Franz Schubert (1797-1828) great Austrian composer was a supreme melodist and master of lieder. This transcription is based on his Sanctus (Holy Holy Holy) from his German Mass in F. (ca. 1815) for four-part choir and lends itself well to the expressive qualities of the modern brass quintet.

 Ecrite à la demande d'un trio vocal féminin, cette oeuvre comporte les éléments qui constituent l'Ordinaire de la Messe,Sans développements complexes ni acrobaties vocales, elle se veut simple et expressive, C'est pourquoi, elle adopte aussi bien un caractère tout intérieur (Kyrie, Agnus Dei) que joyeux et carillonnant (Gloria, Sanctus), voire rempli de mystère (Credo),Nous voici dans une petite église romane aux volumes et formes purs, où le soleil traverse les fenêtres et les cierges font danser la lumière, Kyrie           1'05''Gloria          2'15''Credo          4'35''?Sanctus      1'43''Agnus Dei   1'18'' / Choeur De Femmes

From African Sanctus-David Fanshawe's setting of the Lord's Prayer was performed at the Royal British Legion Festival Of Rememberance at the Royal Albert Hall in 2004. The piece is originally part of his African Sanctus which combines the sounds of African music with the more Latin and Anglican traditions. A simple and moving setting that brings this most devout of texts into a whole new light.

The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century.The fourth volume of the complete edition of the mass tropes includes 20 tropes to the Agnus Dei representing the Bohemian tradition from the 12th to early 16th century.Similar to previous volumes with the repertory of ordinary tropes the older repertory is represented by the unique collection of tropes included in the so-called St Vitus?s Troparium which is distinctly French. Included in the volume is an introductory study that summarises basic factsand explains the unusual development of the Sanctus and Agnus Dei tropes in late medieval Bohemia.As in the other volumes the edition is complemented by comprehensive commentaries an introduction and plates (Czech/English).This publication will be of interest to both the academic community as well as those interested in performance.Hana Vlhová-Wörner studied musicology in Prague and Basel Switzerland. From 1993 to 2006 she worked at the Institute for Musicology Charles University Prague (Ph.D. 2000 Habilitation 2009). Since 2006 she has lived in the U.S.A. where she has taught at Duke University and UNC Chapel Hill. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Kancionál..Also available:- Part 1: Tropi ordinarii missae. Tropi proprii missae H7878- Part 2: Tropi ordinarii missae. Kyrie eleison / Gloria in excelsis deo H7959- Part 3: Tropi ordinarii missae. Sanctus H8017

Non-liturgical setting of the Kyrie Sanctus and Agnus Dei from the Latin Mass scored for 4-part children?s choir and full orchestra. The composer states that ?each movement is reasonably substantial with much space for the orchestral music to grow and develop [?] a lot of the vocal writing was imagined as an extension and enhancement of the orchestral palette where the young voices are ?smudged? into the orchestral sound in an impressionistic manner.?Little Mass (2014) was commissioned by the Royal Liverpool Philharmonic Society for its 175th Anniversary the Royal Scottish National Orchestra and the Bournemouth Symphony Orchestra. Supported by Sally Mary andJonathan Groves to mark the centenary of Sir Charles Groves in the month he would have celebrated his 100th birthday.Suitable for intermediate standard voices and advanced standard orchestra.

Kyrie, Gloria, Sanctus, Agnus Dei für Chor und Orgel. Par SCHROEDER HERMANN. / Répertoire / Choeur Mixte à 4 Voix et Orgue

John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.

Suite logique du tome 1, ce deuxième tome met en parallèle, d?une époque à l?autre, des oeuvres vocales religieuses d?origine catholique composées sur des textes latins strictement identiques, ainsi que des oratorios relevant de la tradition luthérienne, où les textes divergent.

Ainsi, pour la forme Messe, sont comparés des extraits des différents Kyrie, Gloria, Credo, Sanctus et Agnus Dei d?une Messe grégorienne, de la ?Messe en Si de Bach?, de la ?Missa Brevis? en Sib de Mozart, de la ?Missa Solemnis? de Beethoven, et la Messe ?Cum Jubilo? de Duruflé.
Le même travail a été fait avec la forme Requiem (Mozart, Verdi, Fauré et Ligeti) et la forme Stabat Mater (Pergolèse, Dvorak, Poulenc, Penderecki).

En ce qui concerne les oratorios protestants, le Tome 2 propose l?écoute comparée de brefs extraits de la ?Passion selon St Jean? de Bach, du ?Messie? de Haendel, de la ?Création? de Haydn, d??Élias? de Mendelssohn et du ?Roi David? d?Honegger. Le texte s?appuie sur 3 C.D. d?illustrations sonores.


Particularité de l'ouvrage:
Alors qu?il ne viendrait à l?idée de personne de disserter sur la peinture sans donner à voir un seul tableau, il est en revanche encore fréquent de discourir longuement sur la musique sans en faire entendre une seule note ; ce qui oblige à employer des termes techniques qui découragent d?emblée l?auditeur néophyte.

L?auteur considère qu?un court extrait musical vaut mieux qu?un long discours, et que grâce à l?écoute guidée, il est possible pour un large public d?accéder à des styles aussi difficiles que ceux du Moyen Âge ou du Système Dodécaphonique, d?ailleurs le plus souvent pudiquement occultés ou, pis, expliqués de manière tout à fait hermétique. De même pour la musique vocale religieuse, qui bien que recelant les plus grands joyaux musicaux, rebute parfois le mélomane qui sommeille en chacun de nous.

Le principe de cet ouvrage est de contourner absolument, et ce grâce à l?illustration sonore, le jargon des spécialistes.

Il se veut enfin un puissant initiateur, et incite ses lecteurs à la fréquentation des diverses salles de concert, et surtout à l?achat de disques classiques, de biographies de compositeurs, d?encyclopédies musicales, et même de C.D. musicaux. / Classique / Livre 3 Cds /

Mass Tropes I.The five volume editorial project Repertorium Troporum Bohemiae Medii Aevi presents the textual and musical edition of troped mass chants from Bohemian sources from the 11th to the 16th century.Many of the texts and melodies in this publication are made accessible for the very first time. The first volume (Tropi Proprii Missae) includes the troped chants of the Proper of the Mass along with an intorduction commentaries and plates. The tropes are published unabridged with the original chants making this edition suitable not only for the professional public but also for practical performances.HanaVlhová-Wörner studied musicology in Prague and Basel Switzerland. Since 2006 she has lived in the U.S.A. She is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to the 16th centuries and is one of the editors of the Jistebnice Kancionál.Also available:- Part 2: Tropi ordinarii missae. Kyrie eleison / Gloria in excelsis deo H7959- Part 3: Tropi ordinarii missae. Sanctus H8017- Part 4: Tropi ordinarii missae. Agnus Dei H8030

Symphonic Mass for SSAATTBB Chorus and String Orchestra-Sunrise Mass is a spiritual extended work by Ola Gjeilo which uses the liturgical Latin text. For SSAATTBB choir with String Orchestra. String orchestra score and parts are also available catalogue # HL08501828The four movements bring us on a metaphysical journey from the heavens to earth from the echo of The Spheres (Kyrie) to Identity & The Ground (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond. Duration: ca. 32:00.

From John Brunning, English composer, musician and radio personality, this larger work offers an uplifting message ideal for worship, ecumenical events and sacred concerts. Includes 7 movements: Amazing Day- The Lord's Prayer- Pie Jesu- Introit, Kyrie, Sanctus- Ave Maria- The Lord Is My Shepherd- Hallelujah. / Choeur Mixte (SATB) Et Orchestre

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version