschillende gedeelten uit het meesterwerk ingebracht, zowel bewerkt als letterlijk geciteerd met veel van de prachtige slotpassages om de algehele opbouw van zijn nieuwe werk te scheppen. Naarmate demuziek voortgaat, verschijnt er meer vanRavel, waarna de wals volledig opduikt in de apotheose: een fraai eerbetoon aan de Franse meester.

SIEGER EBBC LILLE 2016Raveling, Unraveling In Search of La Valse wurde für die Cory Band als selbst ausgewähltes Prüfungsstück bei den European Brass Band Championships 2016 in Lille komponiert. Die Komposition hat ihren Ursprung in Sparkes 2014 entstandenemStück The Unknown Journey für Blasorchester. Es handelt sich um eine Art Hommage, denn Ravels La Valse wird hier als formale Grundlage für ein eher in sich geschlossenes und nicht nur episodenhaftes Originalwerk verwendet. DemKomponisten zufolge gibt es kaum eine Musik, die dies besser vermag als La Valse. Er verwendet verschiedene Abschnitte aus diesem Meisterwerk, sowohl bearbeitet als auch direkt übernommen inklusive zahlreicher fantastischer Schlusspassagen ,um die Gesamtstruktur seines neuen Werkes darzustellen. Je mehr die Musik voranschreitet, umso mehr wird Ravels Einfluss erkennbar, vor allem beim Erreichen des musikalischen Höhepunktes des gesamten Stückes eine Hommage an den französischenMeister.

VAINQUEUR EBBC LILlE 2016Raveling, Unraveling In Search of La Valse a été composé pour le Cory Band comme pièce de choix pour le Championnat Européen de Brass Band 2016 Lille. L’œuvre tire son origine de la pièce de concert pour orchestre d’harmonie de Sparke,The Unknown Journey (2014). Une marque de respect La Valse, ce nouveau morceau utilise l’œuvre de Ravel comme sous-courant structurel et a comme objectif un genre organique plutôt qu’épisodique. D’après le compositeur, La Valseest l’un des seuls morceaux qui réussit accomplir ceci. Il se sert de plusieurs sections de ce chef d’œuvre, aussi bien modifiées que citées telles quelles y inclus laplupart de ses magnifiques passages finaux pour établir la structure généralede ce nouveau morceau. Plus la musique progresse, plus la musique de Ravel apparaît, et domine alors que l’apogée est atteinte un hommage au maestro français.

Brass Band - Grade 6

SKU: BT.AMP-448-030

In search of 'La Valse'. Composed by Philip Sparke. Elite Series. Concert Piece. Set (Score & Parts). Composed 2016. Anglo Music Press #AMP 448-030. Published by Anglo Music Press (BT.AMP-448-030).

English-German-French- Dutch.

WINNING PERFORMANCE EBBC LILLE 2016Raveling, Unraveling In Search of ‘La Valse’ was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke’s The Unknown Journey (2014) forconcert band, and the use of Ravel’s La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke’s aim was to produce a work that is organic rather than episodic in nature. The composer’s view is that little inmusic does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. Asthe music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.

WINNAAR EBBC LILLE 2016Raveling, Unraveling In Search of ‘La Valse’ is geschreven voor de Britse Cory Band als keuzewerk voor de Europese Brassband Kampioenschappen van 2016 in Lille. De oorsprong ligt in Sparkes The Unknown Journey (2014) voorharmonieorkest. Het is een diepe buiging naar Ravels La Valse, die wordt gebruikt als een soort structurele onderstroom van een origineel stuk muziek, met als doel een werk te maken dat organisch van karakter is. De componist heeftverschillende gedeelten uit het meesterwerk ingebracht, zowel bewerkt als letterlijk geciteerd met veel van de prachtige slotpassages om de algehele opbouw van zijn nieuwe werk te scheppen. Naarmate demuziek voortgaat, verschijnt er meer vanRavel, waarna de wals volledig opduikt in de apotheose: een fraai eerbetoon aan de Franse meester.

SIEGER EBBC LILLE 2016Raveling, Unraveling In Search of La Valse wurde für die Cory Band als selbst ausgewähltes Prüfungsstück bei den European Brass Band Championships 2016 in Lille komponiert. Die Komposition hat ihren Ursprung in Sparkes 2014 entstandenemStück The Unknown Journey für Blasorchester. Es handelt sich um eine Art Hommage, denn Ravels La Valse wird hier als formale Grundlage für ein eher in sich geschlossenes und nicht nur episodenhaftes Originalwerk verwendet. DemKomponisten zufolge gibt es kaum eine Musik, die dies besser vermag als La Valse. Er verwendet verschiedene Abschnitte aus diesem Meisterwerk, sowohl bearbeitet als auch direkt übernommen inklusive zahlreicher fantastischer Schlusspassagen ,um die Gesamtstruktur seines neuen Werkes darzustellen. Je mehr die Musik voranschreitet, umso mehr wird Ravels Einfluss erkennbar, vor allem beim Erreichen des musikalischen Höhepunktes des gesamten Stückes eine Hommage an den französischenMeister.

