Par COURTIERE MILES. Folk & Country Waltzes for Guitar contain 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements, especially weddings, the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles, not just slow waltzes. The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune. Many of thetunes are very well known such as: Daisy, Home On The Range, Anniversary Waltz, After The Ball, Ash Grove, Greensleeves, Laredo, Scarborough Fair, Star Of The County Down, The Black Velvet Band, The Greenwood Tree, Southwind, The Four Marys, Barbara Allen, Flowers Of The Thorn, Beautiful Brown Eyes, Give Me Your Hand and many more. Folk & Country Waltzes for Guitar contain 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements, especially weddings, the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles, not just slow waltzes. The melodies of these pieces are easily recognizable althoughyou may not remember the name of a specific tune. Many of the tunes are very well known such as: Daisy, Home On The Range, Anniversary Waltz, After The Ball, Ash Grove, Greensleeves, Laredo, Scarborough Fair, Star Of The County Down, The Black Velvet Band, The Greenwood Tree, Southwind, The Four Marys, Barbara Allen, Flowers Of The Thorn, Beautiful Brown Eyes, Give Me Your Hand and many more. / Niveau : 1 / Recueil / Guitare

Par SAUTENET JEAN-FRANCOIS. Deux petites pièces modernes et attrayantes, présentées avec l'écriture traditionnelle du tambour Français. 'La 1ere' a été sélectionnée par l'Union des Fanfares de France pour les examens 2005, catégorie débutant. / Niveau : Facile / Répertoire / Percussions, Caisse Claire et Tambour, Solo

Par CURNOW PAUL. This piece works beautifully for concerts, festivals, or as a ceremonial work. It will become a staple of your Grade 1 music library. The thrilling opening fanfare sets the stage for an ennobling Woodwind theme. There is a lot of dynamic interest as additional instruments reinforce the sound and combine into a glorious and unified statement. Consider this one for use with large groups too, such as massed bands. The grand nature of the piece lends itself perfectly to that arena. A brilliant fanfare-style ending brings the piece to a forceful conclusion. Stunning! / Niveau : 1 / Pièce de concert / Répertoire / Concert Band

Par JOHNSON TIMOTHY. Based on the well-known hymn tune 'Lyons' this arrangement begins with an energetic statement of worship. The middle section is contemplative in nature, representing the times when a person is involved in quiet, reverent worship. The conclusion returns to a dramatic, joyful statement of the hymn tune, ending with a bold statement of worship. / Niveau : 2 / Hymnes et chorals / Répertoire / Concert Band

Antologia Critico-Tecnica Per Gli Studenti Di Canto. Par BATTAGLIA ELIO. Antologia Critico-Tecnica Per Gli Studenti Di Canto / Méthode / Date parution : 1905-06-30/ Méthode / Voix Moyenne

Reinforce legato, staccato, and ensemble phrasing with this piece while ushering in the joyous holiday season with musical glee. Opening with a clear unison statement and slowly adding textures and harmonic voices, the work develops to a joyous tutti statement that continues to build in intensity to a glorious conclusion. This arrangement is scored for full orchestra- however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (2:30) / Orchestre

Par FERRARI M. / VERRINI L.. Raccolta di facili brani per orchestra di studenti. I 14 brani coinvolgono lo studente nelle sonorità gioiose del rinascimento italiano, francese e inglese. Sono concepiti per orchestra di studenti. L'organico strumentale è suddiviso in 1 parte per pianoforte, 3 parti per chitarra, 4 parti per strumenodico (flauto, violino, oboe e clarineto), percussioni e coro ad libitum./ Recueil / Ensemble

 PROFIL est un morceau spécifiquement mélodique, à l'allure parfois tourmentée, parfois débonnaire, et évoque, par le son si particulier du basson, les traits de caractère que relève la physionomie du visage d'un personnage,Avec noblesse, le motif central s'impose par son rythme et la mélodie par sa solennité, La partie plutôt enjouée du milieu est considéré ici comme un divertissement, La partie pianistique soutient le discours du basson dont l'allure devient à la fin de plus en plus rapide, comme si un large sourire éclairait le visage de ce mystérieux personnage, / Basson Et Piano

