for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - 'Flamenco puro' - it also conveys the authentic sound and the pulsating 'compás' of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes / Méthode / Méthode / Guitare

Facilement identifiable par son ISBN 9790201854731 cette pièce Piano Sonatas 1st sequence appartient à la collection désormais incontournable Feder, Georg.Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Rapport Critique / Edition Complète

for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - 'Flamenco puro' - it also conveys the authentic sound and the pulsating 'compás' of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes / Méthode / Méthode / Guitare

Par SCHJELDERUP FREDRICK. Momentum Sequences was commissioned by Skjold Skoles Musikkorps (Norway) for their 60th Anniversary in 2021 (later adapted for brass band to Smørås Skolemusikk). The title of the term Momentum can be explained by an event that creates extra energy, or the driving force of a moving object. In this case, both the driving force, The energy and the object can be translated to the music, the conductor and the band. The piece is divided in three movements; «I.Signals», «II.Light» and «III.Finale» which builds up the Momentum of the piece’ character and theme. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres

PIANO SONATA NO. 3 was written in 1960 during the composer?s studies at HAMU (Music Faculty of the Academy of Performing Arts in Prague) under Emil Hlobil. The first half of the 1960s was the period during which Fiser?s musical language underwent fundamental change as he rapidly cultivated his own, distinctive style, established in Fifteen Prints after Dürer?s Apocalypse. This sonata thus also includes several essential traits which shift his compositional development further. The work has two movements, however, its internal structure abandons traditional form. The piece is divided into several short, mutually contrasting sections, whereby the distinctions between the adjacent parts are emphasised by the thematic and chordal treatment. These contrasts are also supported by the chosen dynamics, tempo and other expressional means. The harmony is largely based on traditional chords or their condensed form while, in certain passages, we will nevertheless come across semitone clusters or fourth chords. The melody is still chiefly diatonic at times Fiser uses chromatic sequences. These new elements in Sonata No. 3 indicate an attempt to simplify his writing and ensure greatest transparency and impact. This endeavour became a basic characteristic of Fiser?s compositions from the mid-1960s onwards. The sonata originally bore the postscript Fantasia, which was subsequently taken out by the composer. It was first performed by Ales Bílek in 1961. The new setting for this piece is based on the single edition to date (Panton, 1967) only with regard to a few inconsistencies in the score was it necessary to consult the composer?s manuscript (kept at the National Museum ? Czech Museum of Music, acquisition number 297/2006). H 7957, ISMN 979-2601-0446-4

tomo III. Par GABRIELI ANDREA. The Concerti di Andrea, et di Gio: Gabrieli [. . . ] continenti musica di chiesa, madrigali, et altro, per voci, et stromenti musicali, à 6. 7. 8. 10. 12. et 16 were published posthumously in Venice in 1587. Vol. III of this four-volume critical edition includes fourteen 6-, 7- and 8-part madrigals. Undoubtedly, these materials were largely conceived for use on special occasions – though, to date, it has been possible to identify nothing but an invitation to a banquet, a composition in praise of an unspecified «Sienese gentlewoman», and a homage to Henry of Valois who, in 1574, passed through Venice en route from Poland to his coronation at Reims as king of France. ThePreface, in English and Italian, historically contextualizes the repertoire, briefly describes the poetic texts (discussed in greater detail in vol. III of the Historical and Critical Introduction to the Complete Works), and provides a panorama of the compositional techniques applied by Gabrieli to this variegated sequence of madrigals, which include several «dialoghi» and other double-choir compositions. / Classique / Date parution : 1905-07-09/ Répertoire / Choeur

Level Duets Space Adventure - Levels II III-A beautifully-illustrated collection of easy modal duets which can be enjoyed by students of any age. Ideal for use with electronic keyboards where students can sequence secondo or primo to have a duet partner during the week.

Bach To The Future for Percussion Duo and Orchestra was composed by Per Nørgård in 1997. Programme Note: For many years I have been specially fascinated by three of the preludes of Bach?s Well-tempered Piano and I wish with this concerto-version for percussion-duo and orchestra to 'highlight' some of the structural aspects of these pieces: It is my belief that there is a tradition in the music history that makes it possible to let certain germs in an earlier period unfold into new but not heterogenious dimensions of a perhaps several hundred years later phase of the tradition.This concerto is a result of several yearscollaboration with Uffe Savery and Morten Friis ('Safri-Duo') as well in original compositions - (Resonances Repercussion Resumé in EchoZone I-III) as in arrangements of the 3 Bach preludes preparing for the enormous stylistic challenges of this work.A few introductory comments to each movement:I Movement: The archetypal sequence of broken chords within C-major has established itself as almost a cultural code allowing the composer of 1996 to tell his tale-in-tones only by stressing and colouring the tones in the original piece without changing the pitches or (relative) durations as a ?palimpsest? containing as well the old as the new musical tale simultaneously. Later in the movement this singleline is multiplied by the till then discrete but permanently pervading proportion - throughout the piece - very close to the ?Golden Section?(= 3:5:8.t.i:8 before repetition 5 before starting anew from the deepest tone 3 as the rest etc. unchanged). The 3 tonal levels as well as the 3 relative speeds are treated according to these proportions for certain passages but even in those the main focal point is directed at the freely invented melody (by me) incarnating itself solely by the unpermutad sequels of the original prelude.II Movement: One feature of the F sharp-prelude pervades all the six minutes-long second movement: A 4 times identical rhythmic

Method Book Three - Textbook-These three comprehensive Kodály method books include tested techniques and invaluable ideas by one of the world's leading authorities on adapting Kodály for American children. The concepts and lesson plans in themethod may be used independently or with the loose-leaf materials for transparencies which review basic materials at each of the three levels. Approach III continues teaching Zoltán Kodály approved fundamentals forthe Unitmed States educational market with details sequences for rhythm musical sounds intermals and form that can be used for children through the sixth grade level. Grades K-6.

Qui a besoin de Mallet Percussion entraînement? Tout le monde, du débutant au professionnel, qui veut jouer des instruments à maillet avec la facilité, de la dextérité et de la précision. Ce livre comble une lacune dans maillet livres de méthode --- apprentissage séquences à renforcer la confiance et la capacité en lecture à vue, le développement de douceur, même petits pains, de plus en plus ambidextre, et d'obtenir des côtelettes ensemble partout dans l'instrument. Il ya même une section pour les joueurs classiques qui aideront à l'improvisation jazz sur la route. Kristen Shiner McGuire a créé pour les joueurs de maillet ce Collez contrôle est pour les batteurs --- une séance d'entraînement de compagnon indispensable que vous ne voudrez pas manquer d'être à votre meilleur. / Percussions