VAINQUEUR EBBC LILlE 2016Raveling, Unraveling In Search of La Valse a été composé pour le Cory Band comme pièce de choix pour le Championnat Européen de Brass Band 2016 Lille. L’œuvre tire son origine de la pièce de concert pour orchestre d’harmonie de Sparke,The Unknown Journey (2014). Une marque de respect La Valse, ce nouveau morceau utilise l’œuvre de Ravel comme sous-courant structurel et a comme objectif un genre organique plutôt qu’épisodique. D’après le compositeur, La Valseest l’un des seuls morceaux qui réussit accomplir ceci. Il se sert de plusieurs sections de ce chef d’œuvre, aussi bien modifiées que citées telles quelles y inclus laplupart de ses magnifiques passages finaux pour établir la structure généralede ce nouveau morceau. Plus la musique progresse, plus la musique de Ravel apparaît, et domine alors que l’apogée est atteinte un hommage au maestro français.

(For Two Percussionists). By Paul Lansky (1944-). For Two Percussionists. Travel Diary was first performed by the Meehan/Perkins Duo at the round top Festival in March 2008. Full score (large). 40 pages. Duration 19 minutes, 40 seconds. Published by Carl Fischer

(For Two Percussionists). Composed by Paul Lansky (1944-). For Two Percussionists. Travel Diary was first performed by the Meehan/Perkins Duo at the round top Festival in March 2008. 24 pages. Duration 19 minutes, 40 seconds. Published by Carl Fischer

Concert Band (Score) - Grade 6

SKU: HL.44013337

Concert Band Score. Composed by Philip Sparke. Anglo Music Concert Band. Classical. Softcover. 85 pages. Duration 982 seconds. Anglo Music Press #AMP448103. Published by Anglo Music Press (HL.44013337).

WINNING PERFORMANCE EBBC LILLE 2016 Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choicetest piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparkes The Unknown Journey (2014) for concert band, and the use of Ravels La Valse as a structural undercurrent to the original piece is an act of reverence. Sparkes aim was to produce a work that is organic rather than episodic in nature. The composers view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.

Choral SSAA choir

SKU: CF.CM9616

Composed by John Ratledge. Fold. Jbc. Performance. 12 pages. Duration 4 minutes, 2 seconds. Carl Fischer Music #CM9616. Published by Carl Fischer Music (CF.CM9616).

ISBN 9781491156711. UPC: 680160915255. 6.875 x 10.5 inches. Key: C major. English. Thomas Troeger.

This SSAA work, originally written for SATB voices celebrates the tenth anniversary of the Masterworks Community Chorale in Newnan, Georgia. The inspirational text is Somewhere I Have Never Traveled, a text by the Yale Theologian, Thomas Troeger. Somewhere I Have Never Traveled has potential for building tone and creating a panorama of colors, while at the same time creating emotional soundscapes, all through a delightful text that creates a dreamlike innocence.
It has been a joy to re-voice this original SATB composition for SSAA voices and to collaborate with Heather Orr at Montgomery High School. In July 2014, my dear friend Kathy Bizarth commissioned me to compose a new work celebrating the tenth anniversary of the Masterworks Community Chorale in Newnan, Georgia. It was in September when we agreed on the inspirational text, Somewhere I Have Never Traveled, a text by the Yale Theologian, Thomas Troeger. I moved to Italy in January for a sabbatical, and in February, I spent four days composing the piece at the Palazzo Bassi Brugnatelli, a dear friend's villa in Robbiate, Italy. Interestingly enough, the middle part of the piece (mm. 30-39) and end of the piece came first (mm. 40-62). Completed in Conegliano in late February, this composition is very special to me as it was the first composition I wrote after my mother died, and it was also composed for a dear friend. I have a profound connection to what I hope will be a deeply inspirational composition to those who sing it. Somewhere I Have Never Traveled has real potential for building tone and creating a panorama of colors, while at the same time creating emotional soundscapes, all through a delightful text that creates a dreamlike innocence. Somewhere I have never traveled is the place I want to be... (Me too.).
It has been a joy to re-voice this original SATB composition for SSAA voices and to collaborate with Heather Orr at Montgomery High School. In July 2014, my dear friend Kathy Bizarth commissioned me to compose a new work celebrating the tenth anniversary of the Masterworks Community Chorale in Newnan, Georgia. It was in September when we agreed on the inspirational text, Somewhere I Have Never Traveled, a text by the Yale Theologian, Thomas Troeger. I moved to Italy in January for a sabbatical, and in February, I spent four days composing the piece at the Palazzo Bassi Brugnatelli, a dear friend’s villa in Robbiate, Italy. Interestingly enough, the middle part of the piece (mm. 30-39) and end of the piece came first (mm. 40-62). Completed in Conegliano in late February, this composition is very special to me as it was the first composition I wrote after my mother died, and it was also composed for a dear friend. I have a profound connection to what I hope will be a deeply inspirational composition to those who sing it.Somewhere I Have Never Traveled has real potential for building tone and creating a panorama of colors, while at the same time creating emotional soundscapes, all through a delightful text that creates a dreamlike innocence.Somewhere I have never traveled is the place I want to be... (Me too.).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Spoons, Timpani, Trombone, Trumpet, Tuba, Washboard, Whistle, alto Saxophone and more. - Grade 2

SKU: CF.YPS231

Composed by Travis Weller. Folio. Yps. Set of Score and Parts. 8+2+8+2+2+5+2+2+8+4+3+3+2 +3+2+1+2+3+16 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS231. Published by Carl Fischer Music (CF.YPS231).

