| (There's No Place Like) Home for the Holidays Orchestre d'harmonie - Facile Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clari...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Hi-hat Cymbal, Horn,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani, Trombone
and more. - Grade 2-2.5
SKU: CF.YPS38
There's No Place
Like. Composed by
Robert Allen. Arranged by
Larry Clark. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+3+2+3+2+1+2+2 pages.
Carl Fischer Music
#YPS38. Published by Carl
Fischer Music (CF.YPS38).
ISBN 9780825852152.
UPC: 798408052157. 9 X 12
inches. Key: Eb major.
Text: Al Stillman. Al
Stillman. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal. The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a hymn-style
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program. -LARRY CLARK New
York, NY 2003. The
classic holiday favorite
by Al Stillman and Robert
Allen is presented here
in a playable arrangement
for concert band. It is
my hope that this
arrangement will be
equally satisfying for
the young band with ample
rehearsal time or for the
more mature band that
wants a holiday favorite
they can perform with
limited rehearsal.The
piece is presented first
in a lush chorale format
with the use of extended
jazz harmonies. Special
care should be given to
balancing and tuning the
inner voices for the most
pleasant sound. After the
lush opening on the
famous refrain the
arrangement moves to the
bridge in an up-tempo
swing. In this section
the percussion is written
to imitate a drum set,
but if a set is available
it may be preferable to
use it in order to get
the right feel. Following
the bridge is another
statement of the refrain
followed by a
“hymn-styleâ€
section by the reeds with
jazz interjections by the
brass straight out of the
famous Perry Como
rendition. This is
followed by a D.S. to the
bridge, one more refrain
and then a short coda It
has been my pleasure to
have the opportunity to
write this arrangement. I
hope you and your
students enjoy it and
find it useful for your
program.-LARRY CLARKNew
York, NY 2003. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| “American Suite”, in A Major, Op. 98 Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano SKU:
CF.WF232 Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271. Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pan Penseroso Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.W2650 Version 3 - Flute With Multip...(+)
Chamber Music flute,
piano SKU:
CF.W2650 Version 3
- Flute With Multiphonics
and Piano. Composed
by Martin Bresnick. Sws.
Set of Score and Parts.
With Standard notation.
Composed 2010. 36+16
pages. Duration 24
minutes. Carl Fischer
Music #W2650. Published
by Carl Fischer Music
(CF.W2650). ISBN
9780825882920. UPC:
798408082925. Sc.9x112 -
pt.8.5 x 12 inches. Key:
C major. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltons great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poets earlier LAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunnst the
noise of folly Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Miltonas great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poetas earlier LaAllegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all avain
deluding joyes,a so as to
better hear the aSweet
Bird that shunnast the
noise of follya|a Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements: 1. The Noise
of Folly 2. Prophetic
Strain 3. More is Meant
(than meets the ear) Pan
Penseroso and the titles
of its three movements
are taken from John
Milton's great poem Il
Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet's earlier L'Allegro
(the Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts a reflective
musical eye on the world,
renouncing all vain
deluding joyes, so as to
better hear the Sweet
Bird that shunn'st the
noise of folly... Written
for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
explored in his
pioneering book The Other
Flute: A Performance
Manual of Contemporary
Techniques. Pan
Penseroso (2009) is a
concerto for solo flute
or two flutes and
orchestra in three
movements:1. The Noise of
Folly2. Prophetic
Strain3. More is Meant
(than meets the ear)Pan
Penseroso and the titles
of its three movements
are taken from John
Milton’s great
poemIl Penseroso (The
Contemplative Man). The
music aligns itself with
this response to the
poet’searlier
L’Allegro (the
Cheerful Man). In my
concerto the flutist Pan,
like the mature Milton,
casts areflective musical
eye on the world,
renouncing all
“vain deluding
joyes,†so as to
better hear
the“Sweet Bird that
shunn’st the noise
of
folly…â€Writte
n for the master flutist
Robert Dick, Pan
Penseroso includes a
number of procedures
exploredin his pioneering
book The Other Flute: A
Performance Manual of
Contemporary
Techniques. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Home For the Holidays - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Hi-hat Cymbal,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Ride Cymbal and more.
- Grade 3 SKU:
CF.CPS169F There's
No Place Like....
Composed by Robert Allen.
Arranged by Carl
Strommen. SWS. Full
score. With Standard
notation. 24 pages.
Duration 3 minutes, 5
seconds. Carl Fischer
Music #CPS169F. Published
by Carl Fischer Music
(CF.CPS169F). ISBN
9781491140833. UPC:
680160628896. 9 x 12
inches. This Robert
Allen holiday classic is
given a swingin' big band
type treatment by
arranger Carl Strommen.
