Idéale pour les musiciens pratiquant Trompette ou Cornet et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence SCHU01581.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Truite (la), sib de Schubert Franz. / Trompette / niveau : Cycle 1 / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Six duos concertants pour deux clarinettes de Haydn Franz Josef. Idéale pour les musiciens pratiquant Clarinette et ayant un niveau proche de Cycle 3, cette pièce se classe dans la catégorie Classique sous la référence HAYD01693. / Clarinette / niveau : Cycle 3 / Partition

Franz Liszt was not only a brilliant and innovative composer and the greatest piano virtuoso of the 19th century; he was also a generous populariser of other composersâ?? music. One of his primary methods was through his superb piano transcriptions of great orchestral operatic and other pieces. These transcriptions made it possible for people to enjoy music to which they otherwise had no access to. This collection offers a memorable feast of pianistic virtuosity sure to delight pianists and admirers of Liszt.

Arr. Penson Karol. Par SCHUBERT FRANZ. / Musique Instrumentale / Répertoire / Piano

Internationally renowned concert pianist Joseph Banowetz presents this definitive collection of original masterworks by Franz Liszt featuring a comprehensive preface, composer biography, vintage photographs, and detailed performance notes on the solos. The companion CD features Joseph Banowetz performing Liszt's most cherished piano repertoire: Ehemals, from Weihnachtsbaum, S. 186/10 * Étude, Op. 6, No. 7; S. 136/7 * Ich liebe dich, S. 542a (posth) * Liebeslied: Widmung (easier version), S. 566 (posth.) (Robert Schumann, trans. by Liszt) * Liebesträume: 3 notturnos, S. 541 * No. 2: Gestorben war ich (first version) * No. 3: O lieb, o lieb, so lang du lieben kannst * Piano Piece in A-flat Major, S. 189a (posth.) * Marche de Rákóczy'Édition populaire, S. 244/15 * Resignazione, S.187a (posth.) * Romance, S. 169 (posth.) * Romance oubliée, S. 527 * Ruhig, S. 167a (posth.) * Scherzo, S. 153 (posth.) * Six Consolations, S. 172 * No. 1 in E Major * No. 2 in E Major * No. 3 in D-flat Major * No. 4 in D-flat Major * No. 5 in E Major * No. 6 in E Major * Ständchen, S. 560/7 (Franz Schubert, trans. by Liszt) * Valse oubliée, No. 1, S. 215/1 Joseph Banowetz graduated with a First Prize from the Vienna Akademie für Musik und darstellende Kunst. Banowetz has been a piano recitalist and orchestral soloist on five continents. He was awarded the Liszt Medal by the Hungarian Liszt Society in recognition of his outstanding performances of Liszt and the Romantic literature.

Franz Schubert's Impromptus Op. post 142 (D 935) are among his most frequently played piano works and have found a permanent place in music lessons and in the concert repertoire. The Wiener Urtext Edition now presents a new edition covering the latest musicological research. Closely following Schubert's original manuscript, numerous details have been added to and corrected in the text. This edition now also includes notes on interpretation by Robert D. Levin which look even into the most subtle shades of meaning of expression markings. The score and page layout have been designed in a user-friendly way. / Piano

Franz Schubert's Impromptus and Moments musicaux are among the milestones of piano music and are a reuglar feature in music lessons and concert performances. This new edition brings all Impromptus and Moments musicaux together in one volume in a practice-focused manner. The musical text of the 'Impromptus' is based primarily on the composer's autographs as well as on a copy of the Witteczek-Spaun Collection which was very important to Schubert. As no autograph sources for the 'Moments musicaux' exist, the first and early editions of individual pieces were used as reference material. Due to this painstaking research these editions are very precise, not only with regard to musical details but also with fundamental issues like the position of repetition signs. With clear engraving and a user-friendly page layout, this edition also features new notes on interpretation by Robert D. Levin, based on notes from early performances. / Piano

Bien que Robert Schumann absolument adoré jouer un duo, il écrit seulement quelques oeuvres pour piano duo. Créée en 1848, Bilder aus dem Osten opus 66 était une des oeuvres plus connus et les plus souvent jouées dans la littérature de piano duo jusqu'au XXe siècle. Mais ne les Polonaises opus 3 par le compositeur de 18 ans, suivant l'exemple de Franz Schubert et même dépassant lui en audace harmonique et ingéniosité tonale déjà montrent l'autodidacte Schumann sur le chemin de son propre style. Après que le volume 1, qui contient les oeuvres plus faciles composée pour fins d'enseignement de la musique, volume 2 contient maintenant le Ballszenen opus 109 charmant, pourtant guère connu en plus de ces deux oeuvres susmentionnées. La nouvelle édition de la Wiener Urtext édition basé sur le texte musical de la nouvelle édition complète de Schumann (édité par Joachim Draheim et Bernhard Appel) fournit, pour la première fois, un texte original fiable basé sur les sources, surtout pour les 8 Polonaises qui avaient été édités insuffisamment jusqu'à maintenant. L'ajout... / Piano 4 Mains

Composed during 1836-38 this work is dedicated to Franz Liszt who in turn dedicated his B minor Sonata to Schumann. It reflects Schumann's despair over his thwarted love affair with Clara Wieck.

Violin Play-Along Pack-These charming short sonatas written by Schubert at age 19 over the course of several weeks are among the most popular of MMO's violin offerings. They are favorites of both students and seasoned professionals and share the traits of beauty and technical ease. It is our pleasure to present these beautiful pieces to you on compact disc. Includes a high-quality printed music score and compact disc with complete and stereo accompaniment recordings. Performed by Robert Zubrycki violin Accompaniment: Harriet Wingreen piano

Violin Play-Along Pack-The Sunrise Haydn's fourth quartet in the op. 76 set gets its popular name because in the opening Allegro the first violin rises slowly out of the sustained harmonies of its accompaniment to announce the principal theme - just as the sun rises out of the East as it were. Contains a high-quality printed music score and a compact disc featuring the quartet in split-channel stereo with the violinist on the right channel then again in an accompaniment version minus the solo violin part. Performed by Nicholas Milton 1st violin Accompaniment: The Bedford String Quartet: Robert Zubrycki 2nd violin Kathleen Foster viola Arthur Fiacco violoncello

(Version for piano solo) and other works. Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the earliest known draft of the Piano Concerto in A major (written in 1839 for solo piano). Not only does the draft give insight into the process of the work?s genesis, but it also holds its own as a work for piano solo. Additionally, the volume contains several shorter works, such as a piano transcription of Robert Schumann?s Lied Widmung, which shows how original Liszt?s interpretations were, and also two early drafts of the Zweite Elegie dedicated to Lina Ramann (a former pupil of Liszt?s and his first biographer). The latter have been published in facsimile. Supplementary Volume 15 features a detailed preface in German, English and Hungarian, which reveals valuable details on each work. The cloth-bound version also has critical notes in English.

Violin Play-Along Pack-This third of six the well-known 'Emperor' quartet has a theme and variations subject of the slow movement which dories from a Croatian folk melody and was commissioned to be the Austrian National Anthem or 'Emperor's Hymn.' It became Haydn's personal favorite tune. Contains a high-quality printed music score and a compact disc featuring the quartet in split-channel stereo with the violinist on the right channel then again in an accompaniment version minus the solo violin part. Performed by Nicholas Milton 1st violin Accompaniment: The Bedford String Quartet: Robert Zubrycki 2nd violin Kathleen Foster viola Arthur Fiacco violoncello

In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary