Par MONTEVERDI CLAUDIO. / Date parution : 2023-03-21/ Répertoire / 2 Soprano, Alto, 2 tenor et 2 bass Soloists, ssatt

Written for Soprano and Tenor soloists and SATB chours.These two short Emily Dickinson (1830-1886) settings commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas were designed to frame an evening’s programme rather like a compositional ‘inhalation’ and ‘exhalation’ a crescendo and decrescendo or a prelude and postlude. Densely textured the music aims to hint at the myriad readings Dickinson’s surface-simple poetry yields in its many readers. Each setting uses a solo soprano and tenor their voices referencing the polarities inherent in each poem (‘sun’ and ‘shade’; ‘love and hate’).

This outstanding anthology of traditional hymns, immortal classics and beloved folk songs for flute soloist with keyboard accompaniment receives our highest recommendation! Featuring the combined talents of Jay Althouse, Mark Hayes, Lloyd Larson, Patrick M. Liebergen and Anna Laura Page, The Sacred Flute Soloist also offers REPRODUCIBLE flute solo pages! Ideal for the worship musician and student flautist, this collection also boasts a full performance/accompaniment CD recording, available separately or in a book/CD kit.

Latin Saxophone Soloist by Gabriel Rosati and Darrow Hunt provides an extensive study into the various Latin saxophone styles including: Salsa Mambo Merengue Calypso Cha Cha etc. These exciting 50 examples will have you spending many enjoyable hours learning the intricacies of Latin saxophone playing. The book is transcribed note for note (for both Bb and Eb instruments) from the recorded audio files. Each example is recorded twice the first version with sax piano bass and percussion and the second version with just piano bass and percussion so that the sax player can practice along with the rhythm section.

Musical Category : 2 pianoforti per pianoforte e orchestra - riduzione per 2 pianoforti soloist in concert - con cd

Latin Brass Soloist by Gabriel Rosati provides an extensive study into the various trumpet and trombone styles including: Salsa, Mambo, Merengue, Calypso, Cha Cha, and more! These 50 exciting examples will have you spending many enjoyable hours learning the intricacies of Latin brass playing. The book is transcribed note for note from the superbly recorded audio CD. Each example is recorded twice, the first version with brass, piano, bass and percussion and the second version with just piano bass and percussion so that the brass player can practice along with the rhythm section. All pieces are arranged for either Bb Trumpet or Trombone (bass clef), so there's something for everyone! The licks are short enough to be easily transposed for other instruments.

Doloroso e Contemplativo-Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost which was commissioned by Musica Reservata VOF Belgium and is dedicated to the famous Clarinet soloist Eddy Vanoosthuyse.A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas and then with longer melodic lines. The Orchestra delivers the dialogue with the soloist and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music the atmosphere from the beginning is restored and the soloistfinishes on the same note that he started the piece on.The concerto is also available as a Piano reduction.

THE OPERA FROM LETS MAKE AN OPERA. AN ENTERTAINMENT FOR YOUNG PEOPLE INSTRUMENTATION : SOLOISTS, CHOIR, STRING QUARTET, PIANO (4-HÄNDIG) AND PERCUSSION VERSION : VOCAL/PIANO SCORE DESCRIPTION : THIS OPERA IS THE FINAL SECTION OF THE ENTERTAINMENT FOR YOUNG PEOPLE CALLED LETS MAKE AN OPERA. THE FIRST SECTION OF THIS IS IN THE FORM OF A PLAY AND ILLUSTRATES THE PREPARATION AND REHEARSAL OF AN OPERA.PROFESSIONALS OR VERY GIFTED AMATEURS ARE NEEDED TO PLAY THE GROWN-UP PARTS AND ALSO THE PART OF JULIET (PROVIDED, OF COURSE, THAT SHE CAN LOOK CONVINCINGLY YOUTHFUL). IT IS ESSENTIAL THAT REAL CHILDREN SHOULD PLAY THE CHILDREN?S PARTS. THE ACCOMPANIMENT IS FOR SOLO STRING QUARTET, PIANO-DUET (FOUR HANDS ON ONE PIANO) AND PERCUSSION (ONE PLAYER CAN MANAGE). THE STRING PARTS ARE NOT VERY EASY. THE SONGS NOS. I, IX, XIV AND XVII ARE TO BE SUNG BY THE WHOLE AUDIENCE UNDER THE DIRECTION OF THE CONDUCTOR. THEY MUST, OF COURSE, BE REHEARSED BEFOREHAND. ALLOWANCE IS MADE FOR SUCH REHEARSAL IN PART ONE OF LETS MAKE AN OPERA.NOMBRE DE PAGES : 88 LANGUE : ENGLISH FORMAT : NEW EDITION PORTRAIT