It contains a variety of
lush harmonic structures
and clever changes in
time signature to make
this a unique and
different arrangement of
this popular Christmas
tune. The use of a Jazz
waltz in the middle of
the piece is particularly
interesting. This is sure
to be a standard
arrangement that you will
use at many holiday
concerts for years to
come. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Road Not Taken Carl Fischer
Choral Cello, Piano, SATB chorus SKU: CF.CM9714 Composed by Z. Randall St...(+)
Choral Cello, Piano, SATB
chorus SKU:
CF.CM9714 Composed by
Z. Randall Stroope. 16
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CM9714.
Published by Carl Fischer
Music (CF.CM9714).
ISBN 9781491160329.
UPC: 680160918904. Key: F
major. English. Robert
Frost. About the
work ... Few American
poems are as well known
as The Road Not Taken.
Robert Frost, the author,
is an international icon,
not unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference. Rehearsal
notes ... Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout. Z.
Randall Stroope A
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media. About
the composer ... Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
Faure). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). A
bout the work ...Few
American poems are as
well known as The Road
Not Taken. Robert Frost,
the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notes ...Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall StroopeA
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media.About
the composer ...Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Carry Your Song in My Heart Carl Fischer
Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9628 ...(+)
Choral Cello, Piano, alto
1, alto 2, soprano 1,
soprano 2 SKU:
CF.CM9628 Composed by
Evan Ramos. Sws.
Performance Score. 16
pages. Duration 3
minutes, 20 seconds. Carl
Fischer Music #CM9628.
Published by Carl Fischer
Music (CF.CM9628).
ISBN 9781491157008.
UPC: 680160915569. 6.875
x 10.5 inches. Key: E
minor. English, English.
Original, Sarah Ramos &
Robert
Draper. Ramos has
written a memorable
tribute to a beloved
teacher in I Carry Your
Song in My Heart. For the
advanced treble ensemble,
the lush and captivating
harmonies are sure to
engage both singer and
audience. With a
wonderful it factor, it
is a great find for
concert or festival. A
great music teacher's
legacy is not measured by
the festivals and
conventions at which
their students performed.
It is not measured by the
number of all-state
performers or
professional musicians
their program generated.
Nor is it measured by
Teacher-of-the-Year
awards or accolades. A
great music teacher's
legacy is found in the
memories, the music, the
life lessons, and the
truths still resonating
in the hearts of their
students. I Carry Your
Song in My Heart was
created to celebrate the
legacy of Cheryl Wilson,
a great choir director,
and the 'song' she
imparted to her students.
Robert Draper, her former
assistant, wrote the
first draft of the text
which was further
developed into its
present form by Evan and
Sarah Ramos. Performance
Notes: Mm. 9-16: Be
careful not to take this
section too quickly. The
section 'rhythms dance,
phrases spin' is
difficult to enunciate at
too fast a tempo. Work
with your singers to find
a tempo that allows mm.
13-16 to 'dance' without
feeling rushed. Mm. 37,
61: Keep the dotted
eighth notes in these
measures as legato as
possible. M. 47: If you
would like, accenting the
dotted eighth notes is
appropriate here. If you
choose to perform this
piece with Cello, feel
free to adjust dynamics
as needed for balance in
the overall sound. A
great music
teacher’s legacy
is not measured by the
festivals and conventions
at which their students
performed. It is not
measured by the number of
all-state performers or
professional musicians
their program generated.
Nor is it measured by
Teacher-of-the-Year
awards or accolades.A
great music
teacher’s legacy
is found in the memories,
the music, the life
lessons, and the truths
still resonating in the
hearts of their
students.I Carry Your
Song in My Heart was
created to celebrate the
legacy of Cheryl Wilson,
a great choir director,
and the
‘song’ she
imparted to her students.
Robert Draper, her former
assistant, wrote the
first draft of the text
which was further
developed into its
present form by Evan and
Sarah Ramos.Performance
Notes:Mm. 9-16: Be
careful not to take this
section too quickly. The
section ‘rhythms
dance, phrases
spin’ is difficult
to enunciate at too fast
a tempo. Work with your
singers to find a tempo
that allows mm. 13-16 to
‘dance’
without feeling
rushed.Mm. 37, 61: Keep
the dotted eighth notes
in these measures as
legato as possible.M. 47:
If you would like,
accenting the dotted
eighth notes is
appropriate here.If you
choose to perform this
piece with Cello, feel
free to adjust dynamics
as needed for balance in
the overall sound. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song of the Sound Chorale SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Black Mask Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band - Grade 4 SKU: CF.CB149F March. Composed by Henry Fillmore. E...(+)
Band - Grade 4 SKU:
CF.CB149F
March. Composed by
Henry Fillmore. Edited by
Robert E. Foster.
