Par BRALEY BERNARD. Bernard Braley The first volume in a series telling in depth the life stories of some great hymnwriters. The stories can easily be turned into occasional performances of hymns with interspersed readings. There are numerous quotations helpful to this end. The volume covers Thomas Ken, Reginald Heber, John Ellerton and William Walsham How. The book is full of the unexpected and makes a delightful gift. ''Quotations from hymns, letters and diaries, together with photographs, illustrate the text fully. This is a fascinating book, and those with a talent for dramatisation would find this an ideal starting-point for creating a play. '' ''We have come to associate aspecial combination of lively style and meticulous research with the writings of Bernard Braley. In this first volume on hymnwriters we are not disappointed. '' (The Local Preachers' Magazine) ''Mr Braley's biographical method is highly original - so far as I know unique - but carefully contrived to suite the nature of his subjects. His unorthodox method helps to make these men new to us, and powerfully to promote in us a sense of fellowship with them. '' (The Hymn Society Bulletin) ISBN 0 85249 667 2/ Livre / Livre

COMPOSER: NIKOLAI RIMSKY-KORSAKOV PREFACE: DAVID LLOYD-JONES TRANSLATION PREFACE (GERMAN): STEFAN DE HAAN SUITE FROM THE OPERA INSTRUMENTATION: ORCHESTRA PUBLISHER: EULENBURG DURATION: 24' 0 EDITION: STUDY SCORE SERIES: EULENBURG POCKET SCORES SERIES: EULENBURG MINIATURE SCORES 144 PAGES - PAPERBACK/SOFT COVER ISMN: 979-0-2002-1100-9 ORDER NUMBER: ETP 1377

Teachers' Choice, Selected Piano Repertory and Studies for grade 8 is compiled to provide teachers and students with good options for the 2015 and 2016 ABRSM Piano examinations.- This collection of interesting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.-Examination requirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.-Effective technical studies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.-Most important of all, enjoy the high standards of music typography - such clear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores. / Piano

Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

Teachers' Choice, Selected Piano Repertory and Studies for grades 4-5 is compiled to provide teachers and students with good options for the 2015 and 2016 ABRSM Piano examinations.- This collection of interesting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.-Examination requirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.-Effective technical studies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.-Most important of all, enjoy the high standards of music typography - such clear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores. / Piano

Par BRITTEN BENJAMIN. King Arthur was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur' s life and times - part pageant, part play, part cantata - written by D.G. Bridson. This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis. King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995./ Répertoire / Brass Band

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Orcherster-Suite. Urtext der Neuen Bach-Ausgabe
Reihe : Bärenreiter Studienpartituren - Study scores
Ausgabe : Studienpartitur. Urtextausgabe
Herausgeber : Grüß Hans
Einband : kartoniert
Instrumentierung : Orchester

Arrangement: Dahl Gary. Par DAHL GARY. Tango : une danse d'origine latino-américaine, caractérisé par longues pauses et stylisés positions du corps. Cette forme musicale a été par la suite adoptée par d'autres pays, principalement en France, en Espagne et en Italie. De nombreux compositeurs éminents ont appliquée à une grande variété de compositions. À l'aide des scores de piano dans les traditions rythmiques de l'Amérique latine et de l'espagnol, Gary Dahl a habilement compilé et arrangé français Tangos pour accordéon. La musique dans cette anthologie a été publiée à l'origine des années 1930 fin à des années 60 et se caractérise par son romantisme, les riches harmonies et mélodies émotives. Ces arrangements sont orchestrales dans la nature, tienne compte de divers timbres et capacités de l'accordéon. Dans la notation standard. / Niveau : Avancé / French - Solos / Recueil / Accordéon ou Clavier

A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Craig McLeish began his musical life as a chorister at St Paul's Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul's as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon, and played bass guitar for various groups. This led to a spell in the cult pop band 'Fat and Frantic', who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus). In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers, performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane, Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children's collections (Big Blue Planet, Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh, Kim Hill, Matt Redman). He is also well known as a conductor and arranger for Songs of Praise. Recently Craig has collaborated with composer Tolga Kashif writing orchestrations for the RPO's Seo Taiji Symphony, the Classic FM chart-topping CD by saxophonist Tyler Rix, and the Genesis Suite which was premiered at the Barbican. He has been musical director of Young Voices UK for 13 years, bringing large school choirs together to play with a live band and solo artists, and currently conducts the Milton Keynes Community Choir, Hart and Soul Community Choir and the Milton Keynes Youth Choir. / Choeur SSA

An appetiser for our high-quality Urtext opera vocal scores - give it a try and enjoy! This collection of opera arias for soprano (or mezzo-soprano) and piano offers a cross-section of Bärenreiter's extensive catalogue of stage works. An affordable anthology with such well-known and favourite arias as Handel's famous 'Ombra mai fu? and Mozart's 'Ach ich fühl's, es ist verschwunden!? is not only suited for voice students and aspiring singers preparing for examinations and auditions, but also provides seasoned professionals with inspiration and material for programming their recitals. The collection spans a representative arch from the early baroque to the romantic era, gathering together repertoire masterpieces by Monteverdi, Handel, Gluck, Haydn, Mozart, Beethoven, Berlioz, Smetana and Chabrier. The pieces are in Italian, French, Czech and German and include, for the most part, a singable translation in German. The spectrum ranges from the declamatory style to easy coloratura. The piano arrangements have been prepared by experienced conductors and répétiteurs. / Soprano Et Piano

Instrument : 2 Sopranos, Tenor, Baritone, 2 Basses, Mixed Chorus and Orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 676 Lohengrin is regarded as Wagner's most fairy-story-like opera, its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence. This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score, representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished. The original musical text is now available in a handy format for the first time - and is perfectly suited for study purposes. With German/English preface and Critical Report! Content : Preface - Cast - Dramatis personae - Distribution of roles by voice - Orchestration - Dedication - Lohengrin