CANTIONES PROFANAE EDITION : STUDY SCORE INSTRUMENTATION : SOLOISTS (STBAR), MIXED CHOIR (SATB), CHILDREN'S CHOIR AND ORCHESTRA DATE OF COMPOSITION: 1936 DURATION : 65' DATE OF PUBLICATIONS : 14/02/1986 NUMBER OF PAGES : 180 LANGUAGE : LATIN - MIDDLE HIGH

Par ZUBEL AGATA. The musical axis of the opera Bildbeschreibung consists of the relations between the soloistically treated instruments, the parts of which are based on the realisation by the performers of layers of sound ? understood not just as the exploration of their own instrument, but above all the presentation or representation in sound of the text. Each of the parts forges an area of ?pictorial description?, so it is designed to lead the listener to ask what came before and how this came about. The multiplicity and ambiguity of such speculation gives us an open catalogue of representa-tions. As it is open, it is impossible to indicate the number of associations that would be appropriate ? too few or too many. Quite simply, the greater whole perceived from the perspective of a single soloist or through the prism of a single aria entitles us to highlight the idea of Bildbeschreibung in the same way that we can begin to see or analyse any picture, starting with a single detail, motif or figure. So such an aria is not an excerpt like the hits from the history of classical opera. It is a lens that ? as occurs throughout the opera Bildbeschreibung ? focusses attention on a selected detail, and the soloists themselves, without the comfort of showing themselves against the background of the whole event, are tempted from the outset to divine the origins of Bildbeschreibung. / Date parution : 2022-12-12/ Répertoire / Trompette

Early in 1989 Jean Baily director of the Royal Conservatoire in Bruxelles asked his very close friend André Waignein to compose a piece which could be performed by the conservatoire's saxophone class. André Waignein was readily agreeable. Not only was his father a saxophone player but himself felt strongly attracted to the instrument and he was further encouraged into accepting the commission by his friend Alain Crepin saxophone teacher at the Bruxelles Conservatoire.The piece he composed consists of two movements hence the title. An elergy is expressed by means of a melody which is full with pronounced magnanimity full of spectacular musical freedom enabling thesoloist to express himself to the full. In this movement the melodic element is of the utmost importance.The capriccio the second movement is musically disconcerting. The band's accompaniment is particulary important. Due to the high notes the soloist brings this capriccio to a close with enthusiastic virtuosity.

Early in 1989 Jean Baily director of the Royal Conservatoire in Bruxelles asked his very close friend André Waignein to compose a piece which could be performed by the conservatoire's saxophone class. André Waignein was readily agreeable. Not only was his father a saxophone player but himself felt strongly attracted to the instrument and he was further encouraged into accepting the commission by his friend Alain Crepin saxophone teacher at the Bruxelles Conservatoire.The piece he composed consists of two movements hence the title. An elergy is expressed by means of a melody which is full with pronounced magnanimity full of spectacular musical freedom enabling thesoloist to express himself to the full. In this movement the melodic element is of the utmost importance.The capriccio the second movement is musically disconcerting. The band's accompaniment is particulary important. Due to the high notes the soloist brings this capriccio to a close with enthusiastic virtuosity.

RV580-Performed by Bojidara Kouzmanova violinAccompaniment: Tempi Concertati Chamber OrchestraConductor: Nayden TodorovThis wonderful and unique Baroque concerto features four magnificent violin parts withstring orchestra. A masterpiece in Vivaldi's oeuvre and a great learning tool as each of the four violin solo parts is of varying difficulty. You pick the part that's right for you and we supply the rest. We've even included aversion minus all violins so you can get together with a group and make great music! Tremendous fun with a sumptuously beautiful classic! This deluxe 2CD set includes a slow-tempo practice version of each accompaniment to help youget up to speed. Includes a newly-engraved edition of the concerto on high-quality ivory paper edited by Ms. Kouzmanova; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and allsoloists; then an additional performance minus you the soloist for each of the four violin solo parts as well as a bonus version minus all violins. Contains a second compact disc featuring -20% reduced-tempo versions of eachaccompaniment for practice purposes.