Arranged by Robert E.
Foster. Authentic
Fillmore Edition. Full
score. With Standard
notation. 16 pages.
Duration 2 minutes, 22
seconds. Carl Fischer
Music #CB149F. Published
by Carl Fischer Music
(CF.CB149F). ISBN
9781491140741. UPC:
680160628803. 9 x 12
inches. This Henry
Fillmore march will
remind you of days gone
by at the circus, where
clowns, lion tamers and
acrobatics ruled the day.
It is one of his lesser
known marches but well
worth your exploration.
Robert Foster has given
us an authentic new full
score edition that is
sure to delight you, your
students and your
audience. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Flutist's Handbook Carl Fischer
Chamber Music Flute(s) SKU: CF.WF230 The Art of Staying in Shape. ...(+)
Chamber Music Flute(s)
SKU: CF.WF230
The Art of Staying in
Shape. Composed by
Robert Stallman. With
Standard notation. 144
pages. Carl Fischer Music
#WF230. Published by Carl
Fischer Music (CF.WF230).
ISBN 9781491153741.
UPC:
680160911240. Ever
since he was honored 50
years ago as a top
prize-winning graduate of
New England Conservatory
and a Fulbright scholar
at the Paris
Conservatoire, flutist
Robert Stallman has drawn
accolades around the
world as a performer and
recording artist who
“dazzles because of
his penetrating
artistry†(Sunday
Times/London). Also known
internationally for
superior flute editions,
including numerous
transcriptions that have
greatly expanded the
repertoire, Stallman now
offers flutists an
appealing collection of
original melodic
warm-ups. With The
Flutist’s
Handbook, he shares his
fresh approach to staying
in shape and maintaining
his reputation for
“consummate
virtuosityâ€
(Repertoire/France). P
refaceOne morning many
years ago I opened my
flute case and suddenly
found myself questioning
the wisdom of having
scales and long tones
come first in my practice
session. Of course, these
are essential to daily
practice, but I wondered
if there might be a
better way to begin the
day—with something
more melodic and
engaging, something to
really inspire me.The
Flutist’s Handbook
emerged from a stream of
musical ideas I began to
jot down during practice
sessions after that
“aha†moment.
As I worked with them, I
noticed a more
spontaneous interest in
practicing. In fact I
even looked forward to
starting my day this way.
As a result, my work on
scales, arpeggios and
long tones followed with
more enjoyment and
focused attention.In
creating many of the
détaché warm-ups
found in Part I, I was
drawn to the musical
sequences of J. S. Bach,
particularly those
developed in his keyboard
works. Bach had
discovered the most
satisfying musical
patterns on which to
build his music, so here
was a treasure trove of
invigorating melodic
material. I also borrowed
apt détaché
passages from C.P.E.
Bach, Schubert,
Dvořák and
others.Part II includes
more musical quodlibets
and echos in a collection
of fifteen short melodies
designed to open and
center the tone, while
encouraging full breath
support. These melodies
also concentrate on
developing our sostenuto,
or true legato
playing—the
foundation of a beautiful
sonority and natural
vocal expression. Except
for final cadence notes,
these warm-ups should be
practiced without
vibrato, to create an
even and seamless
instrument, bottom to
top.All of these warm-ups
are to be played forte
and piano in every major
key, proceeding
chromatically by rising
half-steps. Tempo
indications are given in
the headings, as are
optional rhythmic and
articulation variants.
Suggested breath marks
are in parentheses.The
Handbook opens with
détaché warm-ups
for a good reason. It is
vital to begin our
practice with tonguing,
as a clean attack is
essential to producing a
beautiful tone. Also, in
working on tonguing
(single, double, triple
and tremolando) we
stimulate and strengthen
the jaw muscles that
support the embouchure
(which must remain supple
and flexible). As we
fine-tune these muscles,
we gain tonal center and
clarity, qualities that
may elude us at the
beginning of our
practice. Of course, we
also need to wake up the
air stream and deepen our
breath support. Once the
tongue is alive and the
tone is centered, we are
ready to work further on
our sonority with the
melodic warm-ups in Part
II.This book is meant for
professionals, students
and amateur flutists
alike. I offer it to all
as a companion that
invites more pleasure and
vitality into our daily
practice. It is my firm
belief that by aligning
ourselves with our love
of music and its
energizing patterns each
day—from the very
first moment we pick up
the instrument—we
will bring more ease and
focus into our lifelong
task of staying in shape.