ISBN 9781491157831. UPC: 680160916436. 9 x 12 inches.

The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk songa900 Milesaand they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers.
The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song--900 Miles--and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers.
The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song—900 Miles—and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience.While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region.The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Spoons, Timpani, Trombone, Trumpet, Tuba, Washboard, Whistle, alto Saxophone and more. - Grade 2

SKU: CF.YPS231F

Composed by Travis Weller. Sws. Yps. Full score. 16 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS231F. Published by Carl Fischer Music (CF.YPS231F).

ISBN 9781491157824. UPC: 680160916429. 9 x 12 inches.

The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk songa900 Milesaand they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers.
The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song--900 Miles--and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers.
The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song—900 Miles—and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience.While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region.The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers.

By Maurice Ravel. Edited by Juliette Appold. For Violin (2), Viola, Violoncello. Published by Baerenreiter-Ausgaben (German import).

By Maurice Ravel (1875-1937). Arranged by Erik Somers. For piccolo, 2 flutes, 2 oboes, english horn, 2 clarinets, bass clarinet, 2 bassoons, 2 horns, string bass, harp. Baton Music Ensemble Series. Suite From the Ballet. Grade 5. Score. Duration 17:30. Published by Baton Music

Composed by Maurice Ravel (1875-1937). Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL24864. Published by Alphonse Leduc

Arranged for 1 Piano, 4 Hands by Maurice Ravel. Composed by Claude Debussy (1862-1918). Edited by Denis Herlin. Arranged by Maurice Ravel. Henle Music Folios. Softcover. 26 pages. G. Henle #HN1259. Published by G. Henle (HL.51481259).

By Maurice Ravel. Arranged by Michael Story. By Maurice Ravel / arr. Michael Story. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 1.5 (Red) (grade 1.5 Red). Conductor Score. 8 pages. Published by Alfred Publishing.

With Comments in English. By Maurice Ravel. Edited by Peter Jost. For piano solo. This edition: HN842. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition (Paper-bound). 72 pages. Published by Henle Urtext Edition.

By Yvonne Loriod-Messiaen, Olivier Messiaen. Editions Durand. Softcover. Size 5x8.5 inches. 106 pages. Published by Durand.

Woodwind Quintet

SKU: HL.14018741

Wind Quintet Score. Composed by Maurice Ravel. Arranged by Hans Abrahamsen. Music Sales America. Classical. Score. 30 pages. Music Sales #KP00112. Published by Music Sales (HL.14018741).

ISBN 9788759861080. 10.25x14.25x0.485 inches. English.

Maurice Ravel's Le Tombeau De Couperin, which has been expertly arranged for Wind Quintet by Hans Abrahamsen.

Poeme Choregraphique pour Orchestre. Composed by Maurice Ravel (1875-1937). Arranged by Jos van de Braak. Full score. Duration 13:00. Published by Baton Music (BF.BM503-SCORE).

(Piano Solo). Composed by Maurice Ravel (1875-1937). Edited by Alexandra Marx. For Piano Solo (PIANO SOLO). Henle Music Folios. Softcover. 12 pages. G. Henle #HN1260. Published by G. Henle

4 Recorders (SATB), Greatbass and Piano

SKU: HL.49029893

Composed by Maurice Ravel. Arranged by Brian Bonsor. Sheet music. Edition Schott. Score. Schott Music #ED 11372-01. Published by Schott Music (HL.49029893).

ISBN 9790220128967.

With the Ravel 'Pavane', Bonsor's genius as a recorder arranger shines clear. (The American Recorder) Whenever a score or more players are gathered together, put this in the programme. (The Recorder).

By Maurice Ravel. Arranged by Robert W. Smith. By Maurice Ravel / arr. Robert W. Smith. For Concert Band. Concert Band. Belwin Young Band. Level: Easy (grade II). Conductor Score and Parts. 60 pages. Published by Alfred Publishing.

(for percussion ensemble). By Maurice Ravel (1875-1937). Arranged by Ralph Hardimon. Percussion Ensemble. For glockenspiel, xylophone, 2 vibraphones, 3 marimbas (4.3 octave - low A), 5 timpani, triangle (8 players). Advanced. Score and parts on CD-ROM. 20 pages. Duration 3'30 . Published by Tapspace Publications