New edition based on the composer's manuscript-This edition of the three concert études is the first and only for which the composer's autograph has been taken into consideration. This allows Liszt's popular Piano cycle to be seen in the most authentic form available today. No closer information has emerged about the origins of the études which appeared in 1849. The autograph which contains all three studies in complete form with elaborated notation and furnished with performance markings appeared in a catalogue in the mid-1930s. But after it was bought by the French pianist François Lang (1908-1944) there were doubts about its whereabouts for several decades. So even Volume I/2 of thecomplete New Liszt Edition published by Editio Musica Budapest in 1971 could rest only on the notation of the first printed editions. The new version edited by Adrienne Kaczmarczyk that appears here pays close heed to the points where knowledge of the manuscript calls for alteration and addition. The autograph also used as the engraver's copy confirms an earlier suspicion. The widely used subtitles (1. Il lamento 2. La leggerezza and 3. Un sospiro) were thought to be alien to Liszt's approach and are now known not to originate from the composer. They were presumably dreamed up by a Paris publisher.

Peter Maxwell Davies’ Swinton Jig was inspired by his youth spent in Salford. These variations on a traditional melody portray the community spirit during wartime and the impromptu concerts and dances held within the airshelters. The instrumentation reflects this with banjos bells bones and horns and even an out of tune upright piano! This work was commissioned by the BBC and first performed in November 1998 by the BBC Philharmonic. Inminiature pocket score format.

L'expérience de la classe ultime Gospel orgue Master. WHEATWORKS Productions vous apporte musiciens Evangile réel qui jouent pour l'artiste de l'Evangile réelle. P.J. Morgan est un joueur/producteur de session extraordinaire. Il a joué pour donc beaucoup de noms dans l'Evangile, nous ne pouvons pas mentionner tous, mais au nom de quelques : Yolanda Adams, Ben Tankard et Karen Clark-Sheard. Beaucoup se souvenir d'avoir entendu sur l'émission télévisée BET Bobby Jones Gospel jouer de l'orgue. Le kiosque à musique en studio, P.J. est un musicien bien aguerri. Il se décompose de nombreuses techniques de l'Evangile que de nombreux autres musiciens vous montrera pas. Il s'agit de l'Evangile meilleur pédagogique vous trouverez n'importe où. 2 Heures complets / Grand Orgue / 120 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

Alfred's Drumset Method, Book 2 is a continuation of Alfred's Beginning Drumset Method. The rock and jazz vocabularies previously learned in Book 1 have been expanded, and additional concepts and genres, such as blues, 3/4 time, brushes, and Latin are introduced. The book includes a professional-quality recording demonstrating a number of the beats, fills, and styles presented throughout the book. This will enable the student to hear the beats and fills played with dynamics, so the student feels as though they're actually sitting in with a band while reading the included charts. / Batterie

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at King’s Place London on 5th October 2008. The work is a short lyrical piece where an outsider [the oboe] joins the group [a string trio] and adds to their dialogue. At first the newcomer is treated with a mixture of suspicion and agitation but eventually is made welcome. The oboe is invited to share the musical theme that has been established which he then proceeds to embellish and adorn. He leads the harmonic changes that result in the theme being heard in manydifferent keys. He then introduces a new theme. The excitement grows and leads to a climax. A peaceful coda re-establishes the original theme and all ends harmoniously among the integrated quartet.

Winner of muliple Tony Awards including Best Musical and Best Original Score the Broadway sensation In the Heights showcases a variety of exciting Latin styles and moods. This closing production opens with the moving ballad WhenYou're Home and finishes with the rousing title song In the Heights.