This in turn will support
the heightened
inspiration we want to
take into rehearsals and
performances.
Enjoy!—Robert
StallmanMarblehead,
MassachusettsApril 20,
2018. $32.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| To the Thawing Wind Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9566 From A Boy's Will (1915)...(+)
Choral SSA Choir, piano,
flute SKU:
CF.CM9566 From A
Boy's Will (1915).
Composed by Jimmy Baas.
Robert Frost (1874-1963).
Mjts. Performance Score.
With Standard notation.
12 pages. Duration 1
minute, 57 seconds. Carl
Fischer Music #CM9566.
Published by Carl Fischer
Music (CF.CM9566).
ISBN 9781491153604.
UPC: 680160911103. 6.75 x
10.5 inches. Key: G
major. English. Robert
Frost
(1874-1963). To the
Thawing Wind,?text from a
poem by Robert Burns, is
both whimsical and
angular due to Baas's
juxtaposition of melody
and multi-meter.? Sure to
afford skilled treble
choirs musical growth
opportunities , it is
appropriate for any
concert or festival.
Highly recommend!! $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ye Banks And Braes Carl Fischer
Choral 3-Part Choir, keyboard SKU: CF.CM8734 For Three-Part Mixed Voic...(+)
Choral 3-Part Choir,
keyboard SKU:
CF.CM8734 For
Three-Part Mixed Voices
with Keyboard and
Optional Flute or
C-Instrument.
Composed by Anonymous.
Arranged by Russell L.
Robinson. SWS. Choral.
Performance Score. With
Standard notation. 16
pages. Duration 3
minutes, 34 seconds. Carl
Fischer Music #CM8734.
Published by Carl Fischer
Music (CF.CM8734).
ISBN 9780825846588.
UPC: 798408046583. 6.875
X 10.5 inches. Text:
Robert Burns. Robert
Burns. The famous
words (by Robert Burns)
and well-known tune are
elegantly arranged by Dr.
Robinson in these two
fine editions, each
involving one key change
and including an optional
flute part. The flowing
keyboard accompaniment,
coupled with the
carefully prepared voice
parts, create an ideal
concert selection for any
time of year. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Up From the Grave Carl Fischer
Choral Descant, alto voice, baritone voice keyboard, soprano voice SKU: CF.CM...(+)
Choral Descant, alto
voice, baritone voice
keyboard, soprano voice
SKU: CF.CM8923
Incorporating Christ
Arose. Composed by
Robert Lowry David Lantz.
Choral. Performance. With
Standard notation. Carl
Fischer Music #CM8923.
Published by Carl Fischer
Music (CF.CM8923).
ISBN 9780825857607.
UPC: 798408057602. 6.875
X 10.5 inches. Key: Bb
major. Text: Herb
Frombach; Robert Lowry.
Herb Frombach, Robert
Lowry. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Daughters of Erin - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash C...(+)
Band Bass Clarinet,
Bassoon, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine and
more. - Grade 3 SKU:
CF.CPS253F Composed
by Carl Strommen. Full
score. 22 pages. Carl
Fischer Music #CPS253F.
Published by Carl Fischer
Music (CF.CPS253F).
ISBN 9781491159804.
UPC:
680160918393. Daugh
ters of Erin was
commissioned by and
dedicated to the
University of Notre Dame
Concert Band, Dr. Ken
Dye, director. It was
composed in 2020 to
celebrate the 50th
anniversary of the first
women to be admitted into
the Notre Dame Concert
Band. The university was
an all-male school from
its founding in 1842. The
Notre Dame Band was
formed during the 1845-46
academic year. The
university became
co-educational with the
admission of women in
1972. Two years earlier,
in 1970, the band
director Robert F.
O'Brien, secured
permission for women from
nearby St. Mary's College
(the official sister
school of Notre Dame) to
be part of the Notre Dame
Band. Appropriate to the
theme of Daughters of
Erin, selections include
The Bells of St. Mary's,
I'll Take You Home Again,
Kathleen, and two Irish
Jigs: Girls of Our Town
and The Women of
Kilkenny. Daughters of
Erin celebrates all the
women who have performed
in the University of
Notre Dame Band for the
past fifty years, and all
who will follow in their
footsteps in the years to
come. Cues have been
provided and should only
be used where
necessary. Daughters
of Erin was commissioned
by and dedicated to the
University of Notre Dame
Concert Band, Dr. Ken
Dye, director. It was
composed in 2020 to
celebrate the 50th
anniversary of the first
women to be admitted into
the Notre Dame Concert
Band. The university was
an all-male school from
its founding in 1842. The
Notre Dame Band was
formed during the
1845–46 academic
year. The university
became co-educational
with the admission of
women in 1972. Two years
earlier, in 1970, the
band director Robert F.
