(Unlocking the Creative Potential of Recording Studio Effects). Book. Softcover. 412 pages. Published by Focal Press

SKU: HL.1270149

BeatBuddy products. Guitar Pedal. Duration 180 seconds. Singular Sound #AEROS2-LS-USA. Published by Singular Sound (HL.1270149).

UPC: 196288164449. 6.25x11.0x3.0 inches.

The Aeros Gold Edition brings powerful tools and flexibility to your music. With two playing modes (2x2 and 6x6) you can choose the best style for your performance. Record your loops in sequence to form song parts, and in parallel for a deep, layered sound. The 4.3″ touch-screen display hosts a robust Mixing Mode, color-coded waveforms and automatic cues. Built-in effects like fade in/out, loop decay, and reverse track provide value to your performance. Upload backing tracks, autoquantize loops, save and export files, all within a sleek, compact pedal. The 24-bit studio grade sound and silent footswitches provide immense value for acoustic sets and studio sessions. With over 20 minutes of mono recording memory per song, you'll never run out of space to perform. Dive into all the Aeros' features and discover a truly liberated looping experience.

SKU: M7.VOGG-350

Composed by Karin Ploog. This edition: Paperback/Softcover. Sheet music with CD. 120 pages. Voggenreiter #VOGG 350. Published by Voggenreiter (M7.VOGG-350).

ISBN 9783802403507. German.

Dieses Konzept für Gesangstechnik enthält alles, was Sänger/innen für eine sorgfältige Ausbildung ihrer Stimme und über die perfekte Atemtechnik wissen sollten. Dabei helfen Grund-, Aufbau- und Profi-Übungen. Weiterhin gibt es Hilfestellung bei Stimmproblemen, es werden Interpretationstechniken erarbeitet und Tipps und Tricks vermittelt, die vom Einsingen bis zur Studioarbeit reichen. Die Autorin, selbst Sängerin, Hochschuldozentin und Studio-Voicecoacher, vermittelt die Techniken der Profis auf leichtverständliche Weise. Der Lehrstoff wird durch viele Grafiken und anatomische Zeichnungen aufgelockert. Dieses Buch ist sowohl für das Selbststudium, als auch als Unterrichtshilfe oder Studienbegleiter konzipiert.

SKU: HL.1329342

Acoustic Correction Processor. IK Hardware. Studio & Rehearsal Support. IK Multimedia #IP-ARC-STUDIO-IN. Published by IK Multimedia (HL.1329342).

6.15x12.75x2.811 inches.

High-defini tion monitoring for all... There's a reason all of today's highest-end studio monitors are adding active room correction – it supercharges their performance and ensures mixes translate flawlessly. ARC Studio offers this same massive boost in performance and accuracy to every monitor in every studio. Dramactically improve your mixing accuracy Your room has a big impact on how you hear your music. The size, shape, materials, and furniture all work to distort the frequency and stereo balance of your monitors, degrading your sound. ARC Studio analyzes and corrects these issues in minutes. Your music snaps into focus, with more controlled low-end, tighter transients and pinpoint stereo imaging. It's like an instant upgrade to your monitors. And when you can trust what you hear, you'll mix faster and more confidently than ever. Installs in minutes ARC Studio combines the new ARC 4 measurement software, room analysis microphone and stand-alone correction processor. Plug the mic into your interface and you'll be guided through measuring acoustical spots within your listening position. IK's award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading your monitors' performance. This correction profile is loaded into the ARC Studio processor, sitting invisibly between your interface and monitors to apply all incoming signals. Acoustic issues disappear, unleashing your monitors' true performance. Correct every studio For pro studios, whether in-the-box or console-based, ARC Studio allows for a sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system's sonic quality. And for DAW-based studios, ARC Studio frees you from the hassle of inserting plug-ins on the master bus of your work and preserves zero-latency monitoring setups, plus allows you to listen to your preferred streaming service with acoustically corrected monitoring without messing around with system drivers. You can create a profile for every configuration, listening position or even monitor pair. Whether you're in a makeshift studio or a world-class one, fine-tuning your monitoring to your taste has never been easier and has never sounded so good. Includes monitor emulations ARC Studio also includes a monitor emulations function that turns your monitor system into iconic studio monitors and popular hi-fi speakers and mobile devices, with breathtakingly true-to-life results by accurately reproducing the frequency and phase response of the originals. With over 20 profiles included, a single pair of monitors now lets you test your mix on different reference systems quickly, without ever having to head to your car! For Every Studio • Compact digital room correction processor • High-end audio conversion • Full-range correction for any ki.