Par TUNSTALL KT. The debut album from the chart-topping Edinburgh-born singer/songwriter was one of the surprise smashes of 2005. Following in the footsteps of Norah Jones and Katie Melua, Tunstall's style is pure smooth folk/Jazz combining captivating and thought-provoking songwriting with a rich, warm and deeply expressive voice. Inspired by the songs of Rikki Lee Jones and Carole King, Tunstall's sound is a sassy, wistful and articulate, brimming with after-hours atmosphere. Every song from the album, including the hit singles Other Side of The World, Another Place To Fall and Suddenly I See has been arranged here for Piano and Voice with Guitar chords. / Niveau : Elémentaire / Rép International / Recueil / Piano, Chant et Guitare

This work for unaccompanied double choir (SATBSATB) was commissioned by the Summer Music Society of Dorset. It was first performed in May 1989 at Sherborne Abbey Dorset by the Tallis Scholars conducted by PeterPhillips.Tavener:The remarkable text by Clement of Alexandria inspired this piece for double choir. From the stand point of today when I take a perennialist and therefore universalist stance concerning all the main greatreligious traditions this text is very close to my heart as is also the music. The opening theme sung by the two choirs forms the basis of the whole work. Bold simple massive and ecstatic in character I hope that this workrestores something of a Gnostic dimension to Christianity the loss of which could be said to be one of the greatest tragedies of Christianity in the West.

for trumpet baritone or euphonium-A top-rated collection of solo literature offering each instrument a variety that is simply superb. A very high percentage of the solos in these books are included on various state contest lists. Piano accompaniments publishedseparately.Now available:Performance/Accompaniment CD (04002517). Students can now perform these acclaimed solos with high quality recordings. Includes full performances by professional players aswell as piano accompaniment tracks.

A beautiful arrangement of the classic piano concerto for the intermediate level student this piece includes hand crossovers with L.H. playing flowing arpeggiated chords for one of the themes. The opening begins with the main theme in a dotted half two eighth note rhythm and finishes with a triplet quarter rhythm that is both aesthetically pleasing for the ear and also challenging to play.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.

This single edition it is number 10 in the first volume of the Préludes (HN 383) of 1910 shows the extent of Debussy?s imagination as he conjures up the old city of Ys that has sunk into the sea. Debussyenjoyed playing this piece himself and also left behind a recording on Piano roll. This gives important insights into his tempi. The term prélude reminiscent of Chopin makes clear the return to traditional forms which the nowestablished composer was slowly embracing once again. The programmatic title as with all of the Préludes is only given at the end of the piece thus underlining its passing significance.

This is one of four level-five books in the American Popular Piano series - the educational piano course by Christopher Norton and Scott McBride Smith.The series has 11 difficulty Levels and each Level contains: Repertoire album with CD; Etudes album (including Improvisation); Skills book; Technic (technique) book.Level FiveFor late intermediate students- Difficulty and musicianship issues similar to classical sonatinas- Whole half quarter eighth sixteenth note dotted-half dotted-quarter and dotted-sixteenth note triplet eighth triplet sixteenth- Whole rest half rest quarter rest dotted-half rest eighth rest- pp p mp mf f ff crescendo and diminuendo- Slur legato staccato accent tenuto grace notes- 2/4 3/4 4/4 and 6/8 time signatures- Key signatures up to two sharps and two flats- Repeat 8va 8vb tie fermata ritardando a tempo- Fine DC al Fine Coda DS al CodaRepertoire Albums: a wide selection of pieces in three distinct categories: ? Lyrical: develops beautiful tone; reinforces careful listening; nurtures musical expression; improves finger control;? Rhythmic: instills a steady beat; improves counting; refines articulation; ensures secure syncopations; internalizes the pulse;? Ensemble: hones listening skills; encourages regular ensemble playing; offers rich musical textures even in early studies; reinforces musical continuity.The CD which comes only with the Repertoire Album contains accompanying instrumental backings both for the Repertoire Album's ensemble pieces and the Etudes Album's Improvisation modules: ? provides convenient practice and performance tempos for realistic support of the learning process; ? stimulates daily ensemble playing; ? creates a full band improvisation experience; ? makes reaching a polished performance just plain fun!About the American Popular Piano series:?Why can?t I play more music like this?? asked a fourteen-year-old piano student. ?My friends like

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses. The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is verypossibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as partof a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432belonged to this group of works, the last known collection of its kind in Vivaldi’s oeuvre. This critical edition places these closely related works side by side for the first time, placing them in their historical context and making them performable through its reconstruction of some lost parts. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Flûte Traversière Cordes et Basse Continue

Feature your drummer on brushes with this classy chart on a well-known standard. The ensemble plays mostly tutti rhythms with solo fills provided by the drums. A great concept on a wonderful tune. Also included is a trumpet solo.