O’Brien, secured
permission for women from
nearby St. Mary’s
College (the official
“sisterâ€
school of Notre Dame) to
be part of the Notre Dame
Band.Appropriate to the
theme of Daughters of
Erin, selections include
The Bells of St.
Mary’s,
I’ll Take You Home
Again, Kathleen, and two
Irish “Jigsâ€:
Girls of Our Town and The
Women of
Kilkenny.Daughters of
Erin celebrates all the
women who have performed
in the University of
Notre Dame Band for the
past fifty years, and all
who will follow in their
footsteps in the years to
come.Cues have been
provided and should only
be used where
necessary. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Daughters of Erin - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash C...(+)
Band Bass Clarinet,
Bassoon, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine and
more. - Grade 3 SKU:
CF.CPS253 Composed by
Carl Strommen. Set of
Score and Parts.
22+8+8+4+8+8+8+4+4+4+4+4+
4+8+8+8+4+4+6+6+6+6+4+8+1
+1+2+3 pages. Duration
5:12. Carl Fischer Music
#CPS253. Published by
Carl Fischer Music
(CF.CPS253). ISBN
9781491159798. UPC:
680160918386. Daugh
ters of Erin was
commissioned by and
dedicated to the
University of Notre Dame
Concert Band, Dr. Ken
Dye, director. It was
composed in 2020 to
celebrate the 50th
anniversary of the first
women to be admitted into
the Notre Dame Concert
Band. The university was
an all-male school from
its founding in 1842. The
Notre Dame Band was
formed during the 1845-46
academic year. The
university became
co-educational with the
admission of women in
1972. Two years earlier,
in 1970, the band
director Robert F.
O'Brien, secured
permission for women from
nearby St. Mary's College
(the official sister
school of Notre Dame) to
be part of the Notre Dame
Band. Appropriate to the
theme of Daughters of
Erin, selections include
The Bells of St. Mary's,
I'll Take You Home Again,
Kathleen, and two Irish
Jigs: Girls of Our Town
and The Women of
Kilkenny. Daughters of
Erin celebrates all the
women who have performed
in the University of
Notre Dame Band for the
past fifty years, and all
who will follow in their
footsteps in the years to
come. Cues have been
provided and should only
be used where
necessary. Daughters
of Erin was commissioned
by and dedicated to the
University of Notre Dame
Concert Band, Dr. Ken
Dye, director. It was
composed in 2020 to
celebrate the 50th
anniversary of the first
women to be admitted into
the Notre Dame Concert
Band. The university was
an all-male school from
its founding in 1842. The
Notre Dame Band was
formed during the
1845–46 academic
year. The university
became co-educational
with the admission of
women in 1972. Two years
earlier, in 1970, the
band director Robert F.
O’Brien, secured
permission for women from
nearby St. Mary’s
College (the official
“sisterâ€
school of Notre Dame) to
be part of the Notre Dame
Band.Appropriate to the
theme of Daughters of
Erin, selections include
The Bells of St.
Mary’s,
I’ll Take You Home
Again, Kathleen, and two
Irish “Jigsâ€:
Girls of Our Town and The
Women of
Kilkenny.Daughters of
Erin celebrates all the
women who have performed
in the University of
Notre Dame Band for the
past fifty years, and all
who will follow in their
footsteps in the years to
come.Cues have been
provided and should only
be used where
necessary. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dreidel Dance Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Clarinet 1, Clarinet 2,
Clarinet 3, Claves, Crash
Cymbals, Cymbal,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion,
Maracas, Oboe and more. -
Grade 5 SKU:
CF.SPS76F Composed by
Robert Thurston. SWS.
Carl Fischer Symphonic
Performance Series. Full
score. With Standard
notation. 32 pages.
Duration 4 minutes, 40
seconds. Carl Fischer
Music #SPS76F. Published
by Carl Fischer Music
(CF.SPS76F). ISBN
9781491148419. UPC:
680160905911. 9 x 12
inches. Dreidel
Dance is a lighthearted
theme-and-variations
mashup of The Dreidel
Song and Hava Nagila,
running both tunes
through a stylistic
funhouse and winding up
in a flurry of high-speed
energy. This arrangement
is not for the faint of
heart, but this whirlwind
presentation by master
arranger Robert Thurston
is well worth the
effort. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festive Dances Orchestre d'harmonie - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Castanets, Chimes...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Cabasa,
Castanets, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Claves, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet
Percussion, Oboe,
Percussion 1 and more. -
Grade 3-3.5 SKU:
CF.CPS16F Composed by
Robert Thurston. SWS.
