Intermediate-The perfect opportunity for the confident fiddle player to discover the magical tunes and tonalities of the Scottish traditional style through an in depth DVD tutorial by Sarah Naylor - winner of the prestigious 2006 Glenfiddich Fiddle Championships.Expand your repertoire and technical vocabulary and gain a unique insight into the styles of Scottish fiddling. You'll learn the characteristic bowing techniques and ornamentations that will give your playing that unmistakable Scottish quality. An accompanying booklet features every melody in full notation.

Designed for Violinists who have never Fiddled in the Scottish style or for anyone who would simply like to brush up on their 'Scottishness' this guide discusses ornamentations and their applications bowing styles rhythmicissues and stylistic interpretations. It covers five basic types of tunes: airs marches jigs reels and strathspeys as well as Scottish Fiddle history and regional styles. Accompanying video clips demonstrated by formerU.S. National Scottish Fiddling Champion Melinda Crawford show how to execute all of the different techniques and how to perform more than 44 full-length traditional Scottish Fiddle tunes. Transcriptions of the tunesare included within the guide. Includes access to online video.

This book is a mixture of traditional and contemporary tunes from the Scottish accordionists' repertoire.

It explores the common tune types played in Scotland, i.e. the Jig, reel, strathspey, slow air, waltz, march and polka. Some tunes are arranged in a traditional, dance music style where others have been set with a more contemporary feel as used by the author and many of the ?new age? of Scottish accordionists. Strong emphasis has been placed on the use of the left hand to enhance the style and arrangement.

Ian Lowthian was brought up steeped in the Scottish accordion tradition; he is a graduate of the Royal Academy of Music who, since leaving, has concentrated mainly in traditional music as a performer, teacher and composer. / Musiques du monde / Partition CD / Agrafé /

Traditional And Original Tunes For Fiddle From 1762 To The Present. Par RIDEOUT BONNIE. Le violon populaire en Ecosse depuis plus de 500 ans comme un instrument d'accompagnement pour la danse et de chant. Bonnie Rideout joue la musique traditionnelle fiddle écossais depuis les années 1980. Cette collection présente des airs favoris qui Bonnie avait caché loin au fil des ans en attendant l'occasion idéale pour enregistrer leur. La musique écrite ici gammes de Dr Gordon Stable de j. Scott Skinner (un merveilleux fiery reel qu'elle a joué une fois pour recueillir son premier titre national tergiversation comme un jeune adolescent), à la peur A Bhata (un air déchirant elle a connue tant qu'elle se souvienne). Ces fiddle écossais sélections ont été soigneusement transcrits de Bonnie de l'enregistrement feu écossais. Il serait impossible d'écrire toutes ses flexions et chaque appoggiatures, d'autant qu'ils ne sont pas toujours cohérentes sur le terrain d'un à l'autre. Lecteurs devraient utiliser cet ouvrage comme une base pour explorer leur propre voix au sein de la musique. Ce package comprend le CD. / Niveau : Intermédiaire / Scottish - Solos / Recueil / Violon

Many great Scottish traditional tunes such as Flowers Of The Forest can be traced back to the 17th century—a period when writing down tunes in manuscript collections for the Lute was of high interest. Rob MacKillop hascreated very playable arrangements for the Mandolin featuring 25 popular tunes from the Skene Balcarres Panmure and Straloch manuscripts. This is a wonderful collection of dance tunes and airs most of which have not beenavailable for the Mandolin until now. The notation is in treble clef with tablature for GDAE tuning. Includes access to online audio featuring Rob Mackillop’s performance of each piece. Get ready to explore a brilliant newtake on old repertoire!

Par BLANKEN JOHN. John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats. / Niveau : 3 / Musique légère originale / Répertoire / Fanfare

Par BLANKEN JOHN. John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats. / Niveau : 3 / Musique légère originale / Répertoire / Brass Band

Oboe and Piano-'The Sapphire' is dedicated to Heath's daughter Naima Sapphire. On the day she was born in 2000 Heath was walking over the meadows in Edinburgh to see her and could hear bagpipes playing in the distance. That inspired him to write this piece.The melody and over-all style are influenced by Scottish traditional music however the harmonies come from modern jazz.

Kikapust. Par TRADITIONNEL. Scottish Traditional. Recorded on free Jonathan Rathbone CD, contact us for your copy / Niveau : Assez Facile / Jonathan Rathbone / Feuillet / A Cappella

The Vocal Score for Judith Weir's Truly I Tell You a setting of three different Biblical passages from Psalms and Mark's gospel. This work was first performed by the Choir of Westminster Abbey at theCommonwealth Day Observance on the 9th of March 2015. It is arranged for SSATB Chorus and Organ. Truly I Tell You is a setting of Psalms 8: 4-10 and 34: 1-4 and Mark 10: 15. The thread thatmarries these three texts together is the comparison between man and the name of God the literal exposition of the word of God (working beautifully within the context of such a brilliantly-composed piece of music) and thehopeful entering of God's kingdom in general. In the December 2015 edition of RSCM Church Music Quarterly Magazine the reviewer states that this piece is 'highly recommended' and is a 'useful churchanthem that is not too difficult'. Judith Weir is a British composer whose music often draws influence from her many extra-musical interests such as medieval history and Scottish traditionalmusic. In 2005 Weir received a CBE for her services to music and in 2014 she was appointed the Master of the Queen's Music becoming the first female holder of a post which dates back to 1626.

Scottish Folk Songs- Traditional folk songs from Scotland- Arranged for 1-2 voices and piano- Complete with play-along CDScottish Folk Songs is a collection of 30 traditional tunes arranged for 1 or 2 voices and piano. Put together by the highly regarded singer and arranger Philip Lawson, the volume contains well-known songs such as Auld Lang Syne and Loch Lomond, as well as many lesser known pieces.The volume is accompanied by a CD with a recording of all tunes performed by Philip and Sophie Lawson. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for singers of grades 3-8. / Voix Et Piano