(Book)

SKU: HL.50580815

Update 2008-2012. By M.M. Novati. Ricordi. Books on Music. Book [Softcover]. Composed 2012. Ricordi #NR140714. Published by Ricordi (HL.50580815).

ISBN 9788875929183. 6.5x9.25x0.93 inches. Italian.

In 2008, the whole Studio di Fonolgia di Milano della Rai - including equipment and furniture - was completely reconstructed inside the XXXVI room of the Museum of Musical Instruments at the Sforza Castle in Milan. For the first time, all the productions of the Studio (including not only electronic music compositions but also original soundtracks for radio programmes) were systematically catalogued and made available in this publication.The book contains several updates to the old contributions. In addition, it presents three new essays that provide an interesting reflection on the the preservation of electroacoustic music and its instruments, as well as documentingrecent research that led to the realization of the sounds and the physical interfaces that embody the original instruments of the Studio.The second part of the book contains the catalogue of the musical production at the Studio enriched with a great deal of new data, as well as part of the video productions whose soundtracks were produced or edited at the Studio.This new edition will provide a complete and valuable tool to anyone looking for a better understanding, from both the technical and the musical viewpoint, of an extremely dynamic - if not contradictory - period of Italian and European music history: a very short moment after all, less than thirty years long.

Als 2008 das beruhmte Studio Di Fonologia des Mailander Radios RAI Milano, 1954 von Bruno Maderna und Luciano Berio gegrundet, ins Musikinstrumentemuseum des Castello Sforzesco umzog, ergriff man die Gelegenheit, nicht nur die elektronischen Instrumente und Anlagen, sondern auch die dort entstandenen Aufnahmen zu katalogisieren und einem breiteren Publikum zuganglich zu machen. Das Buch enthalt im ersten Teil eine genaue Beschreibung der elektrotechnischen Anlagen und Instrumente mit vielen Abbildungen, im zweiten Teil den Katalog der Audio- und Videoaufnahmen.Die hier vorliegende neue Ausgabe gewahrt einen moglichst vollstandigen Einblick in die technische undmusikalische Entwicklung einer hoch dynamischen, wenn auch recht kurzen, Phase der italienischen und europaischen Experimentalmusik.

By Bobby Owsinski. Book; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 248 pages. Published by Alfred Music Publishing

(The Official Guide to Getting the Most from Your Console). By Bobby Owsinski. Book; Books and DVDs; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 220 pages. Published by Alfred Music

By Greg Fishman. For Guitar. Play-Along (Book CD). Published by Greg Fishman Jazz Studios

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Mark Hollingsworth will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Clarinet" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Mark Hollingsworth Mark Hollingsworth began studying music at five years of age. His background includes both classical and jazz training. After high school Mark won a scholarship from Berklee College of Music in Boston and graduated Magna Cum Laude, with a major in woodwind performance. Mark has over fifteen years experience as a studio musician in Los Angeles recording for movies, albums, television broadcasts and numerous "jingles" as well as cartoons for Warner Brothers and Walt Disney. He has also performed in concerts with a wide range of artists including Quincy Jones, Natalie Cole, Celine Dion, Whitney Houston, Donna Summer and Manhattan Transfer to name a few. Some of Mark's most significant accomplishments include memorable television appearances with Stevie Wonder, Ray Charles, Michael Bolton and Michael McDonald . He has worked on numerous recordings with Tom Petty, Luther Vandross, U2, the Library of Congress and soundtracks for the Ren and Stimpy show. Mark's musical breadth also includes skills on an extensive collection of flutes from around the world. For more information about Mark Hollingsworth visit: www.windshoremusic.com.

