POD-Richard Rodney Bennett's Lullaby Baby is dedicated to the Choir of King's College Cambridge. This work for SATB choir unaccompanied is a setting of text by John Phillip.Duration: 3 minutes. 'This delightful setting of a 16th-century text was written for the choir of King’s College Cambridge and requires fine intonation especially in the jazz-influenced harmonies. A good performance of this carol will create a momentary time of peace amid the jollity of Christmas'. 'Sunday by Sunday’ December 2017   Lullaby Baby a 1986 setting of words by the 16th-century John Phillip (alsoset by Britten) is dedicated to King's College Cambridge and needs such a choir to do justice to the richly varied harmonies which set the repeated stanzas and refrain. Organists Review December 2017

The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)

Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. A fantastic collection of 10 popular show tunes arranged for Alto Saxophone. Hear the full performance versions of the music tracks - the Saxophone part is then omitted so you can play along with the recorded performance. The book features top line arrangements of all 10 pieces, plus a fingering guide. / Saxophone

La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes contient des chansons importants choisis en raison de leur pertinence à ce type de voix particulière. Toutes les sélections sont sous leur forme de tic, extrait les scores vocales originales. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés que Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour l'auditioniacticing ou d'effectuer des chanteurs. / Répertoire d'Examen / Recueil / Voix

As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss' poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss' death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help. As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss' poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss' death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help.

Par BELGARD RICHARD. Le second livre dans la série Licks, Licks Blues aidera à lever la lecture du ist une guitare et joue la capacité à un nouveau niveau de compétence et de finesse. Un des principaux buts pour n'importe quel joueur de blues, à quelque niveau, ou quel que soit le style, est de ccrue ou de sa compréhension du vocabulaire des idées qui vont en façonnant un solo improvisé. The ' licks ' dans cette ok bo (avec le long de jeu CD) proviennent de diverses sources et inclure ' licks ' empruntés à certains des plus grands maîtres du blues telle Endre, Albert King, les eaux Muddie, John Lee Hooker, Eric Clapton et Stevie Ray Vaughan, parmi d'autres. La maîtrise de ce matériau enrichira considérablement la capacité et l'habileté de n'importe quel joueur. Richard Belgard est considéré comme l'un des plus polyvalent de th e et des guitaristes de relsession dans la région de Seattle. Il est actuellement basé à Las Vegas, où il joue avec ' The Blue Man Grou p Live à Luxor./ Recueil / Guitare

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

This version of Richard Allain's Welcome All Wonders  composed in 2010 is scored for SSAATBarB. The original version for AATTBarBB (available with code NOV200827) was first performed during a live broadcast from King's College Chapel Cambridge. 

Over 50 Favorite Repertoire Pieces Written in Standard Notation and Tablature. Over 50 favorite repertoire pieces culled and arranged as an aid to the working professional and semi-professional guitarist who finds him- or herself in a variety of playing situations, such as weddings, restaurants, and other social gatherings that present live music. Amateurs and students will also find a wealth of non-traditional recital and audition pieces to impress their colleagues! Each piece is written in standard notation and tablature. Selections include: Air on the G String (J.S. Bach) ? Bianco Fiore (Cesar Negri) ? Bridal Chorus (Richard Wagner) ? Come Away (John Dowland) ? Gymnopédie No. 1 (Erik Satie) ? In Dulci Jubilo ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Ode to Joy (Ludwig van Beethoven) ? Plaisir d'amour (Jean Paul Martini) ? Pomp and Circumstance (Sir Edward Elgar) ? Recuerdos de Alhambra (Francisco Tarrega) ? Rondeau (Jean-Joseph Mouret) ? Wedding March (Felix Mendelssohn-Bartholdy) ? and more

The setting of a blissfully pastoral text by Henry King written for SAATB chorus by Richard Rodney Bennett.

The first broadcast of the incidental music for D.G. Bridson's radio drama King Arthur was given on 23rd April (St. George's Day) 1937. The first performance of this Suite for Orchestra was given on 21st October 1995 atthe Snape Maltings Concert Hall by the Royal Academy of Music Symphony Orchestra conducted by Lutz Köhler. It has been recorded for Chandos by the BBC Philharmonic conducted by Richard Hickox.

Arrangeur: Richard Duckett. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. / Niveau : Facile / Recueil / Flûte à Bec

Based on the legend of Tristan and Isolda Wagner's 'Tristan und Isolde' has long been acknowledged as the beginning of musical modernism. It is said that the entire opera is an attempt to resolve the tension setestablished in the first eight bars. In the story Isolde plots to kill Tristan the man who is taking her to be betrothed to King Marke of Cornwall. She deeply resents him as she had nursed him back to health after abattle only to find he was the slayer of her fiancé Morold. Isolde asks her companion Brangäne to prepare a potion that will cause death but instead she brews a love-potion. Both drink it and fall hopelessly for each other. Theycontinue their affair when they reach Cornwall but are spied on by Mark?s man Melot who wounds Tristan. Tended by Kurwenal he holds onto life just long enough for Isolde to reach him then falls and dies. As Isolde standsstricken by grief Marke and Melot arrive to pardon the lovers but Kurwenal does not believe this kills Melot and is himself killed. Isolde feels Tristan calling to her from the ?realm of night? and even as Brangäne tries topersuade her to live falls dead next to him.

Par GROSSMAN STEFAN. A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970\'s and 1980\'s. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg\'s good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier\'s Joy, with a flair that pushes the limits ofthe hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book. / Niveau : 3 / Tablatures / Guitare Fingerpicking