Carl Fischer Concert
Performance Series.
Classical. Full score.
With Standard notation.
48+48 pages. Carl Fischer
Music #CPS16F. Published
by Carl Fischer Music
(CF.CPS16F). ISBN
9780825843679. UPC:
798408043674. 9 X 12
inches. Robert
Thurston’s
enormously attractive
writing for band and his
sure command of
contemporary harmonic and
rhythmic devices give
this three movement
composition by terrific
band and audience appeal.
Thurston's fondness for
mixed meters will keep
players on their toes.
The 2nd movement
(moderato) in particular
has a memorable folk-like
lilt and charm. The whole
piece is bound together
by the use of the motto
C-E-C, the initials of
the composer's teacher,
the late great band
writer Charles E. Carter,
in whose memory Festive
Dances was written.
Duration: 7'. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gates of Freedom Orchestre d'harmonie - Débutant Carl Fischer
Concert Band concert band - Grade 1 SKU: CF.BPS17 Full Score and Parts...(+)
Concert Band concert band
- Grade 1 SKU:
CF.BPS17 Full
Score and Parts.
Composed by Robert
Thurston. Carl Fischer
Beginning Performance
Series. Score and Set of
Parts. With Standard
notation.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+3+12 pages. Carl
Fischer Music #BPS17.
Published by Carl Fischer
Music (CF.BPS17). ISBN
9780825843266. UPC:
798408043261. 9 X 12
inches. Key: Bb
major. Composer
Robert Thurston has
produced a rich sounding
and colorful easy march
that has the bright open
American sound of a
familiar piece without,
in fact, actually quoting
anything. The fresh
sound, active percussion
and idiosyncratic
harmonies help make this
selection perfect for
stimulating beginning
instrumentalists.
Duration: 2' 30. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Defile des Musiques Francaises, Tambours et Clairons Orchestre d'harmonie - Débutant Martin, Robert
Concert band - Grade 1 SKU: RM.CARL01779-CO Composed by Carle. Parade. Or...(+)
Concert band - Grade 1
SKU:
RM.CARL01779-CO
Composed by Carle.
Parade. Orchestra.
Conductor's score.
Editions Robert Martin
#CARL01779-CO. Published
by Editions Robert Martin
(RM.CARL01779-CO).
$19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Defile des Musiques Francaises, Tambours et Clairons Orchestre d'harmonie - Débutant Martin, Robert
Concert band - Grade 1 SKU: RM.CARL01779-BA Composed by Carle. Parade. Or...(+)
Concert band - Grade 1
SKU:
RM.CARL01779-BA
Composed by Carle.
Parade. Orchestra. Full
set. Editions Robert
Martin #CARL01779-BA.
Published by Editions
Robert Martin
(RM.CARL01779-BA).
ISBN
9790231017793. $62.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Gifted Leadership Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Concert Band - Grade 4 SKU: CF.CB134F Composed by Henry Fill...(+)
Concert Band Concert Band
- Grade 4 SKU:
CF.CB134F Composed by
Henry Fillmore. Edited by
Robert E. Foster. SWS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Full
score. With Standard
notation. 24 pages.
Duration 3:07. Carl
Fischer Music #CB134F.
Published by Carl Fischer
Music (CF.CB134F).
ISBN 9780825867385.
UPC: 798408067380. 9 X 12
inches. Key: Eb major -
ab major. Gifted
Leadership is a most
interesting march with
some unique scoring that
sets it apart from many
more ordinary marches.
The woodwind parts are
especially intriguing,
with much more variety
and independence than is
frequently found in a
traditional march.
Fillmore wrote this march
to honor the leadership
of famed band leader and
cornet soloist Frank
Simon. It is
authentically presented
here as Fillmore
intended, carefully
edited by Robert E.
Foster. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 136th U.S.A. Field Artillery Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band - Grade 4 SKU: CF.CB142F Composed by Henry Fillmore. Edited by Rober...(+)
Band - Grade 4 SKU:
CF.CB142F Composed by
Henry Fillmore. Edited by
Robert E. Foster. SWS.
Authentic Fillmore
Edition. Full score. With
Standard notation. 24
pages. Duration 2
minutes, 22 seconds. Carl
Fischer Music #CB142F.