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Mark Hollingsworth will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Flute" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Mark Hollingsworth Mark Hollingsworth began studying music at five years of age. His background includes both classical and jazz training. After high school Mark won a scholarship from Berklee College of Music in Boston and graduated Magna Cum Laude, with a major in woodwind performance. Mark has over fifteen years experience as a studio musician in Los Angeles recording for movies, albums, television broadcasts and numerous "jingles" as well as cartoons for Warner Brothers and Walt Disney. He has also performed in concerts with a wide range of artists including Quincy Jones, Natalie Cole, Celine Dion, Whitney Houston, Donna Summer and Manhattan Transfer to name a few. Some of Mark's most significant accomplishments include memorable television appearances with Stevie Wonder, Ray Charles, Michael Bolton and Michael McDonald . He has worked on numerous recordings with Tom Petty, Luther Vandross, U2, the Library of Congress and soundtracks for the Ren and Stimpy show. Mark's musical breadth also includes skills on an extensive collection of flutes from around the world. For more information about Mark Hollingsworth visit: www.windshoremusic.com.

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, are giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Chris Tedesco will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Trumpet" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Chris Tedesco Chris Tedesco has distinguished himself as a soloist, chamber artist, orchestral and commercial trumpeter in Los Angeles for over 20 years. His early classical training included studies with Chuck Lirette of the Buffalo Philharmonic and college training with Gilbert Johnson, (former principal trumpet of the Philadelphia Philharmonic) at the University of Miami in Florida. Chris Tedesco's road travels included concert tours with the Glenn Miller Band, Tommy Dorsey Orchestra, but it was Cruise Ships that brought him to Los Angeles in 1987. Chris Tedesco can be heard on the movie soundtracks of Finding Nemo, Road to Perdition, Boat Trip, The Mexican, Best in Show, Ring of Fire, After the Storm, Durango Kids, Winchell, Absolute Power, Star Trek - First Contact, Nixon, Stonebrook, Heaven and Earth, Cool World and Lorenzoes Oil. On the small screen you can hear his solo Trumpet on the theme to the hit TV show "The District" along with many national TV commercials. Chris Tedesco has recorded with Joe Cocker, Natalie Merchant, Ellis Hall, Royal Crown Revue, Pat Boone, Cher, Brian Setzer, Dwight Yoakum, Juan Carlos Quintero, Thom Rotella, Jump with Joey, Leslie Paula, Boom Shaka and for The Disney Afternoon. For more information about Chris Tedesco visit: www.christedesco.com.

Recorder Quartet - easy

SKU: BT.1597-08-070-MS

Composed by Paul Simon. Arranged by Mia Schmidt. De Haske Recorder Series. Set (Score & Parts). Composed 2008. 8 pages. Music Sales #1597-08-070 MS. Published by Music Sales (BT.1597-08-070-MS).

ISBN 9789043131094. 9x12 inches. English-German-French-Dut ch.

Just five studio albums between 1964 and 1970 were sufficient for Simon and Garfunkel to become the most popular folk duet of the sixties. Their songs are poetic and sometime melancholic but The Sound of Silence remains on of their greatest successes.

De Amerikaanse zanger Paul Simon maakt van 1966 tot en met 1970 deel uit van het folkpopduo Simon & Garfunkel. Het duo heeft veel succes met albums als Sounds of Silence (1966), Parsley, Sage, Rosemary and Thyme(1966), Bookends (1968) en vooral Bridge over Troubled Water (1970). Het levert hen ook grote hits op, waarvan enkele nummers uitgroeien tot klassiekers, zoals ook The Sound of Silence. Mia Schmidt bewerktedit prachtige nummer voor blokfluitkwartet.

The Sound of Silence ist eine der früheren Kompositionen von Paul Simon, erstmals erschienen auf dem noch mäßig erfolgreichen Album Wednesday Morning, 3 a.m. von 1964. Später sollte es in einer überarbeiteten Fassung zu einem der größten Hits des Folk-Rock-Duos Simon and Garfunkel werden. Mia Schmidt passte den Klassiker geschickt für Blockflötenquartett an.

Cinq albums studios entre 1964 et 1970 suffirent Simon & Garfunkel pour devenir le duo folk le plus célèbre des années 60. Leurs chansons sont tantôt poétiques et mélancoliques, tantôt douces-amères. The Sound Of Silence est un des plus grands succès du duo.

Cinque album tra il 1964 e il 1970 bastarono a Simon & Garfunkel per diventare il duo folk più celebre degli anni '60. Le loro canzoni sono poetiche e malinconiche, dolci e amare. The Sound of Silence è uno dei più grandi successi del duo.

