Salsa and Afro Cuban Montunos For Piano authored by Carlos Campos is an extremely informative 92 page book containing hundreds of musical examples showing you how to play in these aforementioned Latin styles. Mr. Campos originates from Lima Peru and has studied Latin music for over 20 years. This book contains great study material for learning the various techniques and rhythms used in playing Latin piano styles. It can be used as a source to practice reading syncopated rhythms. Audio files with piano and percussion rhythm tracks of many of the examples in the book comes with the book. MIDI files are also available.Customer Commentsthis book helped me answer my questions and it does truly work. from the beginning to the end this book will help you play that latin groove that you've been asking for.J.P. Tampa FLI´m a Colombian musician and in my country the salsa music it´s the most played. Since I begin my music studies I want to hear to play latin music and this book answer my questions, it´s very easy to understand and let you play along with it. Buy it and enjoy Latin Music...This is Salsa!!!J.M. Cali Columbia / Piano / Adg Productions

Par FERNANDEZ MICHELE. Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads to a sizzling salsa groove which gradually intensifies throughout. The distinctive melody is complemented with lushly scored countermelodies, and all rhythm section parts are carefully notated for authenticity. Playable with 1 or 2 percussionists. / Date parution : 2022-11-29/ Répertoire / Jazz Ensemble

Amazing Grace never sounded so sweet! After a traditional chorale opening things get cookin’ with a modern salsa groove. While a great opportunity to feature your rhythm section the winds also have their chance to shine with an unaccompanied soli section. A written solo is provided for alto sax and this one will work with reduced instrumentation. You’ve heard this tune in a dixie style — now add a little Latin spice for a sizzling performance! (3:15)

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards guitar bass drums/percussion in various different Latin styles including Calypso Mambo Salsa Songo Bossa Guaracha Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track around 3 minutes in length recorded without the solo part so you can practice the riffs that you have learned. Also these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards guitar bass drums/percussion in various different Latin styles including Calypso Mambo Salsa Songo Bossa Guaracha Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track around 3 minutes in length recorded without the solo part so you can practice the riffs that you have learned. Also these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards guitar bass drums/percussion in various different Latin styles including Calypso Mambo Salsa Songo Bossa Guaracha Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track around 3 minutes in length recorded without the solo part so you can practice the riffs that you have learned. Also these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

The Real Latin Piano authored by Kiki Sanchez teaches how to play the most important Latin rhythms on the Piano such as: Salsa Cumbia Gaujira Timba Cumbia Bolero and other styles. In addition the book explains clearly how to perform Latin Piano grooves on clave 2-3 and 3-2 as well as showing the traditional Salsa arranging structure and how to perform Piano montuno's using American Jazz Harmonies.Sanchez's vision is to expand your musical abilities and have a better understanding about how to play several Latin rhythms on the Piano. These will not only help you with your Piano abilities but will enrich your musical knowledge as a producer arranger and educator. In this book Kiki introduces a montuno from his native Peru called the Peruvian Festejo. As an educator Kiki has been working with Pati Vargas on the Latin America Musical Journey teaching music and the different cultures of Latin America in several public schools and colleges in the South Florida area.The CD that accompanies the book includes 50 audio tracks 114 mp3 files and 114 MIDI files

Toutes les techniques de base (jeu au doigt, au médiator, slap, harmoniques, tapping, utilisation de pédales d'effets...), éléments de théorie musicale, walking-bass, gammes, arpèges et exercices applicatifs, grilles d'accords et d'improvisation (pop, latin et ballade).Grooves de base : Blues et Rhythm and Blues, Soul, Motown Sound, Atlantic sound, Funk, Rock. Panorama de musiques latines (Cha-cha, Tango, Montuno, Merengue, Rumba, Calypso, Baiaon, Mambo, Samba, Bossa Nova, Guajira, Guaracha, Valse Créole, Boléro, Biguine, Lambada, etc.), Salsa, Flamenco, Mariachi, Mambo cubain, Rock cubain, Reggae de Jamaïque, rythmes de Colombie, Brésil, Pérou, Équateur, Cili et Bolivie. Musiques et rythmes africains, Magreb, Somalie, Mali, Guinée, Cameroun, Zaïre, Zimbabwe, Afrique du Sud... Boogie-Woogie, les techniques de slap de Larry Graham (Sly and the Family Stone) et Mark King (Level 42), la basse fretless de Jaco Pastorius, les harmoniques naturelles, la basse synthé, riffs de Modern-Jazz... Un total de plus de 1000 plans et riffs dont plus de 300 enregistrés sur les 2 CD.