Full Score. Purcell Society Volume 11. Edité sous la supervision de la Société de Purcell par Bruce Wood. Partitions vocales et parties instrumentales de chacune des trois oeuvres dans ce volume sont disponibles en location chez les éditeurs. Edition reliée disponibles: NOV151011-01. / Scores / Partition

Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.

Examples of passaggi and cadenze . Divisions on madrigals and chansons by C. de Rore, Ph. de Monte, A. Willaert, A. Striggio, Clemens non Papa, A. Gabrieli, N. Gombert, C. Janequin, T. Crequillon, O. di Lasso, G.P. da PalestrinaThe madrigals and chansons are montioned in full score and in tablature for a keyboard instrument. A separate part, containing the divisions separately, is also includedEdited by Alessandro Bares (copyright 2021)ISMN: 979-0-52017-018-51 volume (444 p.) / Tous instruments / Musedita

Une collection de 33 classique des oeuvres de compositeurs célèbres, compilé et arrangé par Hugh M. Stuart pour clarinette et piano. Comprend le score et la partie. / Clarinette

Par RHODES PHILLIP. Set Of Parts - Score (Ep 66620) Also Available / Contemporain / Répertoire / Quatuor à Cordes

Par SCHUBERT FRANZ. Accompaniment: John Wustman, piano Gorgeous high-voice German Lieder from Franz Schubert, the master of the form. These are all classics of their genre and you can join renowned accompanist John Wustman to hone your own interpretations! Includes a high-quality printed vocal score and professionally-recorded accompaniments to each piece. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Répertoire / Divers

The highly regarded early music specialist and violinist, Walter Reiter presents the second in a series of four volumes dedicated to violin music from the Baroque period. Featuring 36 beautiful pieces scored for violin and keyboard accompaniment, this collection includes works by well known figures such as Bach, Handel and Purcell, as well as lesser-known and rarely available pieces from a range of other composers.Suitable for students of c. 3-4 years playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Walter Reiter and Robin Bigwood. / Violin

Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life. In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile. The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’smanuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. Facsimile of the autograph in the British Library. 282 + 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen, hardback / Oratorio / Répertoire / Divers