By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published by Greg Fishman Jazz Studios.

By Peter McIan and Larry Wichman. Book. Published by Music Sales. (AM91470) Updated edition includes advice on creating great demos, secrets to using 4-track Portasound cassette decks, tips for assembly and best use of 16-track home studios, a buyer's guide to new and used equipment, hints from studio musicians, and more.

(Signal Flow -- Fundamental Tools of Sound Production). By Matt Donner, Steve Heithecker, and George Peterson. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Pyramind Training Series. 248 pages. Published by Alfred Music Publishing

SKU: HL.347642

15-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1043115. Published by Hal Leonard (HL.347642).

UPC: 697643110472. 15.0x15.0x0.126 inches.

Formula 602 Classic Sounds is one of the world's most preferred and legendary cymbal lines in history. Renown and loved for its fine, pure, soft, delicate musical tone, that requires precise playing. Reintroduction of the most popular models, faithfully re-created in terms of sound and look, started in 2011. Forged from the legendary “602 Bronze” (CuSn20), handcrafted from start to finish by highly skilled Swiss craftsmen, Formula 602 Classic Sounds cymbals produce a true, pure sound of unique clarity and consistency. Weight: medium top/medium bottom Volume: medium low to medium loud Stick Sound: soft, fairly dry Intensity: lively Sustain: medium Chick Sound: airy, light, papery Sound Character: Rich, silvery, somewhat mellow. Wide range, fairly complex mix. Quick and responsive feel with a soft and warm touch. Very controllable. Full, round and energetic open sound, paired with a light and airy chick sound. Ideal for playing at moderate volume level and a wide range of studio applications.

SKU: HL.1753725

Royer Labs. Microphone. Hal Leonard #R-121. Published by Hal Leonard (HL.1753725).

UPC: 850035900017. 7.25x12.0x5.5 inches.

In studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more! The R-121 is Royer's flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more. The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.

Wind Band; Concert Band

SKU: YM.GTW01101388

New Sounds in Brass. Composed by Joe Hisaishi. Arranged by Takashi Hoshide. Studio Ghibli. New Sounds in Brass. Set of Score & Part. Yamaha Music Media #GTW01101388. Published by Yamaha Music Media (YM.GTW01101388).

ISBN 9784636110005. 8.75 x 12 inches.

The ultimate full score medley of beautiful melodies from the Studio Ghibli film Princess Mononoke (1997, dir. Hayao Miyazaki), arranged for concert band in the series: New Sounds in Brass (NSB). Grade 3; Duration: approx.8'50; Composed by Joe Hisaishi; Arranged by Takashi Hoshide. Arranger Takashi Hoshide says, I have selected beautiful melodies from the soundtrack of 'Princess Mononoke' (1997, directed by Hayao Miyazaki) and arranged them into a medley. What can be said about these songs as a whole is that they combine a grand continental scale with the delicacy that reflects Japanese emotions. Since there are no upbeat songs in this selection, I had to work hard on the arrangement, but this allowed for creating contrasts and transitions between each scene in the performance. 'Ashitaka Sekki (English title: The Legend of Ashitaka)' - 'Sekki' means a story that is not recorded but passed down orally. In this anime, this can be considered a sub-main theme. The song starts with a feeling that the story is about to begin and, once the theme kicks in, aim for a grand performance to convey its scale. 'Encounter' - This is the music that plays during the scene where the protagonist Ashitaka meets San. Interestingly, the motif of the main theme 'Princess Mononoke' is used in this melody. Here, let's pursue the shifts in the timbre of individual phrases, creating a beautiful and aesthetic soundscape. 'Princess Mononoke' - This is the main title of the anime. The melody line is carried by horns and trumpets.

(A Definitive Guide to Creating and Recording Great Guitar Sounds). By Bobby Owsinski and Rich Tozzoli. For Guitar. Book; DVD; Guitar Reference; Reference Textbooks. 228 pages. Published by Alfred Music

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

14 Formula 602 Sound Edge Hi-Hat Bottom

SKU: HL.3710140

14-inches. Paiste Cymbals. General Merchandise. Hal Leonard #1043314. Published by Hal Leonard (HL.3710140).

UPC: 697643109261. 14.0x14.0x1.25 inches.