Published by Carl Fischer
Music (CF.CB142F).
ISBN 9780825888588.
UPC: 798408088583. 9x12
inches. Editor
Robert Foster has
uncovered another
forgotten Henry Fillmore
march and restored it to
its rightful place in
band repertoire. This may
be one of the best
Fillmore marches we have
heard that is for the
most part still unknown.
Written to stir
patriotism during World
War I, all of the
wonderful Fillmore
trademarks are present in
this exceptional march.
It is tuneful, exciting
and well-scored;
presented in a full score
edition for the first
time, exactly as Fillmore
intended it to be. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Teddy Trombone Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band - Grade 4 SKU: CF.CB144F A Brother to Miss Trombone. Composed...(+)
Band - Grade 4 SKU:
CF.CB144F A
Brother to Miss
Trombone. Composed by
Henry Fillmore. Edited by
Robert E. Foster.
Authentic Fillmore
Edition. Full score. With
Standard notation. Carl
Fischer Music #CB144F.
Published by Carl Fischer
Music (CF.CB144F).
ISBN 9780825893056.
UPC: 798408093051. 9 x 12
inches. Henry
Fillmore was the king of
the Trombone smear.
Besides his famous Lassus
Trombone, he wrote many
other trombone features
that took great advantage
of the glissandi effect.
Teddy Trombone is an
excellent example of
this, presented in a full
score authentic edition
that has been expertly
edited by Robert
Fost. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noble Men Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Clarinet 1, Clarinet 2...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Cornet 1,
Cornet 2, Cornet 3,
Cornet 4, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo and more. -
Grade 4 SKU:
CF.CB121 Full
Score and Parts.
Composed by Henry
Fillmore. Edited by
Robert E. Foster. This
edition: An Authentic
Fillmore Edition. SWS FS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Score
and Set of Parts. With
Standard notation.
16+4+2+8+8+8+4+4+4+4+4+4+
4+6+6+6+6+2+2+2+2+4+4+4+4
+4+8+1+2+24 pages. Carl
Fischer Music #CB121.
Published by Carl Fischer
Music (CF.CB121). ISBN
9780825843785. UPC:
798408043780. 9 X 12
inches. Key: Eb
major. Brilliant
and invigorating, Noble
Men is one of Fillmore's
most delightful marches.
The 1st strain is witty,
and its continuation
features a sparkling
trumpet fanfare. The trio
offers a suave tune as an
effective contrast and
the fortissimo repeat
adds witty commentary
from the high woodwinds
to bring matters to a
typically rousing
conclusion. In this
authentic edition by
Robert Foster, Noble Men
will be a delight to
perform and enjoy.
Duration: 2' 30. $100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| North-South College All Stars Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bassoon, C...(+)
Concert Band Alto
Saxophone I, Alto
Saxophone II, Baritone
Saxophone, Bassoon,
Clarinet I, Clarinet II,
Clarinet III, Flute, Horn
I, Horn II, Horn III,
Horn IV, Oboe, Piccolo,
Tenor I, Tenor II, Tenor
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV - Grade 4
SKU: CF.CB133
Full Score and
Parts. Composed by
Henry Fillmore. Edited by
Robert E. Foster. FS-SWS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #CB133.
Published by Carl Fischer
Music (CF.CB133). ISBN
9780825864995. UPC:
798408064990. 9 X 12
inches. Key: Eb
major. As a
composer, Henry Fillmore
(1881-1956), was one of
the greatest
practitioners of the
American style march.
Written for the 1952
Orange Bowl game between
the North and South
College Football All
Stars, this march has all
the elements of the
mature Fillmore style:
energy, brilliance and
abundant, memorable
tunes. Robert Foster's
concert edition will
liven up any program and
would also make a great
encore. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mending Time Carl Fischer
Chamber Music SKU: CF.WE40 Composed by Martin Bresnick. Set of Score and ...(+)
Chamber Music SKU:
CF.WE40 Composed by
Martin Bresnick. Set of
Score and Parts.
40+12+12+12+12 pages.
Carl Fischer Music #WE40.
