Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-01-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Hellmann, Diethard (Arr.). Par BACH JOHANN CHRISTOPH. Gattungen: Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais / Psaumes / Répertoire / Solo B, Violon, 3 Violes de Gambe (2 Altos et Viol

Hellmann, Diethard (Arr.). Par BACH JOHANN CHRISTOPH. Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais / Psaumes / Répertoire / Solo B, Violon, 3 Violes de Gambe (2 Altos et Viol

Par MENDELSSOHN-BARTHOLDY FELIX. Choralkantate / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut

Hellmann, Diethard (Arr.). Par BACH JOHANN CHRISTOPH. Gattungen: Psalmen, deutsch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais / Psaumes / Répertoire / Solo B, Violon, 3 Violes de Gambe (2 Altos et Viol

Par MENDELSSOHN-BARTHOLDY FELIX. Choralkantate / Date parution : 1980-09-01/ Répertoire / Solo B, Choeur SATB, 2 Flûtes Traversières, 2 Haut