One of the world's most referred and legendary cymbal lines in history. Renowned and loved for its fine, pure, soft, delicate musical tone that requires precise playing. Alloy: CuSn20, also known as “Traditional Bronze” or “602 Bronze” Applications: Low to medium loud settings, especially well-suited for recording, live; jazz, fusion, blues, moderate pop and rock, country folk, acoustic music Sound: Warm, silvery, mellow, cool, light, fine, precise and controlled; Cymbals with clarity and retro vintage character combined with a velvety, sensitive, very responsive feel. Size: 14-inches Weight: medium bottom Volume: medium low to medium loud Stick Sound: soft, fairly dry Intensity: lively Sustain: medium Chick Sound: airy, light, papery Sound character: Rich, silvery, bright, somewhat mellow. Wide range, fairly complex mix. Quick and responsive feel with a soft and warm touch. Very controllable. Full, round and energetic open sound, paired with a light and airy chick sound. Ideal for playing at moderate volume level and a wide range of studio applications.

By David Franz. Berklee Press. CD-ROM only. Size 6x9 inches. 282 pages. Published by Berklee Press.

SKU: HL.1753724

Royer Labs. Microphone. Hal Leonard #R-10. Published by Hal Leonard (HL.1753724).

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1138127

Lewitt Audio. Audio Interface Unit. Hal Leonard #CONNECT6. Published by Hal Leonard (HL.1138127).

ISBN 9781705183397. UPC: 847986002242. 8.5x11.0x3.0 inches.

CONNECT 6 is a Dual USB-C audio interface with game-changing flexibility for creators and musicians. It features extensive analog and digital connectivity, full iOS/Android device integration, and crystal-clear sounding studio-grade preamps. The onboard DSP effects provide fantastic sound for vocals and instruments with zero-latency. Auto Setup helps to find your optimal settings automatically. The included CONTROL CENTER software offers virtual channels, a mixer, loopback, and individual audio routing. You can set up workflows from basic to complex easily. Since your audio is processed via the hardware-based DSP, your setup is highly stable and independent of your computer's performance. Everything is conveniently managed on a single device–no more workarounds. Features: • Dual USB-C audio interface for creators and musicians • 2 Crystal-clear studio-grade preamps with 72 dB gain and low-noise performance of -133 dBV EIN • Auto Setup dials in optimal settings for your voice or instrument automatically • Powerful hardware-based DSP for routing, mixing, zero-latency FX (Compressor, 4-band EQ, Expander, Maximizer) and monitoring • 2 Independent headphone outputs powerful enough to drive any studio headphone (6.35 mm & 3.5 mm) • Full mobile device audio integration with charging via USB-C (Apple MFI certified - Made for iPhone, iPad / Android) • 2 Balanced speaker outputs (6.35 mm / 1/4 inch) • 1 Stereo speaker out (3.5 mm / 1/8 inch) • 1 Stereo aux input for additional audio devices (3.5 mm / 1/8 inch) • 3 Virtual stereo channels for custom audio routing • 1 Loopback channel to digitally record your computer's audio • 2 Independent master mixes with one-knob Maximizer • ASIO driver included • CONTROL CENTER for Mac and Windows • Licenses for Steinberg's Cubase LE, Cubasis LE included • 1 USB-C to USB-C and 1 USB-C to USB-A cable included.

SKU: HL.3712067

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #737704. Published by Hal Leonard (HL.3712067).

UPC: 196288220572. 8.5x9.0x4.5 inches.

With the closed DT 700 PRO X, beyerdynamic presents a pair of circumaural studio headphones that a resuitable for professional recording and monitoring in the studio as well as on the road. This is enabled by theSTELLAR.45 driver, developed in Heilbronn, which reproduces the best studio-quality sound loudly and powerfully on all playback devices. Whether on an interface, laptop, tablet or mobile phone, there are no limits to creativity. The detachable mini-XLR cable can be replaced by cables of different lengths and connection options. The rugged spring steel headband construction gives the over-ear headphones a secure fit and ensures durability. The supple velour ear pads are soft to touch, as you would expect, and ensure comfortable air circulation. Thanks to soft memory foam, the headband adapts ergonomically to the shape of the head and, like the ear pads, it can be replaced when necessary. Robust and high-quality materials complete these headphones, which are handmade in Germany.