Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Fast Forward Alto, Piano [Partition + Accès audio] Boosey and Hawkes
21 Pieces for Viola Players Viola and Piano with Online Audio. Composed by H...(+)
21 Pieces for Viola
Players
Viola and Piano with
Online
Audio. Composed by Hugh
Colledge and Katherine
Colledge. Boosey &
Hawkes
Chamber Music. Classical.
Softcover Audio Online.
30
pages. Boosey &
Hawkes
#M060135439. Published by
Boosey & Hawkes
A New Musical Collection from Cirque du Soleil (Piano/Vocal/Chords). For K...(+)
A New Musical Collection
from Cirque du Soleil
(Piano/Vocal/Chords). For
Keyboard; Piano; Voice.
This
edition:
Piano/Vocal/Chords.
Book; Piano/Vocal/Chords;
Shows and Movies.
Broadway;
Pop; Pop/Rock;
Traditional.
188 pages. Published by
Alfred Music
Piano (Piano) - Grade 3 SKU: HL.14015562 Composed by Herbert Howells. Mus...(+)
Piano (Piano) - Grade 3
SKU: HL.14015562
Composed by Herbert
Howells. Music Sales
America. Classical. Book
[Softcover]. 36 pages.
Thames Publishing
#TH978626. Published by
Thames Publishing
(HL.14015562).
ISBN
9781846097225.
8.25x11.75x0.182 inches.
English.
The music
Herbert Howells has
tended to be unjustly
neglected but his
post-war output of
orchestral and chamber
works is currently
enjoying a period of
re-eveluation. This
Herbert Howells society
edition of six pieces
brings to light yet
another aspect of his
work, namely his Piano
music. Even though he was
an accomplished pianist
himself, music for Piano
did not figure highly in
his output. This volume
contains some charming
character pieces in the
form of six Sarum
Sketches, two slow dances
based on tunes from John
Playford's The Dancing
Master, an extrovert
piece based on a folk
tune, a minuet composed
as a birthday present for
John Ireland, a brief
vignette and an exquisite
miniature. Of the six
pieces in this volume,
three appear in print for
the first time.
Alpine Flowers' Party! Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Score and Parts Concert Band (Score & Parts) SKU: HL.4007788 Concert B...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.4007788
Concert Band Grade 4
10:45 Score and
Parts. Composed by
Itaru Sakai. De Haske
Concert Band. Concert
Band. Softcover. Duration
645 seconds. De Haske
Publications
#DHP1063946040. Published
by De Haske Publications
(HL.4007788).
ISBN
9781705174036. UPC:
196288093992.
The
Hida High School is in a
highland city called
Takayama in Gifu
Prefecture. Takayama City
has some of the highest
mountains in Japan,
atmospheric rows of
houses and streets, and a
beautiful landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Performed by Bryan Adams. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Bryan Adams.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Pop rock
and adult contemporary.
128 pages. 9x12 inches.
Published by Hal Leonard.
Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
(Original Motion Picture Soundtrack) Lyrics by Howard Ashman, music by Alan Menk...(+)
(Original Motion Picture
Soundtrack) Lyrics by
Howard Ashman, music by
Alan Menken. Songbook for
voice, piano and guitar
chords. From the motion
picture "Little Shop Of
Horrors". 100 pages.
Published by Alfred
Publishing.
For trombones and
band. Composed by
Harm Evers. Solo
Spectrum. March. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053784-010. Published by
De Haske Publications
(BT.DHP-1053784-010).
English-German-French-
Dutch.
Halloween is
celebrated in many
countries around the
world on October 31.
Traditionally, children
go door-to-door dressed
up in costumes and
collect sweets and
treats. A hollowed out
pumpkin with a face
carved into it, called a
jack-o-lantern, is a
traditional symbol of
Halloween. Some
jack-o-lanterns have
scary faces, while others
have fun, whimsical
faces. The trombones in
this piece represent the
jack-o-lanterns with
their whimsical
faces—hence the
title The Funny Pumpkins.
Your trombone section
will have immense fun
with this new solo
feature.
In diesem
lustigen Stück von
Harm Evers stellen die
Posaunen die halb
gruseligen, halb
komischen Gesichter dar,
die zu Halloween aus
Kürbissen (englisch
'pumpkins') geschnitzt
werden. Ein leichter,
lebhafter Marsch 'mit
einem Augenzwinkern', der
nicht nur zu Halloween
für gute Stimmung
sorgt!