Comment jouer des accompagnements et des solos de piano dans le style Blues ? Avec cet ouvrage bien sûr... Tout d'abord les rythmiques, majeures et mineures, utilisant des sons de piano, de Rhodes ou d'orgue, allant du Shuffle au Rhythm 'n' Blues, en passant par le Slow-Blues ou encore le Blues-Rock... à jouer sans modération ! Puis les solos, avec toutes les caractéristiques propres au style (placement, respiration, question/réponse, gimmicks?) et à ses différents rythmes (shuffle, binaire, 12/8...). Si la main droite tient ici le rôle principal, la gauche la soutient et la complète, tant au niveau du rythme que de l'harmonie. Le tout dans l'esprit de Memphis Slim ou Ray Charles, en passant par Roy Hawkins, Nat King Cole, Joe Turner... et bien d'autres adeptes du style ! Pour chaque accompagnement et solo, sont disponibles cinq enregistrements différents sur le CD?MP3 joint, répartis de la façon suivante : le piano seul, au tempo normal puis ralenti, la même partie de piano jouée cette fois sur son playback, et enfin le playback seul, là encore au tempo normal puis ralenti... pour permettre à chacun d'apprendre et de jouer à son rythme, selon son niveau et ses capacités. Soit plus de 4 heures de musique en tout ! / Piano

Par HOSAY JAMES L.. Now your band can boldly go where no band has gone before, and bring the “final frontier” to your concert band stage! Here’s James L. Hosay’s imaginative new tone poem SPACE PROBE. Since the 1970's, NASA has been launching long-range, solar-powered probes into space. Over the past 30 years, the Voyager, Pioneer, and Galileo series’ probes have sent back incredible photographs. The data sent to Earth by these probes, along with recent photos and information gathered by the orbital telescope, Hubble, has helped astronomers chart the ever-expanding universe all the way back to its origins. This composition provides excellent opportunities for cross-curriculum teaching withscience. A scintillating musical spacescape ushers in the bold thematic statement in the Trumpets and Alto Saxophones. French Horns join in thrilling variation. A boundless contrasting espressivo theme soars through to the reprise of the initial ideas. Explore SPACE PROBE with your band this year. Inspiring! / Niveau : 2.5 / Répertoire / Concert Band ou Harmonie

Par CURNOW JAMES. A powerful statement in recognition of the allied D-day armada! There are so many musical considerations that make this piece an extraordinary teaching tool, let alone the cross-curricular tie-ins with the history department! The contrasts of style, dynamics, articulations, and harmonic balance make it a superb learning experience with an important historical connection. Perfect for festival or concert, James Curnow’s ARMADA OF FREEDOM will be a memorable event in your concert season. To the front! / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie

La messe de l'Annonciation, créée lors du 56ème congrès de l'Association nationale des directeurs diocésains de pèlerinages, en novembre 2003, est conçue comme une « messe des dimanches » à une voix, l'assemblée dialoguant avec un soliste ou un petit groupe de chanteurs, de préférence à voix égales. La partie d'orgue soutient et enrichit la ligne vocale de ses couleurs harmoniques originales, mais le chant garde une autonomie qui lui permet aussi de se passer d'instrument.

Explore your creativity on the Drumset. In this book, Drum tutor Mark Guiliana presents a complete system entitled D.R.O.P.: Dynamics, Rate, Orchestration and Phrasing. Guiliana pulls this structure apart, examining each building block individually and presenting rhythmic concepts that will expand your ability to call on different rhythmic rates and subdivisions on command, move them around the kit freely, and phrase them in exciting and sometimes complex ways that sound like 'polyrhythms? and 'metric modulations? but are actually constructed upon a solid foundation of drumming basics. This book will give you the confidence to make a personal statement on the Drumset.Exploring Your Creativity On The Drumset includes access to online videos showing live footage of Guiliana playing with two of his longtime collaborators, Tim Lefebvre (bass) and Jason Lindner (keys). Having played together for years, these three musicians most recently formed the rhythm section for David Bowie's final album, Blackstar. Watch Guiliana interact with these world-class musicians in electric and acoustic settings as they apply his own concepts in inspiring performances. / Batterie

Per Tre Stumenti. Par SCIARRINO SALVATORE. / Musique contemporaine / Date parution : 1905-06-23/ Répertoire / Trio