Published by Carl Fischer
Music (CF.WE40). ISBN
9781491161975. UPC:
680160920655. In
his poem Mending Wall,
the inspiration for this
piece, Robert Frost
famously says
“Something there is
that doesn’t love
a wall.†Mending
Time, composed for
Soprano, Alto, Tenor and
Baritone Saxophones,
explores the many
meanings of walls in
life, from barriers of
safety, to murals upon
which the art and history
of people are
transcribed. This
'musical wall of sound'
is intended to invoke
reflection and encourage
mending to bring unity in
times of joy,
contemplation, and
consolation. Robert
Frost thought that poetry
was, as he wrote,
“a momentary stay
against confusion.â€
In his poem Mending Wall,
the inspiration for my
piece, Frost famously
says “Something
there is that
doesn’t love a
wall.â€Confusion
indeed!As the always
tricky Frost well knew:A
wall may be the strong
barrier that protects our
young or old from harm.A
wall may be the mural
upon which we inscribe
the art and the history
of our people.A wall may
the sacred, embroidered
fabric that keeps us from
the cold.A wall may be
the skin of our lovers
and the dearest ones we
treasure.And so, the
barriers and walls
between us may be, at
last, paradoxically, the
special place where we as
neighbors meet together,
if only to repair those
walls and build them up
again.But walls and
barriers must also have a
passage through them or
what lies within and
without them will surely
starve and
die.“Mending
Time†is musical
wall of sound, written to
help our mending, to help
bring us together in joy,
contemplation, and
consolation.Martin
Bresnick. $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Men of Ohio Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band Full Score - Grade 4 SKU: CF.CB136F March. Composed by Henry ...(+)
Band Full Score - Grade 4
SKU: CF.CB136F
March. Composed by
Henry Fillmore. Arranged
by Robert E. Foster.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #CB136F.
Published by Carl Fischer
Music (CF.CB136F).
ISBN 9780825870859.
UPC: 798408070854. 9 x 12
inches. One of
Henry Fillmore's most
popular and most beloved
marches, Men of Ohio was
composed in 1921, and was
dedicated to President
Harding. It has all of
the signature elements
that have made Fillmore's
music so enduring. Robert
Foster now makes this
iconic march available to
all in a modern edition,
exactly as Fillmore
intended. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Road Not Taken Carl Fischer
Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9750 ...(+)
Choral Cello, Piano, alto
1, alto 2, soprano 1,
soprano 2 SKU:
CF.CM9750 Composed by
Z. Randall Stroope.
Duration 4 minutes, 48
seconds. Carl Fischer
Music #CM9750. Published
by Carl Fischer Music
(CF.CM9750). ISBN
9781491162385. UPC:
680160921133. Key: F
major. English. Robert
Frost. About the
workFew American poems
are as well known as The
Road Not Taken. Robert
Frost, the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines. The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notesResearch strongly
suggests that there is a
direct connection between
the first rehearsal and
the performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall Stroope. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| "Our Own Red, White and Blue" Orchestre Carl Fischer
March and One Step. Composed by Henry Fillmore (1881-1958). Edited by Robert E. ...(+)
March and One Step.
Composed by Henry
Fillmore (1881-1958).
Edited by Robert E.
Foster. Arranged by
Robert E. Foster.
Authentic Fillmore
Edition. Score and
part(s). With Standard
notation. Duration 1
minute, 48 seconds. Carl
Fischer #CB148. Published
by Carl Fischer
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Miami Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Flute, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe, Piccolo, Snare
Drum, Trumpet 1, Trumpet
2, Trumpet 3, Trumpet 4,
Tuba, alto Saxophone 1,
alto Saxophone 2 and
more. - Grade 4 SKU:
CF.CB130F March
(Full Score).
Composed by Henry
Fillmore. Edited by
Robert E. Foster. SWS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Full
score. With Standard
notation. Carl Fischer
Music #CB130F. Published
by Carl Fischer Music
(CF.CB130F). ISBN
9780825861444. UPC:
798408061449. 9 X 12
inches. This
classic march (authentic
edition by Robert E.
Foster) maintains the
integrity of the original
transcription by Henry
Fillmore. It was written
for the people of
Fillmore's second home
Miami. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sweet Little Manger Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani, Trombone
and more. - Grade 2
SKU: CF.YPS118F
Composed by Larry Clark
Robert MacGimsey. SWS.
Young Performance Series.
Full score. With Standard
notation. 12 pages.
Duration 3 minutes, 38
seconds. Carl Fischer
Music #YPS118F. Published
by Carl Fischer Music
(CF.YPS118F). ISBN
9780825889806. UPC:
798408089801. 9x12
inches. This
subtle, yet tasteful
arrangement for the
holiday season includes
the African-American
styled piece Sweet Little
Jesus Boy by Robert
MacGimsey paired with the
traditional Away in a
Manger. Larry Clark
continues to find
creative ways to merge
two popular Christmas
favorites and make it
seem as if they were
always meant to be
seamlessly combined. This
is the mark of a great
composer/arranger. We
know you and your
students will enjoy this
stunning arrangement. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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