Oother solo insts. and orchestra (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp....(+)
Oother solo insts. and
orchestra (solo: B-tbne -
2(picc).2.2.2 - 2.2.0.0 -
timp. str)
SKU:
BR.PB-33001
Urtext. Composed
by Christian Gottlieb
Muller. Edited by Nick
Pfefferkorn. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Romantic
period. Full score. 56
pages. Duration 15'.
Breitkopf and Haertel #PB
33001. Published by
Breitkopf and Haertel
(BR.PB-33001).
ISBN
9790004215821. 10 x 12.5
inches.
The present
Concertino in E-flat
major, Op. 5, was
composed especially for
the Leipzig trombone
virtuoso Carl Traugott
Queisser (1800-1846), to
whom the work is also
dedicated. The Concertino
was first reviewed by the
critic Gottfried Wilhelm
Fink (1783-1846) in the
Leipzig Allgemeine
Musikalische Zeitung
(AMZ), issue no. 38,
September 1832. The
critic discussed the work
in detail, calling it a
milestone of the trombone
literature, ... its
public performance should
thus be determined by
only true masters. The
rest, however, may wish
to utilize it, in
silence, that is not
overheard by expectant
listeners, to strive with
it to strengthen their
powers....The
Concertino's premiere can
be dated to 1828, with
Queisser himself as
soloist, and the composer
conducting. Queisser
repeatedly performed the
Concertino up to 1843.
The work was published
under catalogue number
5227 in 1832 by Breitkopf
& Hartel. Sometime in the
1940s the work was lost
to sight and no
performances known to
come from then. Together
with the Concertino, Op.
4, later composed by
Ferdinand David, Muller's
contribution to this
genre is among the most
often played and most
demanding of the trombone
literature. The score
includes, besides a
preface detailing the
work's genesis and
reception history, also
facsimile pages to round
out the edition. You may
browse our piano vocal
score here.
Vocal soloists, choir and orchestra SKU: HL.49016832 Scenario in 3 act...(+)
Vocal soloists, choir and
orchestra
SKU:
HL.49016832
Scenario in 3
acts. Composed by
Richard Wagner. Edited by
Peter Jost. Arranged by
Peter Jost. This edition:
Hardback/Hard Cover.
Sheet music. Study Score.
Classical. Study score.
Composed 1875. 596 pages.
Duration 185'. Eulenburg
Edition #ETP8061.
Published by Eulenburg
Edition (HL.49016832).
ISBN 9783795764500.
UPC: 841886009011.
7.75x10.75x1.88 inches.
German.
Numerous
revisions and adaptations
are entangled in the
complex history of the
work 'Tannhauser'. After
the world premiere in
Dresden in 1845 had
failed to be well
received by the audience,
Wagner revised large
parts of the opera
several times in the
following decades. The
most comprehensive
changes were made for the
Paris performance in
March 1861, but even
after that he made
further revisions which
superseded some of the
previous changes and were
performed in Vienna in
1875 among others.The
study score is based on
the version of 1875 which
has misleadingly been
published as the 'Paris
version' until today and
has actually to be
referred to as 'Viennese
version'. The musical
text is identical to that
of the critical edition
within the Wagner
Complete Edition, with
the errata discovered
since then having been
corrected.
3 (3.
auch Picc.) * 2 * 2 *
Bassklar. * 2 - 2
Ventilhr. * 2 Waldhr. * 3
* 3 * 1 - P. S. (Trgl. *
Beck. * Schellentr. * gr.
Tr. * Kast.) (2 Spieler)
- Hfe. - Str. Auf der
Buhne: Picc. * 2 * 2 *
Engl. Hr. * 3 * 0 - 4 *
12 Waldhr. * 12 * 0 * 0 -
S. (Trgl. * Beck. *
Schellentr.) - Hfe.
Composed
by Sean O'Loughlin. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages.
Duration 5 minutes, 32
seconds. Carl Fischer
Music #CPS209F. Published
by Carl Fischer Music
(CF.CPS209F).
ISBN
9781491148358. UPC:
680160905850. 9 x 12
inches.
The Past is
Always Present begins
with a reverent melody
for solo flute that
invokes voices from the
past. This theme becomes
the cornerstone of the
entire work leading the
listener on a journey
that is at times
reflective and at others
bold and broad. Perfect
for contest and festival
performance, this piece
contains all of the
signature styling that
has made Sean
O'Loughlin's works some
of the most popular for
bands today.