Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

The compositions in Easy Piano Pieces For Children have all been carefully selected for the beginner pianist. Over 100 selections in this songbook are progressively graded, with editorial markings and suggested fingering, allowing beginner children to learn with specially selected songs that they will enjoy playing.As an addition to the bestselling Everybody's Favorite series, these attractive and original pieces are easy to play and will allow young pianists to have fun while improving various aspects of their technique.This large songbook includes classic favourites by Mozart, Debussy and Grieg, Piano miniatures by Schumann, Arensky and Türk, as well as selections from Bartók's For Children, among many others. Each piece is graded with a star to indicate difficulty, while a glossary of music symbols and a keyboard chart are included to help early students with note and key recognition. / Piano

Plus de 150 grands thèmes classiques, tous présentés dans le format ' busker ', en haut de gamme arrangements avec cordes symboles. Comprend Largo de Handel, Clair De La Lune de Debussy, Air de Bach sur une chaîne g et Elgar faste et circonstance mars. / Chant Et Guitare / 128 pages / Partition

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody. / 2 Violons, Alto Et Violoncelle

Volume One
Quartet No. 1 in F Major, Op.18, No. 1
Quartet No. 2 in G Major, Op.18, No. 2
Quartet No. 3 in D Major, Op.18, No. 3
Quartet No. 4 in C Minor, Op.18, No. 4
Quartet No. 5 in A Major, Op.18, No. 5
Quartet No. 6 in B-flat Major, Op.18, No. 6
Quartet No. 7 in F Major, Op. 59, No. 1
Quartet No. 8 in E Minor, Op. 59, No. 2
Quartet No. 9 in C Major, Op. 59, No. 3
Volume Two
Quartet No. 10 in E-flat Major, Op. 74
Quartet No. 11 in F Minor, Op. 95
Quartet No. 12 in E-flat Major, Op. 127
Quartet No. 13 in B-flat Major, Op. 130
Quartet No. 14 in C-sharp Minor, Op. 131
Quartet No. 15 in A Minor, Op. 132
Quartet No. 16 in F Major, Op. 135
Grosse Fuge in B-flat Major, Op. 133